Louise Forestier

Two teens dig up a tree and embark on a journey to bring it back to their grandmother.

No description available.

A fact-based account of ordinary citizens who found themselves arrested and imprisoned without charge for weeks during the October Crisis in 1970 Quebec.

The tribulations of two Québec nationalists in the English-speaking world of insurance. A satire that draws its irony from a specific social situation. A typical example of the era's popular comedies based on television and trendy stars, which gave birth to a certain commercial stream in Québec cinema.

A first-rate French-Canadian spy must tangle with a female Chinese spy who is in love with him.

In this French Canadian film, when the provincial government tries to move two young farmers from their land to make way for development, the two fight back, accidentally killing a policeman and becoming outlaws in the process.

In an abandoned house by the river, a man meets a woman. All night long, they try to love each other.

No description available.

In 1935, in a Quebec village, a boy observes with curiosity the little intrigues of the adult world.

In this Canadian character study, a petty thief steals $5,000 from a marching band and heads to the US with his ditzy girl friend and another couple.

Laurie, a professional downhill racer gets fired because of her slight overindulgence in irresponsibility. She returns to Montreal where she is welcomed by her geeky but cute brother. She meets Lorenzo, a cranky, ex-racer who owns a bike shop. The two become friends. Laurie gets a job with a local bicycle courier company, but a member of the group is intent on shutting her out of their circles, making her life difficult and sad. After a bonding truth-revealing discussion between Laurie and Lorenzo, Laurie begins to see what she has to do to make things better for herself.

Two strangers have a fateful one-night stand in Montréal.

Backyard Theatre is a documentary about playwright Michel Tremblay and director André Brassard’s flavourful brand of Quebec theatre, which captured the earthy wit and joual (slang) of Montreal's East End working-class neighbourhood. The film features impromptu improvisation by the cast of Les belles-soeurs and Demain matin, Montréal m'attend, two genre-defining plays.

Montreal, a multigenerational house loaded with books, paintings and knick-knacks, so many memories revived on the evening of one last Christmas Eve. Luc, a retired pediatrician and teacher in his eighties, lives with his son François, a pediatrician like his father, and François' wife Esther. Suffering and physically diminished, the old man has now decided to end his life. In a corrosive and sensitive verbal joust, he asks his son to end his days in privacy. The son then takes him on an existential and circus-like journey through the streets of Montreal where the father is supposed to go to his final destination, a hospital where he will be confronted with his ultimate wish: the choice between the finality of medical aid to die or a return to square one, the small pleasures of what remains of his life, alive.