Niels Weyde

Denmark, 2016. A blurred note is found in a bottle that has traveled across the ocean for a long time. After deciphering the cryptic note, Department Q follow a sinister trail that leads them to investigate a case that occurred in 2008. At the same time, new tragic events take place that test their faith and deepest beliefs.

Torben is a shiny young apple with a dream: making it to the bright lights of the supermarket fruit section. But his dream is shattered one sunny morning when a worm pokes her head out of his perfect skin. Sylvia is her name, and she is really very nice.

A position opens up at the Institute of Psychology. Manfred, a faculty psychologist, jumps at the career opportunity of a lifetime, spurred on by his girlfriend, Therese, who is also a co-worker. Then a new psychologist joins the staff, jeopardising his plans. It pains Manfred, who bends over backwards to curry favour, no end to see his new colleague, Poul, win over the institute chairman with his smooth, easy-going style. It is time, Manfred figures, to tip the scales of justice.

Frank and Casper's friendship is put to a test, when Casper decides to leave Denmark to pursue a solo career in Los Angeles. Determined to win his best friend back Frank chooses to follow Casper insuring an eventful trip.

Cecilie sees and hears things no one else does; places suddenly change appearance, people aren´t really there. One night she experiences a rape, but no traces are to be found. Her husband Mads commits her to a psychiatric hospital. With the help of a psychiatrist, Per, she begins to see a frightening connection between her condition and a brutal murder that happened more than 30 years before.

The story of August who loses his beloved sister Christina, a former porn star known as The Princess. He adopts Christina's five-year-old daughter Mia. Weighed down by grief and guilt, August breaks down and with Mia in tow, he embarks on a mission of vengeance to erase Christina's pornographic legacy.

PUK SCHARBAU plays Lise Nørgaard in the epic film adaptation of her fascinating life story. In a chronicle of both love and war, masterfully directed by Peter Schroeder, we follow the woman who would later give us 'Matador', from her early childhood to her controversial career as a journalist with a Denmark of yesterday, and a Europe in flames as convincing backdrop.

A satirical drama revealing the consequences of the Danish government's "New Copenhagen Criteria", a new policy aiming at securing the nation's survival. Citizens who fail to meet the criteria – those who have received more from society than what they have contributed – are eliminated.

Filmmaker Johannes and his wife, schoolteacher Signe, experience the biggest sorrow and misfortune one can ever imagine. Nevertheless, in all the hopelessness they must try to reach for mutual and mature love in order to continue life after death.

Frank is left with the responsibility for his nephew Bo on an already planned canoe trip. Frank's mate Casper is also coming along. Weighed down a with their obligation, Frank and Casper nevertheless look forward to ending the trip at Skanderborg Festival where there's plenty there for the guys, a spree of drinking and women. Not the best example to set for young Bo. And how do their partners see it all?

There is a cheeky Frida hiding inside all of us. Hideouts, secrets, kissing techniques, and dreams of becoming heroes by exposing evil bandits. Parents are just a nuisance, and when you finally want to take care of serving the guests, somehow it all goes wrong. It's a shame, because you just wanted to do it so well. Lykke Nielsen translated the best of the best from her books into this film. The children were happy to play along and at one point said that they would like to play in more films. That wasn't to be, but the film remains a sweet and funny everyday story that reflects the children's innermost dreams: to be allowed to be themselves without too much interference from outside. Throughout the film, the children go through a lot before they turn the villains over to the authorities, but that's how a children's film should be.

Pianist Benny loses his heart to a hair dresser, who is already in a relationship with a married man. Things get even more complicated since all three people have pre-teens, who apparently know one another.

An older man begins dancing in a public square, oblivious to the laughing gawkers who pass by. He seems to want to engage the attention of a young man sitting on a bench who begins weeping. A group of youngsters mimics and mocks the dancer. He's oblivious to them. The music is a sprightly tune that Fred Astaire might have used as he enticed Ginger Rogers into his arms. And didn't he do a lot of dancing in the streets in his movies? Nobody laughed at him. But, of course, he was only on a pretend street in a Hollywood soundstage. We know this is also a setup. Still, it's embarrassing. They're making public displays of themselves. The man, expressionless, continues to dance. The other man continues to weep. One kid starts taking the performance seriously and joins in the dance as a sort of pas de deux. Both men ignore him. And then it's over. We don't know why it began or ended. Courting ritual or celebration of self, it's unclear. (UbuWeb)

The city is gasping for air in the scorching summer heat; everyone is under suspicion; a persistent detective superintendent is burrowing for the truth. A fiercely penetrating drama about a mother's love for her autistic adult son, who is suspected of murdering a local girl. The mother knows her son could have committed the murder, but she conceals her knowledge, and gradually becomes entangled in a thicket of lies. How far is she prepared to go to protect her son who is helpless in so many ways? Does she have it within her to give up the only person she loves?

Actor Nicolas Bro reigns supreme in the role of Nicolas Bro – a man intent on making a film about himself. After his director friend Christoffer Boe lends him a camera, his selfmonitoring is so hair-raisingly private that it becomes impossible to separate fact from fiction.

Mikkel is given the opportunity to advance to deputy director of the company, and now the director has invited Mikkel and his wife to dinner at his home. Mikkel relies on certain unwritten rules and on himself. The latter is the most problematic.