Petra Unkel

10-year-old Rosmarin von Stetten lives with his widowed father Robert in the big city. During the holidays one day in the morning Rosmarin goes to the lake near the castle and meets Thymian, the poorest boy of the village, whose mother did not come back from the war and who has to do several jobs in the village for his living. The boys enter a boat, but both fall into the lake. Thymian crawls out of the water first and is found by a servant from the castle, who thinks he is Rosmarin and bring him to the castle and to bed. The boy doesn't know what happens and thinks he's spellbound...

All throughout his entire life, Friedrich Wilhelm Hoffmann let his career run roughshod over his personal life. He had no wife, because he was married instead to his chocolate factory. Now he’s old and gray, and his relatives, who are greedily waiting for him to kick the bucket so they can get their hands on his worldly goods, keep their distance from him. Then one day, an astonished Hoffmann is visited by a young woman named Brigitte, who asserts, that she’s his granddaughter. Suddenly, it all comes back to the old man: as a young man, he had a short, but intense, love affair, which he had to end on the insistence of his father.

No description available.

The film portrays the life of the Heidelberg-born Elizabeth Charlotte, Princess Palatine, who married into the French royal family during the reign of Louis XIV.

Adaptation of a novel by Johannes Mario Simmel. The story takes place in the Dolomites, where a conflict arises between the clergy of a monastery and the inhabitants of a shanty town for construction workers over the water supply. A young novice feels increasingly attracted to the men who, after work, enjoy themselves in dimly lit bars with music and alcohol with easy girls. As a result, she is in danger of falling away from the faith and, instigated by a woman from the village, even leaves the convent. In the end, however, she finds her way back to God.

Biopic of composer conductor Carl Maria von Weber, who championed the little regarded German opera instead of the then popular Italian opera, in the 19th Century.