Lars von Trier

A group of perfectly intelligent young people decide to react to society's cult of aimless, non-creative and non-responsible form intellect by living together in a community of 'idiots'. Their primary activity becomes going out into the world of 'normal' people and pretending to be mentally incompetent. They take advantage of this situation to create anarchy, and, by every possible means, to make those around them miserable.

A documentary on the creation of Lars von Trier's fascinating drama Dogville starring amongst others Nicole Kidman, Paul Bettany, Stellan Skarsgård, Ben Gazzara, Lauren Bacall and James Caan. Showcasing behind-the-scenes footage and providing a much deeper look inside the world of filmmaking including some moments of insight that are hard to believe.

A nostalgic look at the birth and death of arthouse film distribution in Russia in the early 2000s. The story of the company Cinema Without Borders and its two founders, Sam Klebanov and Anton Mazurov.

The owner of an IT firm wants to sell his business for profit; however, when he started his firm, he invented a nonexistent president to hide behind when unpopular steps needed to be taken. When potential purchasers insist on negotiating with 'The Boss' face to face, the owner hires a failed actor to play the part.

Guided by Liv Ullmann and with commentaries from a number of prominent filmmakers for whom Bergman is and remains an important influence - such as Woody Allen, Olivier Assayas, Bernardo Bertolucci, Arnaud Desplechin, John Sayles, Martin Scorsese and Lars von Trier, the film provides a vivid portrait of the artist who in each new project found a challenge for himself and for the people he worked with - both actors and colleagues behind the camera.

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

The year 1957 was one of the most prolific for the Swedish filmmaker Ingmar Bergman: he shot two films, released two of his most celebrated films and produced four plays and a TV movie while juggling with a complicated private life.

Fisher, an ex-detective, decides to take one final case when a mysterious serial killer claims the lives of several young girls. Fisher, unable to find the culprit, turns to Osbourne, a writer who was once respected for his contributions to the field of criminology. Fisher begins to use Osbourne's technique, which involves empathizing with serial killers; however, as the detective becomes increasingly engrossed in this method, things take a disturbing turn.

Erik Nietzsche is an intelligent but in many ways inexperienced shy young man who is convinced that he wants to be a film director. In the late 1970s, Erik is accepted by the Danish National Film School where he enters a world of angry and unhelpful tutors, weird fellow students and unwritten rules. In this both exhilarating and angst-provoking period for him, Erik feels increasingly like a foreigner in the film industry. Frequently, he is merely an observer of the absurdities that surround him. He encounters trade union disputes, falls in love and experiences self-assured empowered women who refuse to make a commitment. The film is a drama full of comedy - a sharp portrait of a conceited but entertaining world of film which we suspect our dogged young director will eventually conquer with his vision.

In 1945 Germany, following the end of World War II, Leopold Kessler, an American of German descent, is hired by his uncle as a sleeping car conductor on the Zentropa train line. Leopold's wish is to be neutral to the ongoing purges of loyalists by Allied forces and do what he can to help a hurting country, but ultimately finds himself being used by both sides.

Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.

In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there. When he died, the house was preserved. A group of very special film buffs, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergman's Video, 2012.)

A gripping portrait of the dramatic, extravagant and ego-centric actor Ernst-Hugo Järegård (1928-1998) who would always be at the center of everything. On the out side he was a hailed and confident diva. In his solitude he was plagued by insomnia, anxiety and a complicated relationship with his father. Includes Ernst-Hugo Järegårds last performance "Aktörens läte/ The sound of the actor" (1998) and "Abstract Poker" (1971).

The most suffocating is the awareness that nothing is happening. All the veins are drying without the blood running through them. I came to Barão Geraldo because things happen here. Here people love as much as dolls hang themselves and chicken are slaughtered to death. Would I still hang dolls and burn memories in the next 18 years? It astonishes me how less and less I do not care for things that are not my extension. Being my own destruction is the only way. Intimacy is a farewell. All I see is a lot water and all the colors are not enough. All forms of comunication are not enough for a lot of water.

A filmmaker and a writer collaborate on a screenplay, in which an epidemic spreads about the whole world. Like the protagonist, they do not notice, that a real epidemic is developing around them.

