Matthias Habich

Matthias Habich

Acting

January 12, 1940
Gdańsk, Poland
73 movies

Biography

Matthias Habich (born 12 January 1940) is a German actor who has appeared in more than 110 film and television productions since 1965. Habich was born in Danzig (present-day Gdańsk, Poland) and lives in Paris. In his career, he appeared in a number of internationally recognized films. In the 2001 film Enemy at the Gates about Stalingrad, he played the part of General (later Field Marshal) Friedrich Paulus. In the 2004 film Downfall, he portrayed Werner Haase. In the 2008 Oscar-winning drama The...

🎬 Matthias Habich's Filmography

73 movies sorted by popularity

Nero
6.0

As a young boy, future emperor Nero witnesses the mad Emperor Caligula kill his father and exile his mother. While in exile in the pontine islands, Agrippina, his mother, sees a vision telling her that her son can become emperor, but she will have to die first. She accepts the proposal. Back in Rome, Nero, now being raised by emperor Claudius after Caligula's death, Agrippina returns. She poisons Claudius' food and Nero becomes emperor. At first, Nero cuts taxes and introduces successful programs and invades Brittania. Soon he meets a beautiful slave named Claudia Acte, and marries her, throwing off his engagement with Claudius' daughter, Claudia Octavia, telling her she can marry someone she will be happy with. Heartbroken, she arrives at an island and kills herself. Nero enjoys being married to Claudia Acte, but soon he gradually goes mad with power and sets fire to Rome.

Nero

2004
Das zehnte Jahr
10.0

The story tells of a love which after ten years is beginning to grow old, and of the attempt to turn the imminent end into a new beginning. After ten years of eventful relationship, man and woman have finally decided to say yes to each other in an abandoned railway station on the edge of town. It is the first evening in their new home. Everything is temporary, nothing is finished. The furniture has not yet been delivered, the heating is not functioning yet, the telephone is not connected, neither is the television. They are inescapably confronted with their own selves and with each other. And although, at least at the beginning, they fervently strive for love and harmony, the past catches up with them. When he, as always, seeks to withdraw by taking flight, he discovers that his key does not fit. He is at her mercy. Ruthlessly, they call each other to account.

Das zehnte Jahr

1995
Matthias Habich | MovieMind AI