Sivaji Ganesan

Rajaraja Cholan is a 1973 Tamil film about the life of the Chola king Rajaraja Chola.

When a dancer makes a king realise the insignificance of the worldly pleasures, he decides to devote his life to the Almighty and starts reciting tales and songs of His greatness.

A doctor husband wants to make his wife go blind by putting drops that would harm her eyes making her believe that it would improve her eyesight. The purpose is to marry his wife's sister.

Manohar is an under appreciated poet and playwright. He is married to Kaveri, a kind hearted personality who cannot match Manohar's intellect. During his travails he is found by Chitra, a connoisseur of fine arts and drama. She encourages Manohar to become a published author and refers him to her contacts. Manohar achieves dramatic success, money flows in to his life, his lifestyle changes and he spends a lot of time with Chitra neglecting Kaveri. After some struggles he realises Kaveri is ready to let go of him and sacrifice her love for him. He realises his selfishness in this drama and apologises to both Kaveri and Chitra, finally making up with Kaveri.

Ravi, a businessman, falls in love with Lalitha, a professional dancer. But her father challenges him to learn the art of dance in order to marry his daughter.

A story of two rival kings, (R. Balasubramaniam, T.E. Krishnamachari); Sivaji Ganesan is the son of the latter. Krishnamachari is under the influence of an ambitious spiritual guru (Nambiar) who manipulates the king for his own ends. The prince works hard to prevent him from achieving his designs. He moves around the kingdom incognito fighting for people's rights. During this time he meets and falls in love with a dancer (Padmini). The rival king's daughter Lalitha is also in love with him. The wily advisor (Veerappa) of the other king tries to work out things in his favor and marry the dancer. After many twists and turns, the villains are exposed and the princess sacrifices her love in favor of the dancer.

Set in a historical backdrop, the narrative revolves around political intrigue, power struggles, and royal conflicts.Prince Suryakanthan (played by Sivaji Ganesan) and Chandran (played by K.R. Ramasamy) navigate complex relationships and rivalries involving figures like Veeramarthandan (S.V. Ranga Rao).

Harichandra (Tamil: ஹரிச்சந்திரா) is a 1968 Indian Tamil film, directed by K. S. Prakash Rao and produced by G. Varalakshmi. The film stars Sivaji Ganesan, G. Varalakshmi, T. S. Balaiah and K. A. Thangavelu in lead roles. The film had musical score by K. V. Mahadevan

Padayappa, a mechanical engineer whose father gives up his property to his foster brother, and then dies of shock soon after. Neelambari initially loves Padayappa, but plans to humiliate him after his family humiliates her father. The rest of the plot deals with Padayappa overcoming all the obstacles placed by Neelambari.

Sankar is an ambitious man who wants to make it big through fair means. However, the friend he works under, Sampath, begins to use corrupt measures to make them rich.

Pattikada Pattanama is a story about Mookkaiyan and kalpana who are completely opposite in their way of culture.Kalpana returns back to India after studying abroad and visits Mookkaiyans

Sivagnanam works as a bank clerk. Though his pay is meagre, he deals with a lot of cash at the bank. His family consists of his wife Lakshmi, a daughter whose marriage is being negotiated and two school going children. The bank where he works crashes and Sivagnanam is unable to find another job.

Nalla Veedu (transl. Good House) is a 1956 Indian Tamil language film, directed by Jyotish Sinha. The film stars Sivaji Ganesan, M. N. Rajam, Pandaribai and Mynavathi. It was released on 14 January 1956.

Identical twins Vani and Rani are separated at birth. One is tortured by her abusive aunt while the other grows up as a street performer. However, their lives change forever when they swap places. A remake of 1972 Hindi film Seeta Aur Geeta.

Marma Veeran (1956) is a Tamil swashbuckler adventure film directed by T. R. Raghunath and produced by its lead actor Sriram, who portrays a Zorro-inspired vigilante fighting political injustice. The film stars Vyjayanthimala, Rajasulochana, and M. N. Rajam, and features notable guest appearances by Sivaji Ganesan, M. G. Ramachandran, and Gemini Ganesan.

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Vellai Roja is a 1983 Indian Tamil film, directed by A. Jagannathan and produced by V. Viswanathan. The film stars Sivaji Ganesan, Ambika, Prabhu and Radha in lead roles. The film had musical score by Ilayaraja. The film was a remake of Malayalam film Post Mortem.

Thirumal Perumai tells three spell-bounding stories about how far you can get with Lord Vishnus

Siblings Rakhi and Raju are orphaned at a young age but grow up to become successful entrepreneurs. However, petty differences over their earned wealth and property threaten to ruin their bond.

Antony, an ex-convict, leaves the country after killing his daughter's lover. He returns many years later as a reputable man, but his friend, Lawrence, recognises him and tries to expose him.

Koteeswaran, who runs an orphanage, is barely able to take care of the children. However, life takes an unexpected turn when he ends up saving a girl from committing suicide.

