Carlo Mossy

Maiquél has lost a bet and dyed his hair blond. This seemingly innocuous event triggers a head-on collision with destiny in which he goes from nobody to hero to outlaw — all in 24 hours.

Marquinhos (Lúcio Andrey) lives in the Rocinha favela, in the city of Rio de Janeiro. He gets involved with Débora (Priscila Assum), a young woman from the upper middle class with whom she starts to face adult life and several difficulties that try to separate them.

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A poor college student becomes a homosexual millionaire's lover in order to get ahead in life. The latter marries a woman for convenience, and the newlyweds end up sharing the young man.

Baby is found by nuns, who raise her inside the convent. When she grows up, she moves to a fishing village and gives up religious life when she falls in love with a black fisherman, who practices a Afro-Brazilian religion called Umbanda.

Sexy girl seduces all the members of her family. She indirectly causes the failure of his father's marriage, for her stepmother falls in love with her. Then, she has affairs with her father's stepson, and with the farm housekeeper. She and some friends are also raped by some bad guys. But they all celebrate the ruin of traditional family values.

Benjamim Zambraia is a young drunk who wanders around the city and is sometimes treated with pampering and sometimes with a beating by his parents (Helena Ignez and Otávio Terceiro). As in Chico's book, the boy is obsessed with a big stone.

The son of a filmmaker from the 1960s and 1970s searches for his father's latest unreleased work. In this search, he retells the history of pornochanchada and presents a look at cinema and Brazil.

The great battles are the backdrop for the unfolding of the Egyptian Queen's personal life. The strategy of Cleopatra is to seduce the Roman General Julius Caesar and Mark Antony to protect their civilization.

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"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

Reg owns the store "Tem Tudo... E Muito Mais" (Has Everything... And Much More). To satisfy his customers, he is forced to perform the most strange functions.

Three English women on vacation in Brazil shake the structures of a Brazilian bourgeois family, but while one of them finds love, the other two are disappointed in flirting.

A clumsy detective and his secretary are hired to solve the mysterious, vampiresque deaths happening at a nightclub show.

Pedro, a poor Portuguese immigrant, comes to Brazil to try to change his life, but ends up getting in trouble. He falls in love with the wife of one of his best friends and marries her; soon after, she cheats on him.

Three segments with stories about the sexual relationships between adolescent boys and the maids who work at their homes.

Flávio is a filmmaker who was famous during the 1970s, but who's now forgotten by the public. Urging to become relevant again, he's willing to try everything, even by methods in which he doesn't believe. A supernatural debt, however, may be compromising his career.

Recently arrived from Recife, bachelor Paulo goes to a party in Rio de Janeiro and there he meets Lucíola, with whom he falls in love. Despite his friend Sá having announced that Lucíola is a prostitute, Paulo begins to experience great love with her, but cannot avoid being jealous.

Five looks from the same man deal with the love, betrayal, fear, anguish, terror and justice that happen every day in the lives of all of us. Urban Chronicles shows that real life in the city can be much wilder than the existence of beasts in the wild.

A Brazilian crime film

A robber breaks into a house in the Santa Teresa district of Rio de Janeiro and kidnaps the family's youngest son. Based on a true kidnapping that happened in Rio de Janeiro in the 1970s, whose victim, Carlinhos, has never been found to this day.

Cinema in 7 Colors traces an historical panorama of how the queer people were portrayed in the Brazilian silver screens, from its origin in the chanchadas of the 1950s up to the present day. The film investigates the origins of the prejudices, stereotypes, as well as the importance of the identification with constructive representations of these characters.

A young woman from a conservative family loses her virginity to her boyfriend who dumps her after. She starts a new relationship, but when her parents find out she has been "ruined" they try to arrange a marriage with the first boyfriend.

Comedy in two segments. In the first, an important businessman becomes temporarily paralyzed after taking too much of a potent aphrodisiac. To take his place, his employee finds a mechanic who is a look-alike. In the second story, a businessman's woman pretends she is jealous in order to conceal her own unfaithfulness, as she is having an affair with her husband's closest employee.

Marquinhos is in his early 20s and lives in Copacabana with his petits bourgeois parents and older brother. He doesn't have a job, he doesn't go to school, he just lives on the spur of the moment, watches TV, plays soccer on the beach by day and goes out with his mates by night. He meets Irene, a 40 year-old woman and they have a love affair that is going to change his life - for a while.

No description available.

No description available.

The unfaithful wife Malena travels to Cabo Frio with the hustler Betinho, her virgin and naive daughter Soninha and her lesbian friend Nanan to spend the weekend. Nanan tries to seduce Soninha and Betinho decides to rape the girl.

A CIA agent discovers a document about a Brazilian crazy scientist that transformed dead Nazis, including Adolf Hitler, into mummies.

A couple do everything in order to stay together, against their families' wish.

Meu Nome é Dindi shows the movement of time over a young woman who owns a small marketplace near bankruptcy and fights for survival.

The lawyer Roberto leaves his career and his fiancée behind to chase the criminals who killed his entire family in a brutal massacre.

Dirceu, 30 years old, has origins that go back to the aristocracy of Northeast Brazilian backlands. Settled in a kind of subjective amnesia, Dirceu tries to bury his family's past. He is a demolition man in Recife, an urban landscape undergoing an uncontrolled process of transformation. Maria shares the same country origins, but she uses the city for a different purpose. She is a carefree and joyful music student. If Dirceu aspires to a world that is stable and present, Maria lives in discord with the present. To her, nothing is as it should be. Maria's apparition unleashes in Dirceu an urge for being somebody else. On a route of escape through the desert of the backlands, a unique encounter is set to happen. Boa sorte, meu amor (Good luck, sweetheart) is an anti-romance of the impact between music and silence.

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The life of hairdresser Aurora Boreal is marked by many unfortunate episodes. His mother works with illegal gambling and, to escape this fate, he sends female manicurists to important businessmen's houses. These workers, in order to help Aurora, end up doing much more than just their customers' nails.