Jim Sheridan

The daughter of a thief, young Moll is placed in the care of a nunnery after the execution of her mother. However, the actions of an abusive priest lead Moll to rebel as a teenager, escaping to the dangerous streets of London. Further misfortunes drive her to accept a job as a prostitute from the conniving Mrs. Allworthy. It is there that Moll first meets Hibble, who is working as Allworthy's servant but takes a special interest in the young woman's well-being. With his help, she retains hope for the future, ultimately falling in love with an unconventional artist who promises the possibility of romantic happiness.

Set at the dawn of the fourteenth century, a revisionist adaptation of history's most celebrated star-crossed lovers rejects classical iambic pentameter in favor of a contemporary pop music score, charting their efforts to alter the course of their tragic destiny and expose a political truth crucial to the future of the Empire.

The real-life story of Dublin folk hero and criminal Martin Cahill, who pulled off two daring robberies in Ireland with his team, but attracted unwanted attention from the police, the I.R.A., the U.V.F., and members of his own team.

The film is set in Northern Ireland shortly after 1994 cease-fire. Hazel is a Protestant and Malachy a Catholic. Romance between them is threatened by Rohan (leader in militant underground and pal of Malachy's brother Padhar), who wants Malachy to be recruited and fight for the cause and by Hazel's brother Jef, who spies on her meetings.

In 1714 Peru, a friar is tried by the Spanish Inquisition for questioning God's intentions when five die in the collapse of an Andean rope bridge.

In a fictitious trial, twelve members of a jury must decide whether journalist Ian Bailey is guilty of the 1996 murder of French filmmaker Sophie Toscan Du Plantier. Based on real events, the film reconstructs, through the discussions between these twelve people, a case that ultimately invites the viewer to draw their own conclusions.

A candid and revealing insight into the private life and public career of Richard Harris. One of the most remarkable actors of his generation, the documentary explores Harris’s complex and, at times, contradictory character. Each of his three sons — Jared, Jamie and Damian — brings their own perspective to bear as they summon the ghost of their late father to the screen.

An intimate portrait of abstract painter Guggi that traces his journey from humble Irish beginnings—with friends Bono and Gavin Friday—through his post-punk phase and toward international acclaim as an uncompromising artist.

Actor Adrian Dunbar has played Brendan Behan on the stage many times, and now sets out on a journey to discover the real story of the poet and playwright. He travels to all the cities Behan lived in, to places where he is still highly regarded, including the one where it all began for him as a poet – Paris.

In 1928 Dublin, during séances concerning Jonathan Swift, the spirits of his former lovers, Stella and Vanessa, emerge to resume their ancient quarrel.

A carpenter repairs what he believes to be his wife's inadequacies.

Dreaming the Quiet Man’ includes interviews with aficionados of Ford like, Martin, Scorsese, Peter Bogdanovicz, Jim Sheridan, William Dowling, and Joe McBride. There is mesmeric archive and rare photographs of the making of the film. The main location of the documentary is Ford’s ancestral homeland of Connemara, on the west coat of Ireland, where his parents were born. We meet Ford’s cousins, the Feeney’s who tell the story of Ford’s parent’s departure from Ireland after the Great Famine and the young Ford’s return to Ireland in 1922 to visit his cousins the Thornton’s and saw their house being burned down by the infamous Black and Tans. Ford, under the pretense of scouting locations for a movie, gave money to the IRA. We travel to Portland Maine where Ford grew up and went on to become a director in the first bloom of Hollywood. The boy made it good but Ireland was always on his mind.

A spirited 7-year-old, growing up in Dublin in the 1970's, can't wait to make her Catholic Holy Communion. The only problem is - she's a Jew.

Muide Eire / We are Ireland documents the history of Ireland on screen. From the horse drawn carriages of Dublin's yesteryear, to the latest summer blockbuster, this film takes an intimate look at film making in Ireland - as a visual expression of Irish culture, celebrating contemporary filmmakers in both the Irish and English languages. From the glamour of the red carpet to behind the scenes 5am starts, We are Ireland invites the viewer into this world where art and industry exist in delicate balance. The heart of this documentary is our investigation into representations of Ireland and the Irish - how the Irish have been viewed abroad, and how we represent ourselves on screen.

Two struggling stuntmen decide to write their own script.