Nicola Siri

Palermo, Sicily, 1980. Mafia member Tommaso Buscetta decides to move to Brazil with his family fleeing the constant war between the different clans of the criminal organization. But when, after living several misfortunes, he is forced to return to Italy, he makes a bold decision that will change his life and the destiny of Cosa Nostra forever.

The selfish Dr. André Luiz dies and awakes in the limbo called "Umbral". After a painful period in the gruesome swamp, he is rescued and brought in a white light to "Nosso Lar" (meaning "Our Home"). He finds a place of harmony, where people live in peace awaiting

A 40-year-old world-famous chef with anger management issues is assigned to run a cooking class at a centre for young people with autism.

The passing of the years is merciless for everyone. In the film, seven seemingly ordinary characters lead their lives seeking, each one, what they believe brings personal satisfaction. But, even with different and distant lives, they come closer by the way they guide their existence based on worldly concerns.

No description available.

No description available.

Sequel to the award-winning 2007 film, Stomach 2 tells the tasty and bloody dispute between a faction leader and an Italian boss for control of the prison where they are held and the privilege of being served by the talented cook Raimundo Nonato

In 1973, after Pinochet's coup, Chile was one of the most dangerous places in the world. The only apparently safe place was the embassies. The film is based on real accounts by João Carlos Bona Garcia who spent 42 days inside the Embassy in these conditions “of not knowing if he would be alive the next day” and survived.

A former policeman turns full-time robber and goes on a downward spiral of crime in 1970s Rome.

Bruno Stein and his family live in a house in Serra Gaúcha and make bricks by hand. Their lives change with the arrival of a stranger who awakens a series of feelings in the patriarch, who is already approaching the end of his life.

Beth, Milena, and Carina are three college students who've shared some of Rio's most wild and legendary parties for the past few semesters. After living in New York for a year, Beth returns on New Year's Eve a changed girl, willing to mend her ways and grow up. Milena and Carina, however, are not happy about their friend's change - Keen on stopping Beth form becoming "respectable" at all costs, they show up at her house with dozens of friends to celebrate the New Year. Before dawn, secrets will be revealed, friendships will be tested, hearts will broken, and tears (and other bodily fluids) will be spilled. As the night unfolds, we also witness past events in a seedy nightclub, which changed the lives of those three girls forever.

A camping trip for a group of friends turns into an unexpected nightmare when one of them encounters a mysterious stranger.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

A man, in the midst of the end of World War II, emerges into a spiral of blood and revenge in the name of his sacrificed lover.

The movie is based on the autobiography of Horst Fantazzini. Son of an anarchist, he was known in Northern Italy as “the gentleman bandit” because he robbed banks without violence, with only a toy gun. After many convictions and jailbreaks, in the summer of 1973 he's being held in Fossano, Piedmont when he tries to escape again. This time things get messy and he has to use a real gun and take two prison guards as hostages.

Brazil 1839. Aninha Ribeira da Silva, called Anita, is a bubbly and passionate 18-year girl, who dreams to leave the small town where she lives. All of the girl's dreams, however, fade away when Manuel, an aged craftsman who lives nearby, asks her to marry him and her mother persuades her to accept so that she can help support her family. While Anita sheds hot tears for that forced marriage a young Italian seaman, who had been sentenced to death by the Genoa martial court, lands in Rio de Janeiro.

A film about the reunion of a family broken by the pain and because of the pain can be reunited. An intense story, told in a soft and sensitive way, showing the search and dedication of a man rediscovering family and the love that unites the brothers, finally forming a real family.

Five soldiers and their punishment.

In this Brazilian mockumentary, Paulo, Manuel, Eric and Alex all have a shared dream: to make a blockbuster action movie. The challenge is immense, as it requires bringing their grandiose ideas down to Earth. Each is equally passionate and narrow-minded about what they do, and in spite of a predilection for getting into trouble, nothing will stop them from pursuing fame, success, and the money they lack for the project in one hilarious misadventure after another.

A collective cinematic project to promote tolerance and the value of diversity.

Francesco Falaschi's comedy I Am Emma stars Cecilia Dazzi as a woman who suffers from an unusual disorder. Emma is a town councilwoman whose husband (Marco Giallini) has taken a mistress because he dislikes her repressed behavior. Her demeanor changes radically when the town pharmacist runs out of Emma's daily dose of depressants. Emma has a disorder in which she is naturally outgoing and upbeat. Her marriage gets rocky as she expresses her true self. The town responds poorly to a woman being so brazen, but Emma's best friend (Elda Alvigini) is inspired by Emma to make a major life change.

In 1752, a ship arrives in Brazil, bringing doctor and writer Gaspar de Fróes. He keeps a diary about the dangerous trip, the diseases and hunger aboard, his impressions of the new country, and the political struggle between the crowns of Castela and Portugal. In Brazil, he is going to fall in love with the wife of a Portuguese officer.

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Two stories run on parallel lines in a nocturnal Rome. Marcello is an easygoing sixty-five-year-old film producer trying to convince a beautiful actress to accept a part in a film. The other protagonist is a group of petty criminals and illegal immigrants who pass the night stealing, taking drugs, having sex and drinking. Marcello talks about his experience working with Fellini and Mastroianni during the wonderful years of DOLCE VITA; this strongly contrasts the city experienced by the immigrants.