An impoverished woman named Rani (Padmini) escapes from her abusive and predatory drama company owner, Babu (S.S. Rajendran), after being robbed and finding herself unconscious in the car of wealthy stage actor Raja (Sivaji Ganesan). Mistaken by Raja for a rich runaway named Leela, Rani plays along and joins his new theater troupe, leading the two to fall in love. However, the vengeful Babu attempts to sabotage their romance by poisoning Raja during a live stage enactment of Socrates, setting up a dramatic climax where the lovers must overcome this deadly plot to finally unite

A young girl loves bunking school to watch movies. Unable to distinguish between reel and real life, she insists on marrying her favourite hero. The kind-hearted hero agrees to help the family.

The story of this film is based on the life story of a prominent saint Tukaram.

London-educated Saktivelu returns to India and wants to open a chain of restaurants in Chennai. His father, however, wishes that he would stay back and help the villagers.

Punar Janmam (Rebirth) is a 1961 Indian Tamil-language drama film directed by R. S. Mani. The film stars Sivaji Ganesan, Padmini, Ragini and P. Kannamba in lead roles. The film, produced by N. S. Diraviyam under Vijaya Films banner, had musical score by T. Chalapathi Rao and was released on 21 April 1961.

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The story tracks interpersonal entanglements, deception, and moral choices involving Kannan (Sivaji Ganesan) and Janaki (G. Varalakshmi), complicated by familial opposition from characters like Vazhavanthan

Lawyers Sattanathan and Ramaswamy, once best friends, now share a bitter rivalry. The two are left aghast when Saravanan, Sattanathan's son, falls in love with Devi, Ramaswamy's daughter

A mild and timid man is made fun of for his resemblance to Hitler. However, the man soon starts growing in confidence and transforms himself into a charismatic leader.

Two brothers find themselves against each other when the younger one decides to form a union to oppose the unfair means used by the mill owner, whom the elder brother supports.

This expansive Hindu epic concerns Lord Muruga, also known as Kartikeya, son of the Krittikas. The film narrates the story of his birth, marriage, and acceptance of the post of the head of the army of heaven, commander-in-chief of the gods.

When his wealthy grandfather falls gravely ill, Raja convinces a kind-hearted flower girl, Radha, to pretend to be his fiancée so the old man can meet a homely bride. Her warmth wins over the family—but when Raja's real girlfriend and her greedy mother show up, Radha must silently endure the fallout to protect the grandfather’s fragile health.

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Best friends Raja and Ramu decide to oppose the union leader of Raja's mill when he creates problems. However, they face several obstacles in their attempt to stop him.

Two brothers are ousted from their house by their stepbrother's wife. Years later, when one of the brothers is framed for a murder, his stepbrother, who is a judge, returns as a lawyer to save him.

Raja, a thief, and Amar, a goonda, plot to settle in London with the money earned from a robbery. But when Raja gets arrested for killing gangster Sudarshan, Amar's ex-boss, he feels Amar framed him.

It is a story about a father and a son which is filled with sentiments or sorrow. Govindankutty (Mohanlal) is on a look out for his unknown father seeking to take revenge by killing him for leaving him and his mother. Then enters Anantha Subramaniam (Sivaji Ganeshan) a rich trader, who comes to Govindankutty's home-town and likes him instantly for his loyalty and honesty.

The atrocities of a landlord lead one brother to the life of a dacoit while the younger brother becomes a police officer. However, things take a turn when they are pitted against each other.

Aalayamani is a tale of possessiveness and distrust towards one's partner and the eventual redemption by sacrifice. The story is an essential interplay of feelings and the shadows cast upon by darker feelings of one person and the effect it produces on himself and in his immediate circle of friends and family.

At Aanaikundram Jail, Superintendent K. Raghavan is no ordinary warden—he's a man of principle who sees each of the 500 inmates not as criminals, but as stories worth understanding. With his wife Alamu, he lives beside the prison walls, offering the compassion of parents to those society has cast aside. Among the inmates is Chamundi, a man whose tragic past still casts a long shadow. In the nearby village of Allikkulam, a young man named Manickam falls in love with Kokila, sparking jealousy in a rival suitor. A heated confrontation leads to Manickam’s imprisonment, bringing him under Raghavan’s watchful eye. As prison life unfolds—with its tensions, secrets, and unexpected humanity—Raghavan’s belief in redemption is put to the test when an unusual act of trust challenges everything he stands for.

After the East India Company forces Kattabomman, the king of Panchalankurichi, to pay taxes and be their subordinate, the latter decides to fight against them.

A classical bharatanatyam dancer and a nathaswaram player fall in love against the wishes of her family.

Babu, a young man, falls in love with Kammo. When a thug rapes her, he murders him out of revenge, which leads to his arrest.

Set against the backdrop of World War II, three brothers are separated by war while their sister Kalyani faces immense struggles after being widowed and left destitute. As each sibling endures hardship and societal injustice, their paths cross in unexpected ways, culminating in a dramatic courtroom trial that exposes the harsh realities of their world and sets the stage for a powerful family reunion.