Summer vacation. But Lars remain in town for his parents must work. One day as he bikes around, he hears a scream from a garden.

At The Kingdom, Denmark's most technologically advanced hospital, a number of strange and otherworldly events begin occurring, much to the dismay of its doctors and patients. A ghostly ambulance appears and disappears, the voice of a little girl calls to a patient in an elevator shaft, and a doctor's fetus begins growing at an alarming rate.

In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.

Marie Berthelius and Roger Narbonne conference call Lars von Trier, Win Wenders, Lone Scherfig, and Jean-Marc Barr and are also linked by digital video. The discussion is about the Dogme 95 film movement and how technological transformations affect cinematic practice.

Danish film has never felt stronger on the international stage than it did with the Dogme films, which at the world premiere of 'The Party' and 'The Idiots' during the Cannes Film Festival in 1998 put Denmark on the film world map. Another eight films under the strict Dogme rules followed and created great international careers for several of the talents in front of and behind the handheld camera. Thomas Vinterberg, Søren Kragh-Jacobsen, Paprika Steen, Ulrich Thomsen, Trine Dyrholm, Iben Hjejle, Anders W. Berthelsen, Lone Scherfig, Sonja Richter and many more of the country's greatest filmmakers look back on when Denmark became Dogme.

Palm Springs resident and film and art legend Udo Kier is "arteholic". He lives, breathes and makes art and at times he is even a living art piece. In this playful docu-fiction, we follow Udo on a road trip through famous museums in Frankfurt, Cologne, Paris, Copenhagen and Berlin, and eavesdrop as he chats with artists including Marcel Odenbach, Rosemarie Trockel, Jonathan Meese and Tobias Rehberger and filmmakers such as Nicolette Krebitz and Lars von Trier.

A very intimate look on Lars von Trier and his cast and crew, during the production of "The Idiots".

The filmmakers who created the Dogme Manifesto reflect, argue, and watch clips of their own films.

A young Jewish artist has shunned his heritage. Upon the realization that he is alone, doubting humanity's willingness to extend help to one another, he has been referred to as a wimp, subsequently resulting in a fear of weakness and being incapable.

The mutant fetus is born. Dr. Helmer comes under heavy scrutiny for a botched operation that left a patient braindead, and begins to dabble in the dark arts in order to ward off those seeking an end to his career. Hypochondriac Mrs. Drusse finally does have something bad happen to her medically when an ambulance hits her.

Filmbyen is a cinema-town created by Lars Von Trier (director) et Peter Aalbek Jensen (producer). They founded together a company which regroups all the cinema business industry. That documentary retraces the Filmbyen story, how it functions, the artistic and economic issues that arise.

Although at first sight this might look like a simple ‘making of DANCER IN THE DARK’, the later developments in the film reveal the whole drama of Lars von Trier’s inner life during the shooting process. All his doubts and insecurities in collaborating with the crew and actors - especially actresses - are exposed. The biggest drama started when Björk walked off the set. Nobody knew whether she would be back or not. Admitting that he feels threatened by women, who can ‘make him feel embarrassed’, the director gives this documentary the nature of a personal diary. When he discusses the importance, purpose and beauty of the use of a hundred cameras in a certain sequence or the meaning of the Dogma 95 rules, the audience is witnessing the process of the artist’s search. Is the pain that the director went through during the shooting really visible in the final result, as Lars von Trier claims in this film? (from: http://www.idfa.nl/)

Get an exclusive behind-the-scenes look at the creative challenges Lars von Trier presents his cast and crew to bring his vision to life from script to shoot and to the screen at home.

Lars von Trier himself has one of the lead roles in this short film about a bank employee being subjected to a brutal robbery.

Shot in Denmark in 1999, the documentary features exclusive interviews with the creators of the filmmaking movement Dogma 95: Lars von Trier, Thomas Vinterberg and Soren Kragh-Jakobsen.

A short film containing some of the highlights of the Cannes Film Festival's storied history.

The documentary chronicles Bo Widerberg's journey from 1960s Malmö, where he worked as a writer and film critic, to his successes as a director in Stockholm and international adventures in Cannes and New York. The film also explores the personal costs of his artistic vision and how his pursuit of life and authenticity affected both himself and those around him.

