Martin Pechlát

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Colorful characters of various ages, personalities, professions, and hobbies are all searching for happiness, though each in a different place and with a different outcome.

Czech literature teacher Josef Tkaloun, who is past retirement age, realises one day that he no longer understands his pupils, and so he quits… dramatically. What he does not predict is that in doing this he will lose his sense of place in society.

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The only thing separating Nina and Richard from divorce is a contract they once wrote on a paper napkin while drunk, in which they pledged that whoever causes the end of the relationship will not receive a single crown from their joint property.

A young clerk is delegated to sort out the affairs of a certain property. It is an old castle belonging to the city with a garden, in which nobody is really interested, but the tenants of the property do not pay rent and taxes, do not work and do not send their children to school. Correcting this state of affairs will prove difficult, because it is a family of aristocratic spirits who have so far dealt with scares and witchcraft, but do not know the material concerns of ordinary mortals and cannot imagine such a revolution in their lives.

Mischievously self-assured Mára and somewhat eccentric Heduš set out into the frozen wastes in search of adventure – by car, naturally. After all, Mára’s turning fifteen soon. A road movie about the flies that occasionally buzz around even in winter, and a story that tells of the elusive bond of boyhood friendship and the irrepressible desire to experience something, even if you don't exactly know what.

Four friends in their best years get together to celebrate Martina's birthday in a mysterious apartment, where they meet complete strangers. At the party, they reveal their deepest desires: Dita just wants everyone to be happy, Marta is on the hunt for a man, Marie is trying to get hers back, and Stella says she's "fine". However, as the evening progresses, they all realize that what they desire above all is love and understanding. And it's time to do something about it!

Three years after the fall of the Berlin Wall; six months before the split of Czechoslovakia. Despite all warnings, a young homicide detective sets on investigating a convoluted case that involves Catholic clerical elite and high-ranked agents of the former secret service.

Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.

Four fathers meet in the secondary school gym, where the headmistress has summoned them after a bag containing a suspicious white powder was found amongst their sons’ belongings during a skiing trip. Each of them arrives with different excuses and the conviction that it is their child who is innocent. What’s more, the headmistress knows that a local councillor is trying to secure her job for his mistress, and she suspects that the whole situation is part of a campaign against her. The meeting thus quickly descends into a series of misunderstandings, accusations and increasingly absurd situations. One afternoon that spirals completely out of control for everyone involved.

A team of detectives bumbles and fumbles their way through an investigation that involves murder, blackmail and possibly someone they know.

The congenial Vojta is bashful and his family is batty. His short-tempered father, who once failed to swim the English Channel, wants him to be a competing swimmer and his loving mother, a former child ice revue star, sees a talented pianist in her son. But Vojta has completely different priorities - most of all his red-haired classmate Ela, an enchanting synchronized swimmer who is leaving for Paris in November. If Vojta doesn't do something radical, and fast, Ela will disappear behind the Iron Curtain forever. The year is 1989.

After the premiere, the theatre group gathers in a bar to celebrate. However, the cheerful gathering is interrupted by a drunken Soviet officer. He insists on selling a can of petrol. However, when he senses the awkwardness, the hidden hatred, the cowardice, the timidity of the people there, he begins to enjoy the situation with his intrusiveness. When he takes his pistol out of its holster, things start to get crazy. The people in the bar suddenly become “freedom fighters” against the Russian occupation.

Josef is a successful violin maker. He enjoys seeing the instruments he makes bring joy to people all over the world. He himself prefers to spend his time in his workshop in the courtyard of a tenement house. He has never been to the sea; his sea is a puddle in the courtyard, which he protects from drying out so that the birds have something to drink. He has no wife or children, only his dog Pampeliška, who accompanies him everywhere. Josef secretly loves his beautiful neighbor Anežka and looks forward to Wednesday chess games with his best friend Václav, a charismatic piano tuner.

Four old friends decide to shake up their unhappy, monotonous lives with a friendly bet and set off a series of unexpected events.

