Anton Corbijn

Filmmaker Morgan Neville captures Dave Letterman on his first visit to Dublin to hang out with Bono and The Edge in their hometown, experience Dublin, and join the two U2 musicians for a concert performance unlike any they’ve done before.

No description available.

“When I do my suicide for you, I hope you’ll miss me too,” Herman Brood sang in “Rock ‘n’ Roll Junkie” – just one of many announcements of his own death Brood worked into his songs. It’s a subject Brood, who jumped off the roof of the Amsterdam Hilton 15 years ago, often sang about. In Unknown Brood, a whole range of people look back on the rock and roller’s turbulent life, including fellow musicians, his manager, a former girlfriend, photographer Anton Corbijn, Brood’s wife and their daughter. Video footage shot by Brood himself and never seen before is intercut with a rich collection of archive material, including a humorous clip of Brood barking the Dutch national anthem. His sister Beppie Brood stresses her brother’s split personality: on the one hand the shy, vulnerable man wary of other people, and on the other the one who played Herman Brood – an extravagant, hedonistic junkie and rock and roll star.

Release in March 1987, U2's The Joshua Tree quickly became the fastest-selling album in British chart history, selling almost 250,000 copies within the first week of release. In the US, it was equally successful, topping the Billboard album chart for nine weeks, spending 58 weeks in the Top 40 there and earning a Grammy Award for Album of the Year. The story of the making of The Joshua Tree is told here, via interview and archive film footage, with contributions from band members Bono, The Edge, Adam Clayton and Larry Mullen Jr. U2’s long-time manager Paul McGuinness reveals how the album catapulted the band into the category of rock superstars, and there are contributions from Elvis Costello in the role of a major U2 fan, re-mix producer Steve Lillywhite, and of course co-producers Brian Eno and Daniel Lanois. Packed with reminiscences and powerful performances, this is the story of one of the most famous and best records of the Eighties, a true Classic Album.

An intimate portrait of Anton Corbijn as he travels the world as a photographer, film maker and video artist…

His entire life, the charismatic actor Rutger Hauer kept the outside world at a distance. His inner circle included only a small group of people, among them director and goddaughter Sanna Fabery de Jonge. In this film, she unravels the mystery surrounding Rutger and reveals a man even more fascinating than the roles he played.

Strange Too - Another Violation by Anton Corbijn is the third music video compilation by Depeche Mode, featuring more videos directed by Anton Corbijn, released in 1990. Unlike the previous video, Strange, all the videos are fully in color. There are six videos, all songs from the album Violator, released in the same year. There is one for each of the four singles, plus two bonus videos, for "Halo" and "Clean", exclusive to "Strange Too". As with its predecessor, Corbijn shot all six videos in Super-8. The tallest woman in the "Halo" video is a young Jenna Elfman. The Drive-In featured in the introduction to the compilation is the "Motor Vu Drive-In", located in Erda, Utah, west of Salt Lake City, near the town of Tooele, this part of the video being shot the day after the band's concert in Salt Lake City in July, 1990.

A chronological account of the influential late 1970s English rock band.

Legendary photographer and director Anton Corbijn is responsible for many of the most indelible and important images of the past two and a half decades. His recently released book U2 & I is a photographic retrospective of his 25 year collaboration with U2. Later this year, Anton will direct his first feature film, Control, based on the life of the late Joy Division lead singer Ian Curtis.

The Videos 86>98 is a music video compilation by Depeche Mode, featuring almost two dozen music videos directed by a variety of directors, released in 1998. It coincides with The Singles 86>98. The original movie was released on VHS and DVD. There was however a special edition, DVD only, called Videos 86>98 + (without "The", and with "+") released in 2002. The DVD was two discs, the first disc being identical to the only disc in the original DVD, while the second DVD contains bonus material not found in the original release.

No description available.

Freshly Restored from Original Super 8 Sources, the Compilation of Groundbreaking Depeche Mode Videos, Directed and Filmed by Anton Corbijn, includes 11 Music Videos + 6 Previously Unreleased Outtake "Vignettes". Previously available as individual titles in VHS and Laserdisc formats, Strange (1988) and Strange Too (1990) are compilations of the provocative and visionary short films lensed by master photographer/director Anton Corbijn, in collaboration with Depeche Mode, to create a new visual iconography for the band and their music. When assembling the final edits for Strange and Strange Too, Corbijn created a visual running order where the individual music videos are perceived as one continuous film, with additional interstitial content not seen in the original clips.

Most rock fans may not know the name Anton Corbijn, but they've certainly seen his work. Corbijn shot the iconic cover artwork for U2's The Joshua Tree and Depeche Mode's 101, and gave both groups a new and more dramatic visual persona in the process. Since them, Corbijn's work, bearing his trademark dark shadows and deep, textural details, has graced the covers of recordings by R.E.M., Bruce Springsteen, Morrissey, Nick Cave, John Lee Hooker and even Bon Jovi. Corbijn has also directed a number of music videos for the likes of Nirvana, Johnny Cash and Metallica, and made his debut as a feature film director in 2007 with Control, a screen biography of Ian Curtis of Joy Division (who Corbijn photographed several times in the group's heyday). In Shadow Play: The Making of Anton Corbijn, filmmaker Josh Whiteman offers an intimate look at the life and career of this celebrated visual artist, featuring interviews with Bono, Chris Martin, Michael Stipe, Dave Gahan and Bernard Sumner.

Don van Vliet, alias "Captain Beefheart", is one of the most influential, misunderstood, talked about, admired, copied, treasured, loved and quoted musicians and yet he is still an obscure and mysterious artist. His quite abrupt artistic transformation from working with a microphone to a paintbrush in 1982 and his consequent move from the desert to the ocean meant even less direct contact with the outside world than before. Subsequently there is very little information about Don from this time onwards and this short black-and-white film made in 1993 is an unique opportunity to see and hear this unique man

Behind-the-scenes look at making the film adaptation of John le Carré's A Most Wanted Man.

"Sometimes You Do Need Some New Jokes…" - In both musical and commercial terms, Depeche Mode had been building slowly but steadily by the time of Music for the Masses in 1987. The album really did feel like a great leap forward. It was the start of a new chapter. This short film tells the story of that album, it's aftermath and the impact on the band. The DVD also contains a 5.1 surround sound mix of the original album.

"We Were Going To Live Together, Record Together… And It Was Going To Be Wonderful…" - As part of the band's Documental series about their history, the documentary short about the making of Songs of Faith & Devotion and its eventual tour showcases the band moving into different directions where they nearly killed each other followed by a tour that broke the band leading to the departure of its longtime member Alan Wilder.

Documentary about the life and works of Dutch photographer Anton Corbijn.