May Ollis

An American insurance executive, who sees his wife and children die when a plane crashes into their vacation cottage on the Irish coast, uncovers a series of suspicious clues indicating that it was no accident after a pretty financial reporter who resembles his dead wife turns up.

In Dublin, a working class family has been unsuccessful in convincing their son to get a real job: the son prefers his job of scooping up horse's dung and selling it for flower gardens. An American exchange student almost runs him over and gets to know him. The dung man has ignored warnings from his family and suddenly the horses have been banned from Dublin. His new love is leaving for America and he must find a way to cope with the new reality.

The life of young newlywed, Fern O'Neil, is turned upside-down when her husband is called home to visit his dying father in Ireland. When she fails to receive a phone call from her husband, she contacts the airline and discovers he was not on the plane. Further investigation reveals that her husband is not who she thought he was. Her search ultimately takes her all the way to Ireland, where her sanity and, of course, her story come into question.

The story of the trial of Willie Gallagher, convicted of bombing the Strabane British Legion Hall in Northern Ireland, 1976. The transmission of this film was postponed by the BBC several times, and when it did finally air, it was shown with cuts; the writer, Caryl Churchill, and director, Roland Joffé, had their names removed from the credits in protest.

In County Leitrim in the 1950s, Bridie has been attending the local dance hall for years in the hope of finding a good husband who can help work her family's farm. Now surrounded by younger, prettier women at the dances, she comes to the realisation that all the good men of her generation have emigrated or have been spoken for, and her only remaining hope for marriage is with the alcoholic and unreliable Bowser Egan.

The story of Anne Devlin, who was caught up in the revolt of the Irish under Robert Emmett in 1803, told exclusively from the woman's point of view.