Andrew is a tough businessman and an arrogant workaholic. He runs a large, successful company in Prague. The meaning of his life is money. Ondřej has just negotiated the deal of a lifetime in Nebraska with a wealthy investor who will finance the construction of luxury residences on the outskirts of Prague. On his way back from America, the plane flies over a reservation where an Indian chief is being buried. The spirit of the Indian rising to the sky crashes into the plane and inadvertently becomes incarnate in Ondrej. And this spirit has decidedly different ideas about Andrew's life and values.

Pepa is a fifty-year-old civil servant living with his family in an ordinary district town. Pepa is somewhat henpecked, lacking respect even from his wife, let alone his daughter. Pepa knows that something has to change, and he even knows very well what that "something" is. But! The path to the goal is sometimes very thorny, and so we follow a series of more or less futile and tragicomic attempts by Pepa, the outsider hero, to finally start living his life. Will he manage to find answers to the questions "Why is he in the world? When does real life begin? After birth, after graduation, after first sex, after marriage or children? Or only after death?"

Happily married for fifteen years, Zuzana finds out one day that her husband has been having an affair with another woman for a long time. Zuzana does not hesitate and decides to visit her daughter-in-law Lenka and make her an unconventional proposal - she suggests that she share the care of Jirka and turn him into a man for a change. Lenka finally agrees and both women introduce this new way of life to Jirka.

When a marriage counselor is abandoned by her husband for a younger woman, she sets out for new companionship.

Frank, a native New Yorker, inherits his ancestral estate, Castle Kostka, and returns to the Czech Republic with his daughter Maria and wife Vivien after over forty years abroad. They find the castle in gradual decay, inhabited only by the long-slumbering steward Josef, housekeeper Mrs. Tichá, and hypochondriac handyman Krása. As the staff slowly awakens from the post-revolutionary 1990s inertia, Frank’s family faces a difficult decision: sell the dilapidated property and return to America or undertake the challenge of restoring Castle Kostka.

One kingdom, three princesses and their dangerous journey to save their homeland.

The film tells the life story of its director, Jan Nemec, one of the most known and important filmmakers of Czech New Wave.

This loose adaptation of Joseph Conrad's Heart of Darkness follows Robert Klein as he sets out to find his brother, who disappeared under mysterious circumstances.

A motley of vacationers on a bus headed for a week long vacation at a seaside resort. Among them: a single, moderately famous singer; a nerdy, onanistic man; a couple of old ladies reaching senility; a couple of young gals looking for an amorous adventure; a family with a boy unsure about where he fits sexually; a beautiful woman that, besides working as a trip guide, has pretensions of being a music composer; a couple of gay men; and another family where the parents are stuck in a sexual ice age while their twentyish daughter is looking to connect with a man.

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Daniel (Martin Pechlát) is a successful architect who has just completed the design of a skyscraper that will soon become a landmark of the city. When he is about to tell his wife Kateřina (Anna Polívková) the joyful news, he learns unexpected news in return. Kateřina went to the doctor, who found out that her kidneys were failing and the only long-term solution was a transplant. So to give or not to give? This is the question Daniel must solve. Will he offer his wife a kidney, which may cost him his life, or will he not offer, which may cost him marriage? And how will their friends Erik (Mira Nosek) and Diana (Barbora Seidlová), who hoped to enjoy a carefree weekend and celebrate Kateřina's birthday together, step in?

A couple embark on an early vacation. Left alone, their children cut loose until the boy gets caught for skipping school and things take an unexpected turn. Boasting exquisite camera work, the film is also unforgettable for its wholly original ending.

Two neighboring clans and two different approaches to life. What happens when the strained relationship of two domineering fathers interferes with the love of their own children?

Beata Parkanová, the filmmaker behind Moments, returns to Karlovy Vary with an exceptionally vivid portrait of the family of notary Václav Vojíř, a small-town moral authority, and his selfless wife Věra. This masterfully told and highly original intimate drama, whose protagonists undergo a difficult ordeal in the summer of 1968, is reinforced by finely wrought, exquisite performances from Martin Finger and Gabriela Mikulková.

