Alice Barnole

The dawn of the 20th century: L’Apollonide, a luxurious and traditional brothel in Paris, is living its last days. In this closed world, where some men fall in love and others become viciously harmful, the women share their secrets, their fears, their joys and their pains.

A woman who is unfairly institutionalized at a Paris asylum plots to escape with the help of one of its nurses. Based on the novel 'Le bal des folles' by Victoria Mas.

In the near future where emotions have become a threat, Gabrielle finally decides to purify her DNA in a machine that will immerse her in her past lives and rid her of any strong feelings. She then meets Louis and feels a powerful connection, as if she had known him forever.

1967-1976. As one of history's greatest fashion designers entered a decade of freedom, neither came out of it in one piece.

In the French Riviera in the summer of 1915, Jean Renoir, son of the Impressionist painter Pierre-Auguste, returns home to convalesce after being wounded in World War I. At his side is Andrée, a young woman who rejuvenates, enchants, and inspires both father and son.

No description available.

France in the early 60s. Simon, a wrestler, wears a white mask. In the ring, he is known as "The Specter". He suggests to his friend Victor who has just returned from combat to be his adversary in the ring and wear a black mask, and be known as "The Slaughterer of Belleville". But for Victor, still shaken from his experience in combat, this is too much; for once in his life he would like to be the good guy, the one people cheer on. Simon then suggests they switch masks. But it proves less easy to fool the rest of the wrestling crowd...

Glued to her desk, a woman writes. In the night, a man goes to her house... He wants to cum because he can't take it anymore. He knows that this woman who writes so many letters will refuse him nothing.

February, 1871. On the eve of the Paris Commune, Rose Beuret, Auguste Rodin's life partner, is alone in the studio. As Rodin is away, she is in charge of one of his unfinished sculptures – clay must stay moist every day. To forget her solitude, Rose takes refuge in the daily care of this mute, incomplete piece. While revolt is rumbling outside, Rose locks herself in the studio and devotes herself entirely to the statue.

Graziella is employed as a housekeeper for a reclusive and wealthy bourgeois family who live in a town house. A monstrous thing is locked up inside it, a very old man who has desperately been waiting to die for years. When Graziella and the monster meet, something is awakened in them.