Patricia Rozema

Follows the "Beckett on Film" project, which produced film adaptations of writer Samuel Beckett's nineteen stage plays. The documentary features excerpts from the "Beckett on Film" versions of "Not I", "Krapp's Last Tape", "Endgame", "What Where", and "Waiting for Godot".

Women Who Act is a project that will take an in depth look at the careers of some of the biggest actresses in Canadian film and television. Patricia Rozema (Director, Screenwriter) will thoroughly explore the careers of some of Canada's most famous actresses, including Andrea Martin, Elliot Page, Sandra Oh, and Tatiana Maslany.

Scatterbrained Polly gets a job as a secretary in Gabrielle's art gallery. Polly aspires to be a professional photographer, and idolizes Gabrielle for her artistic ability. When Gabrielle rekindles an old romantic relationship with the younger painter Mary, Polly becomes jealous, and discovers Gabrielle isn’t exactly who she claims to be.

The ghost of "patient zero", who allegedly first brought AIDS to North America - materialises and tries to contact old friends. Meanwhile, the Victorian explorer Sir Richard Burton, who drank from the Fountain of Youth and now works as Chief Taxidermist at the Toronto Natural history Museum, is trying to organise an exhibition about the disease for the museum's "Hall of Contagion".

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

This compelling documentary explores Canadian film culture and tries to discover what defines Canadian film through interviews with notable filmmakers.

A post-modern documentary about the meaning and nature of love from a gay perspective.