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The author Peter Ustinov has called his work "Endspurt" a "biographical adventure". Biographical because the somewhat ambitious but later successful writer Sam Kinsale meets here as a twenty-, forty- and sixty-year-old. The interesting thing about this film, however, is that the four Sams are confronted with each other. The diversity of an eighty-year-old life becomes transparent. At the age of 20, Sam Kinsale loves the young Stella and is determined to marry her. But 20 years later, he is fed up with the marriage and wants to leave her. But he doesn't because she is expecting a child. As a sixty-year-old, he is constantly making compromises both in his work as a writer and in his personal life.
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Father and son have the same taste in women, but different tastes in music: both love the beautiful Linda, but while the father leads a successful dance band, the son wants to be a rock star. After an argument, the son leaves his father and performs first as a solo artist, then with a rock band. There he meets the lively Maxi.
Before the police station in Ober-Himmelbrunn is dissolved, the local landlord reports a burglary. The young gendarme Thaler is assigned to solve the case. Disguised as a holidaymaker, he goes to work. In the process, he conquers the hearts of twelve attractive girls who want to spend their holidays in an alpine hut.
After rehab, Manfred Burger seems to have got his alcohol addiction under control and is trying to reorganize his life. Although he is now sober, he soon realizes that society cannot cope with his illness: His relationship with his wife Eva is on its last legs and he loses his job. Nobody seems to understand Burger and his illness. As his life continues to go off track, the bottle soon becomes his daily companion again...
In this film, the stories of five women who are by no means weak intersect.