Jesper Jargil's documentary portrait of a bizarre piece of Danish experimental theater directed by Lars von Trier.

A behind-the-scenes look at the making of "Dancer in the Dark" by Lars von Trier.

Behind the scenes documentary on The Idiots

It is the young Christian Tafdrup's (Tafdrup himself) greatest wish to become a real film director. He joins the reputable company Zentropa, where he is even lucky enough to meet the famous Lars von Trier (von Trier himself), who does not have many positive words for Tafdrup. Tafdrup tells aspiring young women that he is actually a director, and he therefore gets them to show up for auditions

A story of 6-year-old Alberte who decides to leave her parents, because they are always busy working or watching TV, and don’t have time to do fun things with her. She moves to the boat right outside her house, and decides that her new name is Kurt. She has always wanted to be a boy.

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"Too Many Cooks" is a humorous parody of US sitcoms of the 1970s and the 1980s, meanwhile what seems like an interminable opening theme, a mysterious killer makes his way and kills (preparing a lunch with their limbs) various members of the Cook Family.

Documentary on Dancer in the Dark

In 2005 the cast and crew with Lars Von Trier gatherd to talk about Lars Von Trier's Dogma film The Idiots.

A Parisian woman willingly submits herself to a secret society, exploring total psychological and physical surrender as an extreme form of devotion, transcendence, and erotic obsession.

For her extraordinary film essay, Living the Light, Director and Director of Photography Claire Pijman had access to the thousands of Hi8 video diaries, pictures and Polaroids that Müller photographed while he was at work on one of the more than 70 features he shot throughout his career; often with long term collaborators such as Wim Wenders, Jim Jarmusch and Lars von Trier. The film intertwines these images with excerpts of his oeuvre, thus creating a fluid and cinematic continuum. In his score for Living the Light Jim Jarmusch gives this wide raging scale of life and art an additional musical voice.

The Name of this Film is Dogme95 is an irreverent documentary exploring the origins of Dogme95, the most influential movement in world cinema for a generation. The film tells how a 'brotherhood' of four Danish directors armed with a radical Manifesto, has inspired, outraged and provoked filmmakers and filmgoers the world over. The rules of Dogme95 take filmmaking back to its brass-tacks - stories must be set in the here and now; the films must be shot on location, with a handheld camera, using natural light, and direct sound; the rules forbid murders and weapons (staples of the much-loved action-movie genre); and, most amusingly, the director must not be credited (that holds also for the director of The Name of this Film is Dogme95...).

Making film wears down director Lars von Trier, but he is not able to live without them. In the documentary film this Danish auteur’s all-consuming love affection for film is portrayed. Now he is standing at a cross-road. While film as we know it is dying.

A portrait of Denmark's most acclaimed and controversial director, Lars von Trier. A meeting with von Trier on a private level as well as with his film universe. Filmmaker Stig Björkman follow von Trier during a period of more than two years, meet him at work, at home and at leisure. Written by Fredrik Klasson

Part of the exhibition 'Descendant - curated by Lars von Trier' at Willumsen's Museum

The Scandinavian entry in the BFI's Century of Cinema series of documentaries

Following the career of Björk, this documentary looks at her early musical career with local icelandic bands, her acclaimed stint in The Sugarcubes, and her massive success as a free-spirited solo artist.

Behind-the-scenes documentary about Lars von Trier's latest movie Europa (1991). Also features unique footage of Trier and cast shooting a bit of footage for Trier's 30-year project "Dimension".

Lars von Trier was interviewed by Christian Lund at his home outside Copenhagen in November 2020.

Close The comedy quartet Klyderne attempts to create "a typical Danish film" through a long series of absurd sketches, parodies, musical interludes, and animated segments. The film includes the story of Anton W. Olsen and his singing foot, a soccer match between knitting ladies, a highly dramatic silent film horror movie, and an examination of the Danish national character as expressed at a campsite.

Filmmaker Eva Ziemsen was determined to interview renowned film director, Lars von Trier. Her provocative offer, to conduct the interview nude, led to a revealing and truthful conversation about filmmaking.