Miou-Miou

Miou-Miou

Acting

February 22, 1950
Paris, France
96 movies

Biography

Miou-Miou (born 22 February 1950) is a French actress. In her career she has worked with a number of international directors, including Michel Gondry, Bertrand Blier, Yves Boisset, Claude Berri, Jacques Deray, Michel Deville, Diane Kurys, Radu Mihăileanu, Patrice Leconte, Joseph Losey and Louis Malle.

🎬 Miou-Miou's Filmography

96 movies sorted by popularity

La TV des 70's : Quand Giscard était président
7.2

In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.

La TV des 70's : Quand Giscard était président

2022
Avanti
4.5

What does ‘normal’ actually mean? And what is ‘crazy’? Everybody attempts to convince LĂ©a that her mother, Suzanne, is mentally ill. Her father wants to see her returned to the psychiatric clinic, but LĂ©a refuses to see her mother in the same light: Suzanne is happy – even if she doesn’t act like others expect her to. She appears to live a joyfully infantile existence after calmly letting go of life’s pressures. LĂ©a captures her mother’s life on film and focuses her attention on examining the old super-8 films from the family archives. When she is left to drive her mother back to the clinic after a weekend at home, LĂ©a grabs her opportunity: She turns the car around and whisks Suzanne off on a journey; a road trip without the judgements of others. AVANTI follows a mother-daughter relationship with an ease and depth that highlights the complexity of the emotional ties within a family.

Avanti

2012
L'Amour, la Mort, les Fringues
7.0

They stick to our skin and soul, our clothes. We believe we buy them, they own us. Warning ! these rags are traitors: far from dressing us they expose our complexes, our moods ... Clinging to their hangers, to our memories too, they exercise an underhand dictatorship. Snuggled up, huddled together, they build a bulwark against oblivion in our closets. Often stained for eternity with ink or redcurrant, impregnated with perfume, tears sometimes, piled up or messed up on our shelves, they remain forever linked to the happy or unhappy chapters of our life. It is through the evocation of their wardrobe that Gigi, Eve, Marie, Nora, Françoise, Amanda, Lisa and the others evoke the past, missed appointments and those that changed their lives, the joys and childhood revolts, giggles, disappointments, dramas, parties and hopes too


L'Amour, la Mort, les Fringues

2011
Montparnasse-Pondichéry
5.8

After raising her daughter, one would think that Julie's life was rather full. However, she recently got an offer from the French consul to a mission in Pondicherry, India to teach her skills to Indians. She can only do this if she gets her high-school diploma, something she neglected to do earlier. The idea of this new post motivates her to rectify her youthful omission, and she goes back to school in Montparnasse. Just before classes are to start, her current boyfriend's condescending ways prove too much for her, and she breaks up with him, reacting to that by getting drunk. Thus, when she has to take the subway to school on the first day, being unfamiliar with the route and somewhat the worse for wear, she gets lost. Fortunately, she meets an elderly man, a retired musician for the Paris Opera, who is headed for the very same destination. The two form a relationship of mutual encouragement and support.

Montparnasse-Pondichéry

1994
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