Aitor Beltrán

Historical biographical religious drama film based on the memoirs of Ignatius of Loyola, founder of the Jesuit order who was also canonized as a saint in Roman Catholicism.

Six teenagers decide to spend the night at an old abandoned school where 27 years ago a horrible massacre occurred. The kids run afoul of the vicious crazed security guard who committed the brutal killings.

Lara returns from Paris with her partner, Telmo, to settle in San Sebastian. Daniel has never left the city; today he lives with his girlfriend, Vera, and works for his mother's real estate agency. Lara and Daniel's lives cross while visiting a flat for sale; but this may not be the first time they have met. Halfway between the past and the present, Gelditasuna ekaitzean (Stillness in the Storm) explores the love story of two people whose lives, in other circumstances, in other times, could have taken other paths.

David Imaz had to flee from the Basque Country in the mid-seventies, repudiated by his people, accused of betrayal. Despite having found happiness in California, his past still weighs him down and the feeling of guilt prevents him from being able to settle down and peacefully enjoy the last days of his life. Joseba Altuna, his childhood friend, comes to say goodbye and to settle the score while he's at it. It's been a long time since they saw one another, but the time has come to face the truth.

On the birthday of the patriarch of the family, one of his sons decides to come out of the closet and test the tolerance of his nearest and dearest. But the surprises that he has up his sleeve do not end there.

Mugaldekoak is set in the early 40s, when, on this side of the border, the wounds of the Civil War were still open and, on the other, they were living under occupation by the German Army. The tale revolves around the Comète Network, an initiative developed during World War II on the border with Navarre: the clandestine evacuation of British pilots brought down in enemy territory.

A group of movie professionals go into a studio to, over a single day, read / test/ count / live the story of 'The Silly Ones and The Stupid Ones'. Sitting around a table and following the directions of the director, the actors show us the evolution of the creating process and how the characters through the trials, indications, lighting or props, that at first were just a story captured on a script becomes a film, in cinema, the great optical illusion, the visual lies that allows us to enjoy the stories we see on the screen.

A businessman returns his family home after eight years in exile avoiding the terrorism of the ETA.

Victoria is a republican widow who enters in the prison of Saturrarán (Vizcaya), place where an experiment of the Franco regime takes part: the separation of children from their mothers to give them up for adoption to families close to the regime, in order to break the chains of communism.

An older woman hires a young man to lose her virginity.

Nerea is 37, is married and has a daughter. Professionally Nerea is a journalist and has to spend most of the day in the newspaper, subtracting much time to her family. The difficulty in balancing work and personal life greatly overwhelms the protagonist and the problem does not get worse when her mother, Luisa, Alzheimer patient is admitted to hospital.