Vijay, a guy with a careless attitude, gets Selvam, a senior home inmate, to act as his dad for an important business deal. Gradually, both help each other through their own experiences and problems.

Brave and loyal warrior-archer Karna joins the Kauravas to battle the Pandavas in the Kurukshetra.

Mannukkul Vairam is a 1986 Indian Tamil film directed by Manoj Kumar and produced by Motherland Pictures.

Subramaniam is an unemployed youth who has five sisters. He is unable to get his sisters married due to his poverty. He goes to town to find a job and an unexpected incident changes his entire life.

A neighbour envies the love shared between a joint family. Unable to see them happy, the person devises a conspiracy to create a rift in the family.

Two siblings, Rajasekharan and Radha, become orphans when they lose their mother at a young age. Things take a turn when Rajasekharan's friend Anand falls in love with Radha.

Manickam, whose father works for the landlord, is always at loggerheads with the landlord's son due to his cruel ways. Manickam also forcibly marries the landlord's daughter after winning a challenge.

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Jeevagan, a brave warrior, is selected as the guard for Rathna, a princess. They fall in love, but the king's minister, Veera Kesha, frames him as a traitor to carry out his plan to seize the kingdom.

The Hindu god Shiva gives a sacred mango fruit, brought by the sage Narada, to his elder son Vinayaka as a prize for outsmarting his younger brother Muruga in a competition. Angry with his father, Muruga leaves home for Palani. He meets Avvaiyar, one of his devotees, along the way. Despite her attempts to convince Muruga to return to Mount Kailash, he remains adamant about his decision to leave his family. His mother, the goddess Parvati, arrives there and tells the stories of four of Shiva's divine games to calm Muruga.

Believing his wife to be dead, a soldier in the British-Indian army marries another woman and moves on. After few years, he finds out that his ex-wife is still alive and feels miserable.

A deeply pious man meets God, who tells him about various events that will take place in the future. The man tells everyone about these predictions but nobody believes him.

When a mix-up at birth leaves a wealthy zamindar raising a child that's not his, the secret shatters families, friendships, and futures. As love blossoms and pride blinds, one daughter’s ultimate sacrifice may be the only path to redemption.

Shekar, a rich young man, discovers that his cousins, Gowri and Sundar, are finding it difficult to lead a comfortable life. He decides to help them against his father's wishes.

Sage Narada instigates Goddesses Saraswati, Lakshmi and Parvathi against each other. The trio set out to answer what is paramount in a man's life, knowledge, wealth or strength.

The film is a historical story, based on the 3rd century BC Maurya Emperor Chandragupta Maurya and his mentor Chanakya. It begins with the Greek invader Alexander intruding on our borders, Magadha as his last step of sovereignty. Discerning it, fear-defying scholar Chanakya is under trace of the dynamic King to hinder it.

When Superintendent Rajasekar’s daughter is raped by a vengeful smuggler, he takes the law into his own hands and kills the man in a fit of rage. Arrested by his own son—the very police officer he raised—Rajasekar refuses to reveal the real motive behind the murder, determined to protect his daughter’s honor. As the trial unfolds, his other son, a lawyer, must uncover the truth and defend his father, before the silence destroys them all.

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Rajeshwari is the strict disciplinarian of the family that keeps everyone under her control – particularly her husband Rajasekhar. Her four sons live by her rules without question. When her second son marries, his new wife's younger sister Lakshmi comes to stay with the family. Lakshmi's carefree and easy going attitude endears her to the family but puts her at odds with Rajeshwari. Raja, the family's third son and Lakshmi also fall in love. One of Lakshmi's pranks pushes Rajeshwari to her limit and creates fissures in the family. A crisis eventually sets things in motion to solve all the problems.

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Kumaran, who is blind, gets attached with his eye doctor's daughter-in-law. However, he is shocked to learn that the man responsible for his sister's death is none other than the doctor's son.

Panam (English: Money) is a 1952 Indian Tamil-language film, directed by N. S. Krishnan. The film stars Sivaji Ganesan, Padmini, N. S. Krishnan and T. A. Mathuram in lead roles. The film had musical score by Viswanathan–Ramamoorthy

Aravind and Priya are cross-cousins and they fall in love. Their grandfathers Narayanan and Annan are also keen about getting them married. However, Aravind is a good-for-nothing in the eyes of Ambika, Priya's mother who is married to Narayanan's son Malaysia Vasudevan. To make this marriage happen, Annan and Narayanan start to play a game where they both act as if they are on the opposite side when it comes to marriage with one of them opposing it while the other supports it, while showing that Aravind is a good and capable person to Ambika in the process. Do they succeed? Nah

Rajinikanth, a veteran lawyer aspires to become the judge. But, the bar council promotes an undeserving lawyer to the post. Enraged by the system, he tries to seek his revenge by defending a murderer.

Is an emotionally charged tale that depicts the transformation of an alcoholic after his life is touched by true love.

