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This is the story of two completely opposite households: the Pavone are intellectual and bourgeois, the Vismara are proletarian and fascists. They are two tribes sharing the same jungle: Rome. A trivial accident brings these two poles together. The madness of a 25-year old youth will set them on a collision course, discovering the cards to reveal that everyone has a secret. People are never what they seem – but we are all predators in the end.
Friends Aldo, Giovanni, and Giacomo cross Italy from north to south for Giacomo's wedding: the father of the bride, a despotic magnate who is both their boss and father-in-law—since Aldo and Giovanni have also married into the family not for love but for money, a fate now awaiting Giacomo—has entrusted them with a priceless piece of modern art, one that looks just like a rather unremarkable wooden leg.
Roger, editor of a women's magazine, meets Roberte, his friend Jean's former mistress, at a major couturier's during a collection presentation. Roberte, who now lives in Florence with her niece Maria, asks Roger to arrange a student exchange so that Maria can come to Paris to perfect her French. Roger approaches Jean's son Philippe, a student at the Beaux-Arts, who agrees to go to Florence. Maria and Philippe meet on the platform at Pisé station. They miss their respective trains and take a walk together. A flirtation begins, then each goes back to the other. Jean finds Maria charming and, like an unrepentant Don Juan, decides to win her over, but thanks to his old maid, his intrigues come to nothing and Maria can marry Philippe.
Nearing death, videogame genius Leone Stella holds a contest to find an heir: several people named like him will compete in a live-streamed reenactment of his most famous exploits, and the winner will inherit his billion-dollar fortune.
Carlo breaks up with his girlfriend and takes refuge in the house of Gigi and Alice Fumagalli, who has just left her job to be a homewife without telling her husband.
Torn between family and work, Eva is a woman enslaved by her sense of duty, always in a rush and invariably stressed. Four days shy of her fateful 50th birthday, Eva works as a clerk in the cosmetics department of a department store to support Francesca, her "rocker" daughter, and Lidia, her sprightly mother, after separating from Gino, her ex-husband who has never grown up and continues to complicate her life. The sudden dismissal of a colleague by department head Pagliai fuels Eva's fear that the same fate may befall her, and in an attempt to appear flawless, she will make several mistakes that will further complicate her life. A sort of guardian angel, a strange character who follows her around at all times, will guide her toward solving her problems.
The voice of one of his former classmates studying singing causes an irresistible itch for a wealthy industrialist. The cause is an old aversion that the industrialist has for the singer: he can only heal by overcoming this aversion and transforming himself into a benefactor of the hated ex-partner.
TWO LOOK-A-LIKES IN HAPPINESS is a 1956 comedy film directed by Ignazio Ferronetti, starring Lauro Gazzolo, Anna Maria Ghiani, and Scilla Gabel, with a running time of 85 minutes.
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Two young men love the same girl and decide to fight for her. The winner realizes, however, that his feelings are not returned.
Christmas is coming and the Mantelli family is ready to spend it together but Alice, mother and wife, is afraid her marriage could end because the spouses are too deep into their routines so she decides they should go on a vacation.
Daniela, a true Roman girl with a big face, weighs over a hundred kilos and always has the joke ready. She cohabits in a tiny apartment with her friend Luisa and works as an assistant to Maria Pace, owner of an art gallery.
Gigi and Alice are married when they rear-end a young couple: she's about to give birth so Gigi and Alice take them to the hospital and then find out the young couple don't have a lot of money so they decide to help them financially.
