Toshiki Fujikawa

After his parents die, a teenager goes to live with his older brother. As his loneliness grows, he becomes engrossed in practicing modern dance with his classmate.

Compilation film featuring short works from directors Hitoshi Yasaki ("Short Cakes"), Yuki Tanada (scriptwriter "Sakuran," "Tsuki to Cherry"), Hiroyuki Nakano ("Stereo Future," "Samurai Fiction"), Masahiko Nagasawa ("Yoru no Picnic"), Masaya Kakehi ("Bijokan), and more for a total of 18 shorts. This time around the theme is "24 hours," where filming for each work must have been completed in 24 hours in order to appear in this film.

Men and one woman have drifted to an uninhabited island. The only woman will try to survive by taking advantage of her own sexual attractiveness.

Growing weary of his girl friend, Kentaro moves to a new apartment. One day in summer, he sees his ugly neighbor come out from the room together with many beautiful women around. It bothers him big time and eventually he reaches to an answer to this mystery: the very existence of a certain can named "BIJO-CAN". Kentaro, getting hold of this"BIJO-CAN" , finally succeeds to produce his own ideally beautiful woman, Yuki.

A 17-year-old country boy named Norio decides his only option is to follow his late parents’ example and commit suicide. After failing even at that, his 34-year-old English teacher Akemi convinces him that he should instead move to Tokyo with her and become a lawyer on her dime. Unfortunately, Akemi doesn’t have quite as much money as she leads Norio to believe, and has to secretly get a job at a karaoke bar under the guise of “going to the salon”. Meanwhile, she continuously prods her somewhat dimwitted student to work harder toward her manufactured goal of him becoming a lawyer. Although Norio is falling in love with Akemi, he’s not all that interested in studying, and matters only get worse when he discovers his benefactor’s secret source of income.