Kenji Iwaya

When panic erupts on a Tokyo-bound bullet train that will explode if it slows below 100 kph, authorities race against time to save everyone on board.

A rookie judge testing a powerful AI verdict system finds herself at odds with the technology when it condemns a teenage patricide to death before the trial even begins.

A lawyer tasked with defending a robbery-and-murder suspect begins developing doubts about what truly happened.

Mitsuki and Yuya become stepsister and stepbrother because of their parents' marriage. Mitsuki can't get along with her new family and Yuya doesn't know how to approach his new stepsister. One day, Mitsuki becomes possessed by the spirit of Hiyori. Hiyori likes Yuya and believes Yuya can help her get to heaven. Hiyori places a leather chastity belt upon on Mitsuki and a plan takes place to help send Hiyori to heaven.

The arrival of an intimate letter prompts a young woman to bring her mother on vacation to a small Japanese town, where someone special resides.

Shinji is a middle-aged, sleaze film director who used to be famous. He hardly goes back home and moves from one woman to another. In spite of his idleness, women are very fond of him and look after him compassionately for whatever reason.

War may be over, but for the children of Miwa Nishikawa’s latest film — adapted from her forthcoming novel — survival has only begun.

Mikako, a housewife who had grown bored with her ordinary daily life, one day suddenly steals a gold temple bell worth several million yen that is being sold by SGC Co., Ltd. at a department store she happens to visit. Captivated by the allure of gold, her world completely changes, and the dream she had as a child—“to do something only I can do”—comes back to life. Recklessly, she begins to plan the theft of Hideyoshi’s golden tea bowl, worth 10 billion yen. As she becomes entangled in a battle of wits with Kinjo, an SGC employee who tries to exploit her, and deals with her husband’s affair after he ends up becoming an accomplice to her theft, almost against his will, trouble continues to pile up one after another.

Tomoya Maruishi , a screenwriter who suffers from slump. He mainly writes pink movies, but his idea of ​​a wet place comes to mind when he has sex with his wife, but when it comes to writing, he can't write. When it is pointed out that his erection is getting worse even in the actual sex life, Tomoya gets impatient both physically and mentally. When Tomoya consulted with Sekikawa , a senior screenwriter, he explained that his wife Tomoko was satisfied with everything, and he dared to avoid Tomoko . Start. The plan is to run the brush with Tomoya's delusion and jealousy.

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Keiko, a young, newly hired weather woman, is eager to give her channel's flagging ratings a boost. She decides a panty shot might do the trick, so during her forecast she lifts her skirt, thereby capturing the attention and the hearts of viewers. Keiko's stunt creates such a stir of excitement over the weather report that viewers begin religiously turning in to see what she'll do next. However, this showboating routine earns the ire of Kaori, the beautiful and ambitious daughter of JTV's chairman. Jealous of her success and aching to take over the weather report, Kaori is willing to do just about anything to get what she wants.

Yukio Haruyama is an elementary school student. He has an uncle that teaches philosophy part-time at an university. His uncle leeches off his family. The uncle then goes on a blind date and falls in love with beautiful Eri Inaba. She is a fourth generation Japanese living in Hawaii. Sometime later, Eri goes back to Hawaii to take over a coffee farm left behind by her recently deceased grandmother. Yukio and his uncle travel to Hawaii to see Eri.

A high school student living in Ota City, Gunma Prefecture, has a Filipino mother who works at a Filipina hostess bar.

Japan after the end of the Corona disaster. It depicts a couple living with their husband's parents and living under the pressure of a mother-in-law who strongly desires to have grandchildren. This is Kenji Yamauchi's fourth feature film, following AT THE TERRACE (2016), which was screened at the Tokyo International Film Festival.

At a certain adult movie theater, three men spend their time watching movies and chatting away. Asami, an employee at the theater, is someone the three admire, so what will they do to try and win her attention?

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The Nagasaki family consists of four people: the parents and twin siblings. That night, the three except for the father and Kajitsu were relaxing in the living room, while Kajitsu went to a brothel to commemorate the end of his life as an office worker. Exhausted by human relationships, Kajitsu wanted to build everything from scratch, so he decided to move to the countryside. Meanwhile, his wife Hiromi was having an affair with the mediocre actor Fuji Ikuma, but she broke up with him, thinking it was a good opportunity to have the ideal affair. Hiromi is what the world calls a beautiful witch. She thought there must be someone more suitable for her than a man like Ikuma.

A community is shocked when the bodies of an elderly man and the manager of a home-visit nursing centre are found. The passing of 42 elderly patients is connected to Shiba, a caretaker recognised for his affection and dedication.

A pair of siblings battling poverty and disabilities turn to prostitution, learning how to eat, fight, and love.

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A family drama in which popular sexy actresses Shizuka Kanno and Yuko Shiraki co-starred. The mother, who was said to be a guardian, passed away, and the three brothers and sisters fought for bones and flesh over the whereabouts of the heritage. Tetsuya Takehora, a veteran director of a pink movie known for "Junjo nurashi, Ai Seikatsu" and "Psycho Nobakayarou," picked up the megaphone.