Sathyam is a 1976 Tamil film directed by S. A. Kannan starring Sivaji Ganesan, Jayachitra and Manjula Vijayakumar and Kamal Hassan. The film has Kamal Haasan playing the younger brother of Sivaji Ganesan.

Prestige Padmanabha Iyer retires from his company executive position and has a lonely and unhappy life with his family in the ancestral home Vietnam House, named for the constant fighting and arguing.

King Krishnadevaraya becomes a puppet in the hands of the courtesan Rangasani, who has been planted in the kingdom by enemies. It is up to Tenali Raman, a poet, to save the king and his kingdom.

A father does not hold a very good opinion about his son, Kannan, who works at his factory. Things take a turn for the worse when Pakkiri creates misunderstanding between the father and son duo.

Chandrasekaran, an industrialist, is very successful in his business and has a loving family. His three sons and two daughters live happily as one family. He brings up an orphan, Rangan (Sivaji Ganesan), who is utterly devoted to the family. Calamity strikes the family in the form of loss in business. The last daughter's marriage gets cancelled. The brothers and their wives ill-treat their parents and Rangan and his wife. Seeing this Chandrasekaran has no choice to ask Rangan and his wife leave their house. Aftermath Chandrasekaran dies a broken-hearted man leaving his wife and youngest daughter to be in their children's merciless hospitality. Rangan, with his simplicity and pure-hardheartedness, takes it upon himself to look after the mother and sister. In the end, he proves that love and affection is the greatest wealth.

Rajan, a radio engineer, is found murdered in Madras during the tense World War II era, amid fears of a Japanese air raid on the city. CID officer Sivanandham investigates the case as each suspect—Rajan's wife, lover, relatives, and neighbors—narrates a different version of events, revealing hidden motives and secrets that lead to the truth.

Raja Rishi is a 1985 Indian Tamil film directed by K. Shankar and produced by N. Sakunthala. The film stars Sivaji Ganesan, Prabhu Ganesan, M. N. Nambiar and Nalini in lead roles. There is a touching scene where moved by the penance of Sage Vishvamitra, formerly King Kaushika; God Shiva grants him the status of brahmarishi and totally compassionate, Rajarishi sings the Gayatri Mantra.

Raghu takes care of his friend Peter and all his responsibilities when he suffers a heart attack. While struggling to make ends meet, Raghu falls in love with Rajai, his landlord's daughter.

At the request of a wealthy man, a courtesan agrees to help heal his mentally disturbed son by pretending to be his wife. Her efforts only earn her abuse and wrath at the hands of most family members.

After a fight with her father on who her future husband should be, Nalina leaves home on the first night of Navaratri. For the next nine days, she experiences nine types of human behaviour.

The diwan of Vasanthapuri grows tyrannical and makes a deal with the Portuguese so that he can become the new king and marry the princess, who is in love with Bharath.

Gopal dearly loves his brother Raju, despite the latter's unkind acts and frauds. But fate seems to have something else in store for Gopal as he is soon accused of killing Raju

Gopal, a rich widower, falls in love with Latha. As they are getting prepared to marry, Gopal's presumed-dead wife, Chitra arrives.

Deenadayalan is an orphan raised by Mary. He starts with petty crimes and moves on to larger crimes as he grows older. He takes Muthukrishnan under his wing and eventually rises to become a feared, powerful don. Despite this, Deenadayalan has a strong sense of justice and is seen as a protector of the poor and underprivileged. His wife Lakshmi and daughter Radha are completely unaware of his illegal activities. But, as he faces betrayal from those close to him, his work begins to impact his family.

Narashimaachari, a respected Brahmin government clerk, is determined to help his good-hearted but unemployed son, Varadhukutty, secure a stable job. When a desperate act to obtain leaked exam papers ends in disgrace, Narashimaachari vows to restore his honor and prepare his son honestly. But tragedy strikes on the day of the exam, plunging the family into grief. A year later, a fugitive thief named Anand—who looks exactly like the late Varadhukutty—takes refuge in their home. Asked to impersonate the dead son to comfort his mentally ill mother, Anand slowly transforms under the family's care. When the truth about the past emerges, the fragile bonds they’ve rebuilt are put to the test.

Two respected families are torn apart by betrayal, murder, and a temple robbery. Years later, a boxer and club waiter discovers his long-lost father is a feared underworld don—and the key to restoring justice. Packed with family drama, romance, and thrilling revelations, Emanukku Eman is a gripping tale of revenge, reunion, and redemption. A classic masala entertainer you won’t want to miss.

Sivaraman helps Rangan out of the goodness of his heart. When the latter's con gets him in trouble, Raja, Rangan's son, decides to teach his father a lesson.

