Elit İşcan

The marriage of Derya and Aziz is under pressure after losing their jobs because of state arbitrariness and moving to Istanbul to live with Aziz's parents. They and their 13-year-old daughter Ezgi have to redefine their way of life.

In a Turkish village, five orphaned sisters live under strict rule while members of their family prepare their arranged marriages.

Late-night talk show host Max Baumbacher turns world-famous after waking up with an unusually deep, almost magical voice.

25-year-old Sibel lives with her father and sister in a secluded village in the mountains of Turkey’s Black Sea region. Sibel is a mute, but she communicates by using the ancestral whistled language of the area.

Basri, 55 year old, every day walks for miles along the tracks working as a railroad watchman. His nagging thought is finding his son. Eighteen years ago, while the boy was studying at the university in Istanbul, the police took him into custody for antigovernment activities. Then, he mysteriously disappeared.

In this stylish and ruthless satire, a famous performance artist faces an unexpected crisis when real-world political matters complicate her latest impeccably provocative and eminently bankable piece.

The already complex connections of a group of artists living in İstanbul’s Cihangir district are becoming bizarre because of a camcorder entering their lives. A narcissistic director in which all the women are in love, two roommates connected by cable, a theater scene that can turn into a morgue concurrently, a nurse who resurrects the dead people, and a drug dealer who has no arms, sometimes the right, sometimes the left, sometimes both arms; these are protagonists of the experimental narrative that Onur Ünlü plays with time and space.

Zeynep arrives from New York to a small town on the coast of Turkey with her American husband. She returns to a family that is broken- parents who are divorced and a younger sister who has become estranged. The troubled family embarks on a week-long sailing trip, meant to be a last chance for Zeynep’s father Yusuf, a dissident journalist being prosecuted by the government, to reconnect with his daughters before going to prison.

Hayat, her father and bedridden grandfather live in a riverside shack near the dangerously dark but breathtakingly beautiful waters of the Bosphorus. Hayat's father owns a small boat that secures the family's survival through a miscellany of not always lawful ventures. Beyond the motion and romance of the water, Hayat's life is harsh and unrelenting. But Hayat has an instinct for survival. Her capacity for courage, endurance and hope in the face of these trials suggest that there is Life despite the manifold injustices of an unjust world.

Derya, an academic, is in denial about her feelings for Esma, the daughter of the caretaker in her apartment building. Wavering between fantasy and reality, Derya’s relationship with Esma has reached the end of the line.

In a small, poor village leaning over high rocky mountains, the villagers are simple and diligent people who struggle to cope with a harsh nature. They earn their living off the earth and a few animals they feed. Fathers always prefer one of their sons. Mothers command their daughters ruthlessly. Ömer, the son of the imam, wishes hopelessly for the death of his father. When he understands that wishful thinking does not have any concrete results, he begins to search for childish ways to kill his father. Yakup is in love with his teacher, and one day after seeing his father spying on the teacher he dreams too, like Ömer, of killing his father. Yıldız studies and tries to manage the household chores imposed by her mother. She learns with irritation about the secrets of the relationship between men and women.

Flora leaves. Antonis gets left behind. Elit moves in. Benni and Caro can’t seem to move on. In the classrooms, cafes, bars and train stations of an unnamed German city, the lives of several young people intersect.

This 2015 documentary by Amine Mestari delves deep into Deniz Gamze Ergüven’s film MUSTANG, featuring extensive interviews with the director and cast, as well as exploring the film in the context of the politically volatile situation in Turkey.

In a summer town, two best friends wake up to their last day together as one of them is moving abroad.

The sparse scene is a glimpse into a relationship between two women. Moody and confused, we see mixed emotions intercut with the movement of two women's relationship as metaphor.

Filiz, a young, working mother, struggles with postpartum depression. Seeking moments of escape, she sets out to buy ‘a car of her own.’ Along the way, Filiz meets Şule, and her search for a car turns into an unexpected bond, offering both women a chance at solidarity.

An essay on the possibilities and impossibilities of communication within the new age communication systems, the places we take shelter in the digital world, love ventures and all of these.

A reclusive woman in her thirties leads a life frozen in time in a cave-like room. In her rare trips to the city, she chats with an oarswoman haunted by the devils. She searches for her twin sister in unfrequented corners of the city. In this journey in which time and space are out of joint, a same dream is recounted time after time.

Symbolizing the turning point occurred in the Battle of Sakarya in Turkish-Greek War, tells one of the most moving stories.

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Haluk, an incompetent factory owner, competes with his wife and skillful operations manager Güler. As the power crisis between the husband and wife escalates, someone unexpected will suffer from it in a most tragic way.