Pim de la Parra

A wealthy French couple unable to bear children but determined to start a family agree to use an anonymous surrogate . Upon seeking a professional opinion on the matter, the couple is advised to seek out an anonymous surrogate. Though the procedure is a success, Jean-Paul becomes entirely consumed in his quest to discover the identity of the young woman (Willeke van Ammelrooy) who is currently carrying his child. Upon coming face to face with the ravishing young beauty, Jean-Paul initiates a torrid affair that will profoundly affect the lives of all involved.

"Pim is more consummate," actress Willeke van Ammelrooy concluded upon seeing Pim de la Parra again in Suriname, at the presentation of the restored version of his film Wan Pipel. This marked the end of her disagreement with the director, which arose during the making of this film, some 35 years ago now. The charming director doesn't seem like the kind of man you can stay angry with for long. Wan Pipel turned out to be a watershed in the career of this headstrong filmmaker, who shook up the Dutch film world in the late 1960s. Although he went on to fight back with his so-called "minimal movies," he would never again get the opportunities his talent and inventiveness deserved. In Parradox In-Soo Radstake provides a personal portrait of De la Parra, now 70 years of age, who after many adventures in the Netherlands has returned to his native Suriname. He discusses the major themes of his life and work, which for a long time coexisted: too many women, too little money, too much ego.

Burgler and master safe-cracker Glimmie is asked to find a young woman called Fanny by her rich stepfather Van Borsen. However, Glimmie remains suspicious of the man and decides that Fanny has to be protected by him and his pal 'De Bonk'. He is soon proved correct and winds up a scapegoat in Van Borsen's scheme. After his release from prison, Glimmie plans his revenge with some help from a young cleaning girl called Slofje.

Portrait from 1964 of the editors of the film magazine Skoop, founded in 1963. Portrait from 1964 of the editors of the film magazine Skoop, founded in 1963. Pim de la Parra, Wim Verstappen, Rob du Mée, Nicolai van der Heyde, Rein Bloem, and Gied Jaspars give their opinion on Dutch film and how Skoop aims to improve the Dutch film climate. Joris Ivens also speaks, applauding the initiative of the young filmmakers/editors.

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The romantic pharmacist Max is in a relationship with Willie and also has a platonic relationship with Laura. The artist Henk is the fourth player in this game of quartets. The foursome is comically torn between the urge for independence and the desire for a partner. Jealousy and relationship anxiety cause the relationships to constantly change, resulting in continuous relocations. In between, there is the minor drama involving Bonita: Max has a passion for pigeons. Together with the melancholic pigeon fancier Gisbers, he is the owner of the cock pigeon Bonita, who never wins any prizes...

Documentary about the Dutch film director Adriaan Ditvoorst.

Documentary that looks back at 35 years of Dutch cinema, with Paul Verhoeven and others.

First film by Pim de la Parra, about a young Surinamese man in Amsterdam who delivers a “monologue interior” about his dissatisfaction with society and his position as an outsider.

Alicia, a bored housewife, leaves her husband and children in search of adventure.