Sarah Badel

A knight and his valet are plagued by a witch, and to repair the damage they make use of the services of a wizard. However, something goes wrong and they are transported from the 12th century to the year 2000. There the knight meets some of his family and slowly learns what this new century is like. However, he still needs to get back to the 12th century to deal with the witch, so he starts looking for a wizard. Remake of 1993 French film Les Visiteurs (The Visitors).

An American woman, trapped in Islamic Iran by her brutish husband, must find a way to escape with her daughter as well.

Clarissa Dalloway looks back on her youth as she readies for a gathering at her house. The wife of a legislator and a doyenne of London's upper-crust party scene, Clarissa finds that the plight of ailing war veteran Septimus Warren Smith reminds her of a past romance with Peter Walsh. In flashbacks, young Clarissa explores her possibilities with Peter.

Teddy works for a large advertising company. Given the seemingly impossible task of selling frozen porridge, he decides to produce commercials that make the product seem sexy. This leads him to confrontation with the "Keep Television Clean" movement, of which his wife is a senior member.

"They say that in the wood you get what nearly everybody here is longing for – a second chance." J. M. Barrie's fantasy play, depicting alternative realities for its characters and their eventual return to real life.

At Blandings Castle, the Earl of Emsworth only cares about his prize pig 'The Empress' and is wilfully ignorant of the fact that his brother is planning to publish a book which might ruin the family name forever. Moreover, the Earl's nephew might cause the family some major damage by getting married to a terribly unsuitable chorus girl. An adaptation of P.G. Wodehouse's novel of the same name.

Alan Bleasdale's modern re-telling of Madame Bovary. A tale of passion, greed, revenge, and of course pleasure, set in France. Starring Line of Duty's Adrian Dunbar, Jennifer Ehle and James Larkin. In the French city of Rouen, the beautiful, young but bored Emma seeks to escape her dull married life. Her dreams are answered, and her comfortable, peaceful existence soon tarnished when she answers a lonely-hearts ad. She meets Gustave, a unsuccessful toy salesman, and potential con man. Together they begin a passionate affair, where they indulge in illicit sex and illegal scams. But parallel to their exhilarating affair, the police are on the hunt for a mysterious masked robber known only as Le Terroriste. As the stakes rise, and a betrayal means Emma finding herself alone, her own talents for deception develop into an overwhelming and obsessive desire for her to get her revenge.

Adaptation of the Shakespeare play.

1913, shortly before the outbreak of WWI. A group of aristocrats gathers at the estate of Sir Randolph Nettleby for a weekend shoot. As the terminal decrepitude of a dying class is reflected in the social interactions and hypocrisy of its members, only world weary Sir Randolph seems to realise that the sun is setting.

While on a Pyrenees vacation in 1922, upright English gentleman Richard Chandos (Malcolm McDowell, A Clockwork Orange, Heroes) encounters the villainous Vanity Fair (Eileen Atkins, Cold Mountain). Mistress of the turreted Chateau Jezreel and leader of a motley band of criminals, she will inherit millions if she can force her stepdaughter to marry. Pitting his wits against this formidable adversary, Chandos determines to rescue the beautiful young woman. But Vanity Fair keeps one step ahead of him, a trick forever up her sleeve and murder in her heart.

For many men edging on middle-age a mistress is a wistful pipe-dream. Gilbert has made fantasy into fact. But he becomes increasingly uncomfortable when his mistress makes him go against his code of ethics and forces him to burgle his wife's flat.

Italy, 16th century. Petruchio, a choleric, lying and poor rural landowner from Verona, arrives in Padua in search of fortune and a wife, while Baptista, a wealthy merchant, announces that he will not allow Bianca, his youngest daughter, to marry until the temperamental and unruly Katherina, his eldest daughter, does.

When a cruel middle-aged baron and a beautiful wealthy orphan are to be wed at the abbey, it comes as no surprise when the sadistic nobleman is found strangled to death.

A British family is trapped between culture, tradition, and the colonial sins of the past.

A version of the famous story in which Ian Holm plays both Dr. Frankenstein and the Creature he puts together from parts of dead bodies and brings to life in his laboratory.

Elderly novelist asks disliked guest to be literary editor.

King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly flatter the old man in return for favor, he banishes her and turns for support to his remaining daughters. But Goneril and Regan have no love for him and instead plot to take all his power from him. In a parallel, Lear's loyal courtier Gloucester favors his illegitimate son Edmund after being told lies about his faithful son Edgar. Madness and tragedy befall both ill-starred fathers.

In a small Russian town at the turn of the century, three sisters (Olga, Irina, and Masha) and their brother Andrei live but dream daily of their return to their former home in Moscow, where life is charming and stimulating meaningful. But for now they exist in a malaise of dissatisfaction. Soldiers from the local military post provide them some companionship and society, but nothing can suffice to replace Moscow in their hopes. Andrei marries a provincial girl, Natasha, and begins to settle into a life of much less meaning than he had hoped. Natasha begins to run the family her way. Masha, though married, yearns for the sophisticated life and begins a dalliance with Vershinin, an army officer with a sick and suicidal wife. Even Irina, the freshest, most optimistic of the sisters, begins to waver in her dreams until, finally, tragedy strikes.

It is November 1941, and the German Army is sweeping through the Crimea. German officers are billeted in Yalta - some of them in Anton Chekhov's old house in Kirov Street. The house is now a museum, but it is guarded by Chekhov's sister for whom the war, like the Revolution before it, is just another unwelcome disturbance.

An unexpected suicide prompts much speculation about honesty and theft.