Sergio Leone

Two bounty hunters both pursue the brutal and sadistic bandit, El Indio, who has a large bounty on his head.

Unemployed Antonio is elated when he finally finds work hanging posters around war-torn Rome. However on his first day, his bicycle—essential to his work—gets stolen. His job is doomed unless he can find the thief. With the help of his son, Antonio combs the city, becoming desperate for justice.

With a focus on Clint Eastwood's career as a director, this documentary features movie clips, behind-the-scenes footage, interviews with people with whom he has worked, as well as comments from Clint Eastwood himself.

The portrait of the last cowboy Hollywood legend dives into the 65 years of an extraordinary career in Hollywood, highlighted iconic films like The Good, the Bad and the Ugly, as well as Million Dollar Baby, Mystic River and Gran Torino all the way to Cry Macho in 2021. It is no small task to cover more than 60 years of cinema history, especially when it is trying to surveyed with such breadth and diversity: TV star, international star, controversial icon, contested director, filmmaker with a capital F, Eastwood has been through it all, experienced it all, and it is first of all this romantic trajectory, this true American pastoral that the documentary wants to tell with all the passion it possibly can.

A tribute to Italian filmmaker Sergio Corbucci (1926-90), presented by American filmmaker Quentin Tarantino.

Province of Burgos, northern Spain, October 2015. A group of fans undertake the titanic task of restoring the location of the last scene of The Good, the Bad and the Ugly, the mythical spaghetti western directed by Italian filmmaker Sergio Leone in 1966.

To mark the recent thirtieth anniversary of Sergio Leone’s death, this documentary sets out to pay tribute to one of the great legends of world cinema. The singular artistic vision of Sergio Leone has transcended national borders, creating the Spaghetti Western genre and transforming the international cinematic panorama forever with his innovative stylistic and narrative solutions, which have now become part of the language of the movies. The film, which is enriched with precious archive footage from the Cineteca di Bologna, including rare audio recordings and film clips shot behind the scenes, sees for the first time the direct participation of the Leone family and has interviews both with Leone’s longtime collaborators and with icons of Hollywood who have been profoundly influenced by his work.

A short documentary based on Sergio Leone's life and career, and the making of the film "Once Upon a Time in America."

An idealistic first-time director lives for his art — until he meets a wife of an Italian producer at the Cannes Film Festival. A passionate affair begins, but the couple's romance is tested as they face the temptations of fame and fortune.

A visual history of Italian western cinema in the 60s and 70s.

Second part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by An Opera of Violence; followed by Something to Do With Death.)

The life of Antonio Vivaldi, called "the red priest", his relationship with the world and the Church, his spiritual battles, his love for a woman.

No description available.

Cesare Mancini is a tram driver who lives in Bologna. One day he accidentally hits a woman on a bicycle, the accident costs Cesare the relegation to a ticket seller.

No description available.

Third part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by The Wages of Sin.)

Documentary on Italian genre cinema.

The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.

Short documentary about the great italian director.

A vindication of the role of the technicians and artists who made spaghetti western genre possible, and a walk through the landscapes that made it possible to recreate in Spain, mainly in the desert of Almería, hundreds of adventures set in the remote American Far West.

The destiny of Sergio Leone from his poor childhood in a neighborhood under fascism in Rome until his last film in America. This guided the filmmaker's personal life and career to create his epic antiheroes and spaghetti westerns.

First part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Followed by The Wages of Sin.)

A documentary about the Italian cinema as art form and industry.

The film was originally called "The fires of San Martino". Left unfinished, it was finished in 1950 with the addition of some sequences.

Tarantino reveres them, and for good reason. Welcome to the world of the kings of the Italian B-Movie.

The Milanese Luigi Pizzigoni, photographer, and the Neapolitan barber Peppino Avallone, resident in Milan, are opponents in the sports field. The first is a proud Inter supporter, while the second is from Napoli.

No description available.