Huang Wei

Aya, a young Ivorian woman in her early thirties, says no on her wedding day, to everyone’s astonishment. After emigrating to Asia, she works in a tea export shop with Cai, a 45-year-old Chinese man. Aya and Cai fall in love but can their affair survive the turmoil of their past and other people’s prejudices?

After her divorce from her Taiwanese husband, Fu Jung, who has never experienced love, continues to live with him. She attempts to gain independence, explore love, and leave the house, but repeatedly finds herself staying. Is it the comfort of the bed, or the bonds of this unconventional family, that keeps her from leaving?

At 20, Ling balances boxing and helping with her mother's lunchbox business, all while her family quietly unravels. Her parents fake harmony, but when her father brings home a new "girlfriend," the illusion is shattered. Refusing to look away, Ling endures the blows - bloodied and tear-streaked. In facing reality head-on, she discovers a deeper truth: only with honesty in her heart do her punches carry real weight.

On a planet where a long-standing martial law prevailed, the earthman living in exchange for time, strictly adhered to discipline and worked tirelessly. One day, they were invaded by the Devil's Party from the “Funkmi Galaxy”, where indulgence and obscenity rules day and night, posing an unprecedented threat to the Earthman’s morals. Meanwhile, the Space Worriers from the same Funkmi Galaxy were determined to protect these hardworking creatures at all costs.

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Taiwan, 1980s. A hot summer day, watermelon juice, and celluloid dreams fuel 15-year-old Ming's sexual awakening.

The daughter of a mountain ranger perished in a mountain disaster, and since then, he lost faith in the mountains. Many years later, because of a request from a young girl, he returned to the mountains once more.

A newly-wed American Andy picks up a red envelope on the ground near a Taiwanese night market. What he discovers inside the envelope is a family saga that binds two worlds.

Ah-Fu, burdened with overwhelming debt, moves into a container home deep in the woods with his nine-year-old son, Wei-Wei. Together with his girlfriend Jing-Wen and her seven-year-old daughter Huan-Huan, this makeshift, struggling family does their best to get through each day. Though life is poor, these small, fleeting moments gradually gather into a warm current of memories in the child’s heart. Years later, the container home they once lived in appears in the news. Wei-Wei is drawn back to those memories—Ah-Fu’s disappearance, Jing-Wen leaving without a word, a rusted biscuit tin, and a set of unclaimed human remains.

It’s supposed to be an energetic morning, but Zhe, a real estate agent, feels suffocated and oppressed. With nowhere to go, he heads to a house that he can’t sell and calls for an escort, unexpectedly opening up new possibilities for both of them.

In the early 1980s, hundreds of the so-called female revenging/exploitation films were produced in Taiwan. The 2020 version was based on the old genre to recreate a fantasy of the bloody revenge. The film is one of Su Hui-Yu’s “Re-shooting” series, which re-visits historical sources in Taiwan during the old days around the 1970s-1980s while the country was under martial law governance.