Thierry de Peretti

Alain, a successful Parisian publisher struggling to adapt to the digital revolution, has major doubts about the new manuscript of Léonard, one of his long-time authors — another work of auto-fiction recycling his love affair with a minor celebrity. Selena, Alain’s wife, a famous stage actress, is of the opposite opinion.

Simone Signoret and Yves Montand were the most famous couple of their time. Haunted by her husband’s affair with Marilyn Monroe and bruised by all those that followed, Signoret always refused the role of victim. What they knew was that they would never leave each other.

1967-1976. As one of history's greatest fashion designers entered a decade of freedom, neither came out of it in one piece.

September 1940. Henri Marre arrives alone in Vichy as the authoritarian regime settles in. Broke, estranged from his family, and carrying copies of his self-published manifesto Notre Salut (Our Salvation), the 49-year-old is determined to secure what he believes is his rightful place in the new administration. In his writing, Henri sets out his patriotic convictions and his engineer’s methodology: efficiency above all. Claiming he wants to help save France after defeat, he does whatever is required to remain useful, serving the machinery of the new order with increasing skill. But he may be pursuing something more urgent: escape from his own ruin

Three siblings comprise the latest generation in a family of puppeteers led with passion by their father. They are magicians of a kind, but can barely make ends meet, working mainly for the love of their craft. Their grandmother contributes too, not only as a seamstress but also as a repository of memories and wisdom. A tragic event will challenge the desire of each sibling to carry on.

Passionate about the singer Elvis Costello, Ulysses works every Saturday at a gas station in the middle of nowhere to pay for his meteorology studies. Shy and suffering from stagnation when confronted with a conflict situation, he does not respond to the insistent advances of Marie, who lives across the street. At the same time, Anton and Mirek, two English gangsters, are combing all the gas stations in the area in search of a loot hidden in the toilets.

A group of mourners travels by train to bury a recently deceased artist in Limoges. As they journey, secrets and desires unfold, with relationships shifting, past loves resurfacing, and personal connections revealed. At the funeral and afterward, tensions rise among the group, leading to further emotional complexities at the artist’s family home.

A French army journalist bears witness to the atrocities of the Algerian war in 1962 in this gripping French war movie. It is based on the 1967 novel by Philippe Labro. The film begins in Paris as Jerome Carier, ready to embark to Algiers, is beaten and questioned about the politically sensitive photographs he has. The photos were sent to him by Francois, a friend stationed in Algiers. Francoise is trying to get the French and the Algerians to reconcile. Jerome arrives in the war-torn country and finds himself faced with unbelievable carnage. The French are behind most of it. Because he took the pictures, Francois life is in jeopardy. He is murdered and Jerome finds himself attracted to his girl friend, a radio station announcer. The film contains graphic pictures of the slaughter.

Fragments of the life of Antonia, a young photographer for a local newspaper in Corsica. Her commitment, her friends, and her loves intertwine with the major political events of the island, from the 1980s to the dawn of the 21st century. It is the fresco of a generation.

The grueling, emotionally torturous world of French preparatory schools provides the framework for this mystery. The deliberately rigorous courses are designed to prepare students to take the brutal examinations for entry into the elite Grand Ecoles, where a select few will gain the skills and education needed to insure a bright, prosperous future for themselves. The story centers on Delphine, a girl from the lower classes, and the upper class Claude. Both young women aspire to attend the Ecole Normale Superieure on the Rue d'Ulm. Delphine lives in humble public housing with her dull mother and two young brothers while Claude, who considers herself a Communist, lives in luxury with her own servant; she is sexually involved with fellow- student, Axel, who thinks himself a fascist.

After a freak accident changes his perspective on life, a Parisian filmmaker meets a stranger who brings him to a commune that's populated by free-spirited women.

Raoul is a 20 years old student in Paris. Girls are not interested in him, though he is good-looking. He wonders why. Raoul does not look for a great passion, he only wants to be kissed. We will follow his love tribulations.

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In Malmousque, a former fishermen's district in Marseille, new residents and bathers from all over the city mix. Virginie wanders the streets looking for her cat, while Elina is convinced that her husband has put spyware on her cell phone. The two friends go kayaking so they can talk to each other without the risk of being overheard.

This program of short films by Vincent Ravalec (Never twice, Le Masseur and Les Mots de l'amour) deals with themes such as desire and death through the journey of a group of characters.

A man on holiday in Corsica witnesses the robbery and the killing of a gas station / grocery owner by somebody he knew. He flees the place without saying anything to anyone about what happened, and then feels deeply guilty.

The Virgin Mary appears to Mario, a provincial barber who dreams of becoming a successful singer. He introduces her to his parents who decide to adopt her and give her a room in their house. The presence of the Holy Mother will soon break the monotony of the household. Teresa, Mario’s mother, starts to talk to a chandelier. Carolina, his sister, thinks she has become invulnerable and begins to hit her teacher. As for Mario, he thinks he has been invested with a special mission, to tell the truth at all times to everyone he meets. It soon turns out the Virgin is not what she pretends to be…

The auditions for the lead role in the latest feature by Thierry de Peretti, "Une vie violente" : young Corsican men talk straight to the camera about their relationship with their island, its past and its present. Through words, the portrait of a whole generation, between the temptation of nationalism and the dreams of a new beginning somewhere else.