Justice Gopinath is a man known for his rigid upholding of the law and honesty. His wife Radha is pregnant, but she meets with an accident, resulting in the child being stillborn. One case that comes up before Gopinath is that of Murugan, who has been charged with assault and battery. Misled by false evidence, Gopinath sentences Murugan to imprisonment. Murugan's wife commits suicide, fearing the advances of the local landlord, and her infant son Ravi is orphaned. Gopinath conceals Ravi's true identity from him and raises him as his own son. Ravi grows up to become a lawyer. Meanwhile, Murugan is released from prison and searches for his son. Though beseeched by Radha not to do so, Gopinath is unable to lie and reveals to Ravi the truth about his parentage.

The story of the complete Ramayana, from the birth of Lord Rama to his Pattabhisheka after completing his exile.

After completing their studies, best friends Chandru and Shankar return to their village and get shocked to learn about the prevalence of the dowry system. Soon, they raise their voices against it.

In order to marry Lalitha, Madhan sets out to find suitable bachelors to marry her three beautiful sisters as part of a condition set by her father.

The story is based on Indian historical events during the 16th century. It narrates the victory of Viswanatha Nayak on his father to express his devotion towards Srikrishnadevaraya. Viswanatha Nayak (Krishna) is the son of Nagama Nayak (Sivaji Ganesan), a successful General of Srikrishnadevaraya (Krishnam Raju) of the Vijayanagara Empire. Chola King Veerasekhara Chola invades the Madurai Kingdom and deposes the Pandya King Chandrasekhara Pandyan who was under the protection of Srikrishnadevaraya. Due to this, an enraged Srikrishnadevaraya sends Nagama Nayak to aid Chandrasekhara Pandyan. Nagama Nayak suppresses Veerasekhara Chola and takes Madurai, but then suddenly he calls off his allegiance and declining to help Chandrasekhara Pandyan usurps the throne. So, Viswanatha Nayak volunteers to face his father in the battlefield.

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Sathyamoorthy is an innocent and honest hardworking villager. He helps Ashok, Rajan and their friend in a time of trouble, who offer him a lot of money in return. He insults them saying he did his duty and money isn't everything. However, fate plays a cruel turn making him desperate for money to treat his wife. He runs to them and they turn him into a criminal, much like them. He gains experience quickly, and soon usurps their dominance. His wife and son, Raja, however are unaware of his activities.

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Rangadurai borrows money from Somasundaram to sustain his theatre group during a financial crunch. Enmity arises between the two when Rangadurai marries Somasundaram's daughter against his wishes.

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Madhavan marries Thangam. He takes care of Thangam’s mother and brother along with his younger brother. Meanwhile, Madhavan gives shelter to his father’s mistress and her daughter. The evil ladies allege Thangam for loose morals. The rest of the story is how they come into good terms.

A middle-aged upper-caste man, Malaichami, leads an unhappy married life but seeks comfort in a new friendship with a low-caste woman. However, their friendship leads to many rumours in their village.

The story revolves around Selvam, an easygoing youngster who befriends many girls without the intention of marrying any of them.

Vaira Nenjam is a 1975 Indian Tamil film, directed and produced by C. V. Sridhar. The film stars Sivaji Ganesan, Padmapriya, R. Muthuraman and K. Balaji in lead roles. The film had musical score by M. S. Viswanathan

Marudhu tosses his look-alike Pandiya into the sea as a goon promises to pay him a huge sum of money. However, they are in for a shock when Pandiya returns after being rescued by fishermen.

Ravi, the only son of Vedachalam (Baliah), has traveled on business. Returning home, he meets a young woman on the train after picking up her spilled luggage. The contents of the luggage reveal that she is his sister, from his father's teenage years. When he returns home, she is moved in and living a life of wealthy luxury. But is she really who she says she is?

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Nirai Kudam (Full Pitcher) is a 1969 Indian Tamil film, directed by Muktha Srinivasan and produced by V. Ramasamy under Muktha Films banner. The film stars Sivaji Ganesan, Vanisree in the lead roles, and had musical score by V. Kumar.

Adithan, the emperor of Azhagapuri, marries Kumutha, who is the maid of Princess Nandini. Enraged by the same, the princess vows to destroy Kumutha's life and capture the kingdom.

Raju, a rich man gets along even with the poor unlike his father. He falls in love with Parvathi, a poor girl but is forced to marry Vimala because of his father. Director duo Krishnan–Panju’s Midas touch made this remake of the 1966 Bengali film “Uttar Purush” a tremendous success in Tamil. Often considered as one of Sivaji Ganesan’s all-time greats, this drama is poignant account of the tragedies that befall a young heir following an act of atrocity.

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War between India and China separates the lovers Kumar and Kamala. Kumar joins the Indian army while Kamala, who was born in China, joins their army.

A Tamil version of Mary Shelly's Frankenstein.

