Jean Sénac

Jean Sénac

Acting

November 29, 1926 — August 18, 1973
Béni Saf, Algeria
4 movies

Biography

Jean Sénac (جان سيناك), born in Béni-Saf in Algeria, on November 29, 1926 and assassinated in Algiers on August 30, 1973 (without the case being clarified), is an Algerian Christian, socialist and libertarian poet. In 1955 he joined the cause of Algerian independence. Originally from Catalonia, his maternal grandfather, Juan Comma, came to Algeria to work in the Béni-Saf iron mine. Jean Sénac, who did not know his father, perhaps a gypsy, bore the name of his mother, Jeanne Comma (1887-1965), u...

🎬 Jean Sénac's Filmography

4 movies sorted by popularity

The Sun Assassinated
5.3

The poet Jean Sénac, also a radio host, chose to stay in Algeria after his country's independence in 1962. Ten years later, a protester and libertarian, he was monitored by the regime's police. His poems attract a popular audience and his show is a real success with young people. Also, when Hamid and Belkacem, two students, learn that the play they wrote and presented at the first national Algerian theater festival is downgraded under the pretext that they performed it in French, their pain will be alleviated by the presence behind the scenes by Jean Sénac who congratulates them. The latter will become close friends of the poet and witness his fight for the freedom and culture of Algerian youth. A fight which would lead Sénac to martyrdom: one night in August 1973, he was assassinated in the cellar which served as his apartment. Hamid is accused of the murder.

The Sun Assassinated

2004
A Propos D'Un Crime
10.0

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”

A Propos D'Un Crime

1967
Jean Sénac | MovieMind AI