D. Montgomery

Austin, Texas, is an Eden for the young and unambitious, from the enthusiastically eccentric to the dangerously apathetic. Here, the nobly lazy can eschew responsibility in favor of nursing their esoteric obsessions. The locals include a backseat philosopher who passionately expounds on his dream theories to a seemingly comatose cabbie, a young woman who tries to hawk Madonna's Pap test to anyone who will listen and a kindly old anarchist looking for recruits.

Missy McCloud is the most beautiful girl in school and Johnny Dingle has been in love with her for years. One night, as Johnny tries to stop an armed robbery and save Missy from danger, he's killed, but resurrected as a zombie not long after. Now, with the help of his mentor, self-proclaimed Zombie Expert Maggie, Johnny must control his flesh-eating urges while trying to win the heart of Missy.

Just moments before his third wedding, Zahedi relates with utter sincerity and astonishing candor his obsession with prostitutes. He retraces his romantic and sexual history, including his ideological commitment to open relationships, that led to two disastrous marriages and several very pissed off ex-girlfriends.

Highlighting one of the most innovative American directors, this film reveals the path traveled by the auteur from his small-town Texas roots to his warm reception on the awards circuit. Long before he directed Boyhood, Richard Linklater’s intense desire to create fueled his work outside the Hollywood system. Rather than leave Texas, he chose to collaborate with like-minded artists crafting modest, low-budget films in a DIY style. His ability to showcase realistic characters and tell honest stories was evident from his films, and others soon took notice of his raw talent.

A real-life comedy about a filmmaker who takes a road trip to Las Vegas -- with his real-life father and 16-year-old half-brother, plus a crew of three -- in the hopes of proving the existence of God.

A look into the far-too-brief life of D. Montgomery, the sound recordist for Caveh Zahedi's I DON'T HATE LAS VEGAS ANYMORE.

Viva Les Amis looks at one local café as an example of a national trend: The loss of the mom and pop shop. The film explores the 27 year history of Les Amis Café – a sidewalk café that served almost three decades of eclectic customers and staff. Through the eyes of Newman Stribling, once manager of Les Amis Café, now cab driver, the film delves into the long history of Les Amis, and reveals the present: Les Amis Café replaced by a Starbucks.

A nameless young man travels the country by bus and train, visiting friends and making new ones, having banal conversations, and dedicating his existence to mundane activities.