Amara Deepam is a Tamil film is directed by T. Prakash Rao released in 1956. A educated unemployed person Ashok (Sivaji Ganesan) falls in love with athe daughter Aruna (Savitri) of an wealthy Industrialist.Aruna is taken hostage by her husband to be Sukumar (M.N. Nambiar), and while Ashok trails them to save Aruna, Ashok loses his memory in an accident. Ashok Meets Roopa (Padmini) and they begin to like each other. Sometime later Aruna comes back and as Ashok fails to recognize Aruna things look complicated.The rest of the film deals with how Ashok struggles with his memory and how both Aruna and Roopa try to win him over. The Udhavi Thayaripalar(Co-Producer)-- L.S.Mani

Ethirpaaraathathu narrates the story of star-crossed lovers Sundar (Sivaji Ganesan) and Sumathi (Padmini) in whose house Sundar, a college student, lodges. Both dream of a happy, married life, but that is not to be. Sundar is involved in an air crash and is believed to be dead. However, he survives the crash and loses his eyesight. Unwilling to face his father (Nagaiah), he tries to lead a life on his own. Destiny takes over their lives and the widowed father marries Sumathi and on the wedding night, the husband realises that his son and bride are sweethearts. Broken-hearted, he leaves home and wanders around visiting temples and holy places.

S. P. Choudhry, a respected police officer, arrests his son after he becomes rebellious and indulges in unethical activities creating nuisance in the society.

Sumathi, a famous actress longing for a simple life, accidentally gets off a train in a remote hill village while en route to a film shoot. Caught in heavy rain, she seeks shelter at the home of Madhu, the local estate manager, who initially hesitates but eventually takes her in. As she hides her identity, a landslide cuts off train access for a week, forcing her to stay. Mistaken for Madhu’s wife by his boss, Sumathi finds herself drawn to Madhu. Romance blossoms, but complications arise when her film crew tracks her down, leading to confusion and emotional revelations.

Raja, an expert thief, loves Radha, the daughter of a smuggler. Meanwhile, Ramaiah, an honest police officer, supports Raja's desire to reform but he is blackmailed by a gang to steal.

After Mangala's husband is sent to prison on a false charge, she, being poor, is targeted by Jeeva who approaches her under the pretext of helping her, but wants sexual favours from her.

An elderly couple mediates marital disputes, guiding conflicted partners to appreciate their bond through wisdom and diplomacy.

Chinnathambi is a well-respected pillar of his village, dedicating his life to public welfare—but his devotion to duty comes at the cost of time with his wife, Seetha, who longs for a child. His younger brother Raja falls in love with Lalitha, the daughter of a corrupt shopkeeper who profits from exploiting the villagers. When Chinnathambi opens a fair-price cooperative store, tensions rise—and Lalitha’s father seizes the opportunity to drive a wedge between the brothers. As family bonds are tested by love, rivalry, and personal sacrifice, the women of the household stand at the heart of reconciliation. But when a twist of fate turns joy into sorrow, hidden truths and quiet acts of love begin to shape the future of both couples.

The story begins with Arjun being arrest for multiples crimes. In the past, Arjun was an happy-go-lucky young man. His brother , a factory's union leader, clashed with his superiors for bonus. In the meantime, Arjun fell in love with Radha. To help the labourer, Arjun cheated the factory's owners as a fake income tax officer, he managed to take all their black money and he gave it to the labourers. Later, Arjun's brother, sister-in-law and his niece was killed. In angry, he tried to kill the culprit and failed. Siva Prasad , r, advised him to surrender but, as an innocent, he refused. However, Siva Prasad arrested him by surprise. Arjun was tortured and his head was shaved. Therefore, a bald Arjun comes at the court. Despite everything was against Arjun, the judge Ram Prakash feels that he is innocent. So Ram Prakash sentences that Arjun will be under house arrest in his isolated island.

Chandru steals a diamond necklace to help his sister unite with her husband but things do not go well when he decides to replace the stolen one with a new necklace.

Raja and Vanisri marry to fulfill a grandfather’s dying wish, but their relationship soon unravels after a tragic misunderstanding involving one of Raja’s former lovers. A missed call, a child's death, and broken trust lead to their separation—each raising a son alone, determined to prove that a child can thrive without the other parent. Years later, both sons grow up to be bright and successful, but their own marriages bring unexpected heartache. As history begins to repeat itself, Raja and Vanisri must come together again—not for themselves, but to mend what their sons are now losing.

Dr. Siva treats leprosy patients and gives great importance to his patients' care. When Geetha falls in love with him, he marries her expecting that she would understand the hassles of his profession.

Santhana Devan, a freedom fighter, secretly operates a gang to act against the British government. His cover is blown when his own sister is raped and murdered by a British officer.

The story starts with the special birthday celebration of a girl. Vasudevan (Sivaji Ganesan) narrates the story which goes back 14 years behind. Karunakaran (S. V. Subbaiah) and Vasudevan (Master Baji) are brothers whose parents had died. They are very much loving and close to each other but Vasudevan longs for mother's love.

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After a rich man falls in love with his employee, he learns that she already loves someone else. However, when he tries to get him killed, an unexpected turn of events leads him to make a sacrifice.

Sathya reaches the court of Yama after he is killed for exposing the crimes of the village head. When he starts a protest to get his life back, Yama goes on a vacation and grants him his wish.