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Kageru's mother was killed by a demon when Kageru was five. But now there is an unexpected opportunity for revenge.

A sensual love story that depicts the whereabouts of love that two women with opposite personalities weave around one man. When I was a student, Reiji and Sumire graduated without feelings though they had both feelings. After a while, Reiji reunites with Sumire, who returned from her former girlfriend, Koko. Popular sexy actress, Airi Natsume made her first appearance in a pink movie.

In "Mienai Koi no Hanabi," Kana Kojima is a 27-year-old dental assistant living in Tokyo. A depressed girl who has delusions while denying her fateful encounter. One summer day, Kana visits Fukuoka for work and meets a tall, handsome, medical consultant, Hiroki Watanabe, who she becomes interested in on their first encounter. Kana spends the night on a drive around the city in Hiroki's car. Escorted by a man from Fukuoka, Hiroki, Kana has an emotion she has never experienced. "I wish the night didn't end ..." After the end of the night, they never met again. The only thing they did was exchange one email the next day. However, her thoughts for Hiroki did not go away. Two years later, summer comes back to Fukuoka. On the night of the Ohori Fireworks Festival, Kana decides to meet Hiroki. Does the love between Tokyo and Fukuoka have no beginning or future?

An erotic drama in which the director Tetsuya Takehora, the scriptwriter Hiroko Fukazawa, and the starring Nanami Kawakami have reunited. Miwa, a communicative disorder, spends her days hiding behind the offering box at the shrine and soaking in sake while keeping a distance from the world. One day, she meets a middle-aged man who came to visit a shrine, and she is attracted to each other as she talks without showing up to the other person. Miwa began to feel confident in living through interaction with him ...

After repeatedly failing in his job search, Teruki eventually became a recluse. Yuki invites him to join the ‘rent-a-person’ business. Naturally earnest, Teruki makes a fresh start and begins tackling various requests together with Yuki. [Exists in two versions with two different titles: the original R18 version (Rental College Student, Carnal Desire in Arrears) and the R15 version (Beauty and the Idiot)].

The Minoshima family runs an izakaya, and the 49th day memorial service is being held for the sudden death of their son-in-law, Mitsuru. The second daughter, Wakako, quietly steals Mitsuru's remains and smiles eerily. She had secretly been in love with Mitsuru.

Facing a whirlwind of emotions, comedians endure relentless insults from angry villagers. Can they turn hostility into laughter?

Four dramas about brothers and sisters, each of whom lacks a certain emotion.

A boy who can't eat a tomato was pushed by his mother to overcome his least favorite. When he swallowed it, something sprouted from his own body. The boy doubted the tomato he ate and visited a tomato farm to find out what happened to him. There he met a scary farmer and ran away. The mother still tries to make her son able to eat a tomato. This script was generated from AI, shot by alumnus of the national film school as a cutting-edge R&D project.

Yuki (Ayaka Tomoda), the second daughter of the Sanada family who loves fortune-telling, is always in love because she is a deep lover and poor at romance. Yuki's comforting role is Katsuko (Misa Wada), the eldest daughter who prides himself on being a senior romance, although she is not popular, but her irrelevant romance instruction eased the pain of a broken heart. And the third daughter, Tamami (Misora Hayama), is an extreme retreat. He doesn't show up to his sisters, and gropes his crotch in the room with an erotic cartoon of Boys Love. Because Yuki brought a drunken colleague, Mitsuru, back to the company drinking party at the house of these three sisters...

Housewife Yoko cares for her elderly father-in-law downstairs while secretly working as a prostitute upstairs, oblivious to the nosy neighbour next door. But one thing is always on Yoko's mind: her hatred for assassinated former prime minister Shinzo Abe.

Apprentice chef Saori Nakagawa suddenly travels to Tokyo in 1964 to meet Ryuichi Kikuchi, a cook. From Kikuchi who devotes himself to cooking, Saori learns what is really important. The love of two people over 56 years.

A brothel in a certain town. Itsuki, the number one, was worried about his future. Her lover who pursues her dream with all her might, her colleague who left her shop due to a certain incident, and a newcomer also enter the store. Sequel of "Matagari tenshi: Hoteri no tôgenkyô."

Kazuya Naruse, an obedient programer falls for a girl "Rumi", whom he gets to know through chat rooms. Naruse lost himself in this love, as if he lives in another world. Rumi has a mentally ill husband. Spending time with these two, the illusion of love in Naruse gradually changes to uneasiness and insanity.

A gaunt, middle-aged man barely recovered from a serious illness, an awkward company employee, the hosts’ likable son, who comes home late — each of the men on the terrace are captivated by Haruko’s pale, white arms, inflaming the jealousy of the company director’s wife. Literary anecdotes abound, as does petty bickering. The masks they’ve carefully crafted are suddenly torn away, exposing their tainted humanity. Desires, jealousies and secrets are laid bare during 90 minutes on the terrace, culminating in a shocking and not exactly happy ending.

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