Sylvie Testud

Sylvie Testud

Acting

January 17, 1971
Lyon, Rhône, France
108 movies

Biography

Sylvie Testud was born on January 17, 1971 in Lyon. Her parents separated when she was two years old. She spent her youth in the Lyon district of Croix-Rousse, raised by her mother, an accountant. In high school, she learned Chinese. Very early fascinated by the cinema, the young girl identifies in particular with the complexed teenager character embodied by Charlotte Gainsbourg in L'Effrontée. Having moved to Paris to study history, she soon embarked on acting by joining the free class at Cours...

🎬 Sylvie Testud's Filmography

108 movies sorted by popularity

Fear and Trembling
6.5

Amélie, a young Belgian woman, having spent her childhood in Japan, decides to return to live there and tries to integrate in the Japanese society. She is determined to be a "real Japanese" before her year contract runs out, though it precisely this determination that is incompatable with Japanese humility. Though she is hired for a choice position as a translator at an import/export firm, her inability to understand Japanese cultural norms results in increasingly humiliating demotions. Though Amelie secretly adulates her, her immediate supervisor takes sadistic pleasure in belittling her all along. She finally manages to break Amelie's will by making her the bathroom attendant, and is delighted when Amelie tells her the she will not renew her contract. Amelie realizes that she is finally a real Japanese when she enters the company president's office "with fear and trembling," which could only be possible because her determination was broken by Miss Fubuki's systematic torture.

Fear and Trembling

2003
In Heaven
9.0

I Heaven's plot revolves around three friends with personal ambitions who must face the less pleasant aspects of reality. The story is told from the point of view of 17-year-old Csiwi, a loner who spends his evenings driving around in his brother's car or simply hanging out. He has no idea about the direction his future should take. He runs into Levi and Valeska and they easily become his bosom friends despite their differences. Levi, whose circumstances have constantly been changing, is looking for something stable in his life. He works very hard so that he can afford his own flat. Valeska is restless and fascinated by distant places and change. For her, postcards symbolize places where happiness is hidden. Valeska and Levi represent two different ways of living and Csiwi must decide for himself which road to take. He feels the first pangs of love towards Valeska, and Levi easily becomes a good friend. Together they set off in a new direction, which could be their heaven on earth.

In Heaven

1999
The Grand Restaurant III
5.2

He had opened his Great Restaurant twice, in 2010 and 2011, as part of an entertainment broadcast on France 2. Pierre Palmade “reopens it after work” in the form of a fiction offered by M6. Exit the brewery. The artist has chosen to shoot his film at the Froufrou, the restaurant at the Théâtre Édouard-VII, in Paris, a chic establishment with rococo decor, more solemn and therefore more appropriate to important moments in life, to his big announcements that make the subject of a series of sketches. They are interpreted by a cast of stars just as prestigious as that of his comrade Muriel Robin a few weeks ago in I Love you coiffure , on TF1. As a common thread, Pierre Palmade in the role of the host busy satisfying his customers, while ensuring that his mother (Marthe Villalonga), his competitor (Florence Foresti) and her cook husband (Jean Leduc) do not transform the evening in disaster.

The Grand Restaurant III

2021
Karnaval
6.2

Karnaval is set against a backdrop of intolerance and hostility in the gloomy Northern French city of Dunkirk. The story is set during carnival time, when the citizens let themselves loose for six weeks of partying, carousing and having a good time. The film centers on Larbi, an Arab youth, and his confrontation with one of the turning points of his life. After a violent argument with his father, Larbi decides to leave the family's business and go to Marseilles for a fresh start. On his last night in the town he grew up in, he sleeps in the hallway of an apartment building, where he is disturbed by Béa and Christian, a couple having fun at the carnival. Larbi is attracted to Béa and decides to stay a few more days to try his luck. In the free atmosphere of the carnival, Larbi discovers a world that he did not know existed, a world which is about to clash with his conservative outlook, and the three lives are changed forever.

Karnaval

1999
Life Kills Me
5.4

Paul is a smart, university educated Frenchman of North African ancestry. He's a smooth talker, but he can't seem to get a job worthy of his skills. He ends up living in a single room, struggling to get by while going on many fruitless job interviews, during which he tries to impress his potential employers by turning his pizza delivery job into a tall tale about revamping the whole pizza chain. But at some point, they always seem to "see through him." He retreats into the boxing ring. His secretly gay brother Daniel also has trouble finding his place in the world. He spends all his time bodybuilding and takes dangerous drugs to enhance his physique. He dreams of being the next Schwarzenegger, but is forced to settle for a demeaning job as a "star" in a Hamburg sex club. Based on Jack-Alain Léger's novel

Life Kills Me

2002
Those Were the Days
5.9

The grueling, emotionally torturous world of French preparatory schools provides the framework for this mystery. The deliberately rigorous courses are designed to prepare students to take the brutal examinations for entry into the elite Grand Ecoles, where a select few will gain the skills and education needed to insure a bright, prosperous future for themselves. The story centers on Delphine, a girl from the lower classes, and the upper class Claude. Both young women aspire to attend the Ecole Normale Superieure on the Rue d'Ulm. Delphine lives in humble public housing with her dull mother and two young brothers while Claude, who considers herself a Communist, lives in luxury with her own servant; she is sexually involved with fellow- student, Axel, who thinks himself a fascist.

Those Were the Days

1995
L'Amour, la Mort, les Fringues
7.0

They stick to our skin and soul, our clothes. We believe we buy them, they own us. Warning ! these rags are traitors: far from dressing us they expose our complexes, our moods ... Clinging to their hangers, to our memories too, they exercise an underhand dictatorship. Snuggled up, huddled together, they build a bulwark against oblivion in our closets. Often stained for eternity with ink or redcurrant, impregnated with perfume, tears sometimes, piled up or messed up on our shelves, they remain forever linked to the happy or unhappy chapters of our life. It is through the evocation of their wardrobe that Gigi, Eve, Marie, Nora, Françoise, Amanda, Lisa and the others evoke the past, missed appointments and those that changed their lives, the joys and childhood revolts, giggles, disappointments, dramas, parties and hopes too…

L'Amour, la Mort, les Fringues

2011
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