Pavlína Filipovská

Two closely related episodes. Youths make problems for two local orchestras about to compete nationally, and in a talent competition a young girl gets stage fright, while another lies to her boss to compete.

Flexible, powerful, and naive. The fates of three men intersect at the launch of Czechoslovak television broadcasting. Ambitious actor František Filipovský has no idea that his casual improvisation on the theme of "the miser" will go down in history. For Minister of Information Václav Kopecký, it is a moment of great nervousness: will he convince his comrades that television broadcasting is the golden goose of communist propaganda? A young television technician is fascinated by the "remote transmission of images and sound" – he has a job he never dreamed of. But can a person fulfill their dreams in communist Czechoslovakia in the 1950s without getting involved with the regime?

A military base. An awkward soldier. A statue of Bach. And suddenly all guns in the area change into music instruments. Great mystery is immediately found by TV station. And soon the military base becomes a stage for huge TV show.

Alfons Karásek says goodbye to his wife Růžena at the train station, who is going to the spa. He plans an erotically filled week, full of women and flings. One lover for each day. But right from the start, the intricately constructed itinerary goes awry. In the end, he finds himself in his apartment full of beautiful women, including, unfortunately, his returning wife...

The castle is preparing for the arrival of the princess who inherited the estate, the miller is in love with Hanička, as is the water sprite from the millrace, the teacher wants to complain to the authorities about his poverty, and the musician Klásek is running away from his wife. Seemingly everything is like something out of Jirásek. But that would be impossible if Josef Dvořák were playing the steward, the bailiff, the water sprite Michal, and Klásek. Hanička couldn't be missing parts of her underwear, the butler Franz couldn't have a suspicious fondness for his baroque outfit, and the princess (who got the estate back through restitution) shouldn't fall into unintentional (and unacted) fits of laughter.

The Haszler songs of Prague, so popular in the late nineteenth and early twentieth centuries, have not aged. They are still sung in pubs and on construction sites, in short, everywhere. They also have their place in the love stories from old Prague, so beautifully told by Miss Veronika. Their heroine is Miss Stázi, who at first had no luck in love with the student Tadeáš. But then she fell in love with three gentlemen at once. The shy Mr. Alois, the cheerful Mr. France and Mr. Johannes, who seduced her behind the Horse Gate. But in the end she preferred the old but rich landlord. Three abandoned gentlemen nearly took their own lives under the Stone Bridge. But grief overcame them and the gentlemen settled down to marriages richly blessed with adorable children. And Miss Stasi? She ran away from the old man and returned to Mr. Franco when he came home from the army.

No Woman is allowed into Karlstejn Castle! Yet the enamoured Daniele Kolářová and the equally enamoured Jana Brejchová manage to spend one night in disguise in the Castle despite the strict royal ban.

A parody of operetta costumes, personas, old familiar situations with old familiar sandboxes and a happy ending.

The cheerful fairy tale takes us to the first category of hell, inhabited by mischievous devils, and the second category of hell with dirty devils. And this is where the village youth Kája Fousek falls as punishment for his arrogance... The devils decide to correct him. But one of them falls in love with Kája, and he falls in love with her.

Farmers get away from their arguments by embarking on a religious pilgrimage, enjoy a picnic en route, and on their return decide to form a cooperative.

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