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Víctor Maytland is approaching the end of his career. After years of work, his producer decides to stop financing his pornographic films, overflowing with narrative ideas and social content. His curious craft seems to be dying. In the shadows of his studio, during nights of desperation and obsessive writing, surrounded by papers and clouds of tobacco, he begins to shape a new project, the most absurd and crazy of his life. And so, with the meager resources he manages to gather, he sets out to undertake one last challenge: to make one last film, this time based on his memories as a young Peronist activist.
Three farmers work on a farm in Entre Ríos, a sparsely populated lowland region of Argentina traversed by rivers. Their crops are affected by ‘black frost’ which threatens to destroy their harvest. One day, a young woman appears at their door; blithely and self-assuredly she begins to influence their familiar routines. The bewildered farmers yield to Alejandra’s interventions: she dons Heribertos’ dead wife’s clothes, accompanies Benigno to a greyhound race and wins young Lucas’ friendship. Shortly afterwards, the frost disappears.