A brother avenges his brothers murder by posing as an escaped felon

After killing an officer, Raghunathan leads an isolated life. Just before his daughter's marriage, he meets his rival Sundaram who threatens to expose his secrets.

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No description available.

Raghu befriends Ravi, a homeless man, and provides him with shelter and a job. However, when Ravi sees the photograph of the girl Raghu decides to marry, he asks him to stay away from her.

Ganesh's father is falsely accused of a crime and murdered in prison. Years later, his mother asks him to exact revenge against the culprit.

Aandavan Kattalai (English: Deity's order) is a 1964 Tamil film directed by K. Shankar and produced by P. S. Veerappan under PSV Pictures. Music by Viswanathan-Ramamoorthy assets to the movie. The film staaring Sivaji Ganesan and Devika played lead role with J. P. Chandra Babu, K. Balaji, S. A. Ashokan, A. V. M. Rajan and Pushpalatha.

Shivaji and Vijaya are husband and wife. Vijaya is a woman of principles and holds high moral values. One day, she comes to know that Shivaji is a thief, which is why she parts with him.

Chakravarthi, a devoted father, raises his daughter, Radha, with utmost care and affection. However, Radha's attachment towards her father creates problems for her when she gets married.

Pazhani is a 1965 Indian Tamil-language drama film directed and Screenplay by A. Bhimsingh and produced by A. P. Chinnappan. The film dialogue were written by M. S. Solaimani and story written by G. V. Iyer respectively. . The film features Sivaji Ganesan played titular role with other prominent actors S. S. Rajendran, R. Muthuraman, T. S. Balaiah and M. R. Radha in lead with Devika, Nagesh, Pushpalatha and C. Lakshmi Rajyam played pivotal role. The film had musical score by Viswanathan–Ramamoorthy and was released on 14 January 1965.

This is a 1985 Indian Tamil film, directed by "K. Vijayan" and produced by , "Anandavalli Balaji" The film stars "Sivaji Ganesan, Kajal, Kiran, Shalini, Anand Babu" in lead roles. The film.

A movie buff befriends a popular actress as he believes that she is leading a happy life. However, one day he sees an unknown man making an attempt on her life.

Mohana Punnagai is a 1981 Indian Tamil film, directed by C. V. Sridhar and produced by R. P. Sarathy. The film stars Sivaji Ganesan as lead actor with Geetha (Sri Lanka actress), Jayabharathi, Padmapriya, Anuradha and Anandhi as lead actresses. The film had musical score by M. S. Viswanathan.

A young man goes on a quest to find his mother and to restore justice in a kingdom that has fallen into the hands of traitors.

Pachai Vilakku (English: Green Lantern) is a 1964 Indian Tamil film, directed by A. Bhim Singh and produced by Rama. Arangannal, A. R. Hassan Khan and T. S. Aadhi Narayanan. The film stars Sivaji Ganesan, C. R. Vijayakumari, S. S. Rajendran and S. V. Ranga Rao in lead roles. The film had musical score by Viswanathan–Ramamoorthy.

Bandha Pasam is a 1962 Indian Tamil language film directed by A. Bhimsingh and produced by Periyanna. The film stars Sivaji Ganesan, Gemini Ganesan, Savitri and Devika in lead roles. The film had musical score by Viswanathan–Ramamoorthy. This movie was dubbed in Telugu as Aadharsha Saadharalu.

Sivagnanam is a humble bank clerk, living a modest life with his wife Lakshmi and their children. Although his salary is low, he handles large sums of money at the bank. When the bank collapses, Sivagnanam loses his job and, feeling desperate, considers suicide so that his family can benefit from his life insurance. However, his soul reaches the court of Yama, the god of death. Angered by his reckless act, Yama sends him back to Earth to witness the consequences of his death. Unable to intervene, Sivagnanam watches as his son is arrested for stealing food, his daughter is assaulted, and his wife, after killing the rapist, drowns herself in a well.

A salaried manager tried to save his job and his company.

Bharat (Rajendra Kumar) is a patriotic young man for whom patritism does not stop anywhere. He comes to know of the tyrancy of the present ruler's Diwan (Ajit) and he and his colleagues (Soodesh Kumar, Rajendra Nath) rebel. They kidnap Princess Chitralekha (Waheeda Rehman) unknowingly, and call her Jwala. Meanwhile, Bharat's dad (Balraj Sahni) who is the Inspector General, does not approve of Bharat's rebellious nature and decides to arrest him on sight. Bharat's mom (Kamini Kaushal) is torn between the love for her husband and her son. Bharat determination against the Diwan is so strong that he decides to bomb-blast a railway train transporting the Diwan, knowingly that his own dad is also travelling on that train. Will Bharat break his mom's heart by killing his dad and the Diwan? Good acting scores by the entire caste make this movie worth watching. Lyrics by Indivar.

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No description available.