On New Year's Day, two boys wind up in the apartment of Katerina, a teacher from their school, along with her friends, Stepan and David. As the older trio bickers, drinks and flirts, the boys gain eye-opening insight into the adult world.

While helping his father with the family business, a disgruntled teenage boy is stuck on a small boat with an older tourist. As the boy anxiously waits for his father to return with the daily catch, the tourist starts making lewd suggestions.

The film consists of five parts - a live-action framing story and four distinct animated episodes - each by a different creative team and in a different animation style, from Pojar and Koutský’s semi-plastic “Princess Who Never Smiled,” through Žabka’s puppet fable “The Fairy and the Bookkeeper,” Dlouhá and Váša’s paper-cut “Fisherman, His Wife, and the Golden Fish,” to Pixa’s near-future parable “Mr. Vincent”.

Three friends meet regularly at a renowned spa, where their band entertains the local guests while they enjoy a guys' getaway together. Everything changes with the sudden revelation that one of them has a secret seven-year-old son.

Frantisek Soukenický is a psychiatrist with an apparent life in order ... until the appearance of a former lover scorned. She ends her career and Frantisek ends without a job, his wife (who left him for another man) and homeless. He doesn´t have choice but to start from scratch, and know that everything that happened was his fault. Abandonment, reunions, commitment and the suffering caused certain relationships when they reach their final part of this film that combines drama with dry humor.

An ageing proprietor of a technology company has dedicated his whole life to his work, so it comes as a big blow when things suddenly start to fall apart at the seams.

Black-and-white comedy about two young people who want to lose, finally, their innocence, and about life in a very boring city of Brno ...

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The real fate of Jiří Arvéd Smíchovský, a prominent hermeticist, occultist, believer in black magic and an exceptionally well-educated person with a brilliant memory. This avid book lover had doctorates in law, theology and philosophy and was fluent in five languages. He was interested in occult teachings, practiced magical ceremonies, was in contact with the Freemasons, but at the same time he was a member of the National Fascist Community while being homosexual. During the war he cooperated with the Nazis, after the war with the communist StB.

During a joint operation by Czech and Austrian police officers against an illegal rave party in the border forest, young Austrian policewoman Johanna tragically dies and a Czech drug dealer named Sicilian disappears mysteriously. A rookie cop refuses to let the killer of his colleague go unpunished.

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Count Frank Kostka, his wife Vivien and their daughter Marie live in their ancestral castle Kostka. They are helped by the housekeeper Mrs. Tichá, the handyman Krása and the Castellan Josef. The original interest of visitors to the castle in the Curse of Comtesse Marie is no longer the same as before, which does not bother Maria at all – at least she has enough time for her Max, a nobleman from the next Castle Hvězda. Frank, however, is at a loss, there is not enough money either for salaries or for the necessary repairs. And just then, Bendy's lawyer's daughter Deniska appears, stirring up the tranquil waters of the ancestral home...

By some quirk of fate, the two small-time thieves and the spoiled princess find themselves in the Black Forest full of magic beings who believe that everyone has a chance to mend his ways. However, sometimes even the best intentions need to take a pretty long way round to be achieved... Funny fairy tale full of action, excitement, fun, magic but also love.

"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.

Romi, a prostitute, is anything but successful at her job: she is of far too gentle a nature for her clients. The more obstinately she is pushed to the streets by her pimp Franz, the closer she is to a complete breakdown. One day Romi is addressed by a property speculator referring to himself as a "wealthy Jew". He does not demand any sexual services of her. He satisfies himself with Romi telling him stories, for which he lavishly rewards her. However, no one shares the sudden happiness with Romi. Her workmates and current clients turn their backs on her, as does Franz, with whom Romi is in love. The whole story takes place in the setting of a dilapidated city, during the clean-up of which politicians openly split their profit with speculators and lobbyists, all under protection from the police.

The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.