Raja, a reckless college student and son of a smuggler, constantly clashes with Radha, the sister of his principled professor, Gowrishankar. When his father begs the professor to reform him, Raja resists at first but gradually changes his ways—and falls for Radha. As Raja and Gowrishankar try to lead honest lives, dangerous criminals from the past threaten their peace, forcing the two to unite against a common enemy.

A lawyer leads a happy life until his wife delivers twins and one of them has a scarred face just like him. Dejected, he deserts the child and lies to his wife that their baby was stillborn.

One day, a landlord belonging to a rich family gets murdered and the crime is imposed on Anandar, his innocent brother, and his lovely wife Karpagavalli.

Thirisoolam is a 1979 Tamil film directed by K. Vijayan. It has Sivaji Ganesan playing three different roles.

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Mohan is a spoiled young man who wants nothing else in life but to act in stage dramas with his friends. As a result of his carefree behavior, his father ships him off to Madras to work for his friend in hopes that Mohan will learn something in life. Mohan instead takes along his friend Shekar and sends him to work in his place, but hijinks ensue that completely change Mohan's outlook.

Conflict arises between two brothers after the death of their father and unknowingly they become rivals.

Mahakavi Kalidas Directed by R. R. Chandran. Princess Vidyotama vows to marry the man who defeats her in debate, but she wins every time. Through a ruse, her spurned suitors manage to marry the princess to the simpleminded Kalidas. Ashamed of his ignorance, Kalidas becomes a seeker of knowledge and is bestowed with wisdom by the goddess Kali. This moving story of love and enlightenment is based on legends surrounding real-life poet Mahakavi Kalidas.

Iru Medhaigal is a 1984 Indian Tamil film, directed by Muktha Srinivasan and produced by Muktha Ramasami.

Sekar, a rich man, does not show any care for his family. He accidentally comes across his lookalike, Sundaramurthy, and is surprised when his family showers him with love.

Dharmalinga Mudaliyaar is a rogue who appears as a nobleman to the outside world. In order to get a hold of his wife's property and marry his sister-in-law, he hatches an evil plan.

Anandan and Venkatachalam are friends. Venkatachalam's daughter Sarala, following an accident, loses her ability to walk. A doctor informs Venkatachalam that he treated a similarly handicapped woman, who in the process of giving birth to a child, was cured and could walk again. Inspired, Venkatachalam marries off Sarala to Anandan, deciding that if Sarala is not cured within two years, the marriage will dissolve and Anandan can marry any other woman he wants. Anandan and Sarala live a happily married life. Sarala gives birth to a child, but is not cured of her handicap. However, Anandan refuses to abandon hope. The rest of the film revolves around what happens to the many problems of the characters.

Maangani, a tribal princess, is furious when Dhananjay, a prince, insults her feelings for him. Filled with revulsion, she accuses him of misbehaving with her and gets him imprisoned.

Thacholi Ambu is a 1978 Malayalam-language film starring Prem Nazir, Sivaji Ganesan, Ravikumar and Jayan. Directed and produced by Navodaya Appachan, it was the first cinemascope film in Malayalam. Prem Nazir played the title role in the film.

Manohara produced by M. Somasundaram. The Sivaji Ganesan-L. V. Prasad production was distinct, becoming a cult classic. Karunanidhi virtually rewrote Mudaliar’s play, introducing interesting changes like the climactic sequence for which he drew inspiration from “Samson and Delilah”, especially the part where the blind Samson pushes the pillars down. Mu. Karunanidhi’s writing was superb with a contemporary touch. His dialogue had punch, satire, wit and humour. Sivaji Ganesan was excellent in his dialogue delivery and P. Kannamba who played the queen mother was equally brilliant. Her line, ‘Poruthathu podhum, pongi ezhu, maganey’, became quite famous.

Chitragathan, a young prince, is determined to prove the maxims at a debating society wrong. He undergoes various adventures that makes him realise how much truth these principles hold.

A privileged young man marries his childhood fiancée against the odds—but suspicion, scandal, and a murder charge tear them apart. When his devoted wife takes the fall to save him, buried truths come to light, leading to a surprising reunion, redemption, and a long-awaited family reconciliation.

In the quiet village of Poonkulam, Kalyani and Muthayyan are deeply in love. But fate takes a cruel turn when Muthayyan is wrongfully branded a dacoit and forced to live in hiding within the forest. Despite the danger and distance, Kalyani remains unwavering in her love, and the two dream of escaping together to build a peaceful life as husband and wife. Their hopes rest on the shoulders of Kamalapathi, a loyal friend and stage actor, who devises a clever plan to outwit the police and help the lovers flee. Disguises, deception, and devotion all come into play—but a tragic misunderstanding sets off a chain of events that none of them could have foreseen.

Arivaali (Genius) is a 1963 Tamil language drama film written, produced and directed by A. T. Krishnaswami. The film features Sivaji Ganesan and P. Bhanumathi in lead roles. The film, had musical score by S. V. Venkatraman and was released on 1 March 1963.