Jakob Cedergren

As a rowdy team of detectives clashes with their disciplined new boss, they must catch a vicious band of robbers who are wreaking havoc on their city.

Police officer Asger Holm, demoted to desk work as an alarm dispatcher, answers a call from a panicked woman who claims to have been kidnapped. Confined to the police station and with the phone as his only tool, Asger races against time to get help and find her.

Norway, 1942, during World War II. After being separated from her family, Esther, a young Jewish girl from Trondheim, arrives at an isolated farm where she must assume a new identity in order to survive the Nazi persecution.

Arn has served his term in the Holy land and returns home to be reunited with his beloved Cecilia. When he returns home, he discovers that political forces tries to separate him and Cecilia - but thanks to queen Blanka they can finally get married. Arn knows that war is looming and with his martial knowledge he starts to build an army at his new home at Forsvik.

Svend and Bjarne work for a butcher in a small Danish town. Fed up with their boss' arrogance, they decide to start their own butcher shop. After dismal beginnings, an unfortunate accident happens which coincides with a large order of meat. One hasty decision leads to another and soon the business thrives. In the meantime, Bjarne has to deal with his twin brother who has been in coma for years following a gruesome car accident.

Sadie—a young female novelist—and an enigmatic woman named Francesca, are enticed by an ex-lover to join him at his Italian villa for a weekend celebration being held to honor the release of Sadie's latest book. Once there, Sadie begins to fear his true intentions as she and Francesca become embroiled in a dangerous game of moral and sexual discovery.

Robert Hansen, 34, a young police officer from Copenhagen, is transferred against his will to the small town of Skarrild in Southern Jutland as a substitute Marshall. The transfer is Robert’s chance to start over. Whether he is allowed to return to his job in Copenhagen, all depends on how well he performs in this frontier town.

Adrian Hughes digs into his mother's dramatic life, from the jetset Copenhagen of the 1950's to loneliness and alcoholism, but a bitter farewell letter opens new wounds. In Jesper Dalgaard's staged documentary we encounter tragic female destinies, affluent and absent fathers, while actors such as Birthe Neumann, Asta August and Jakob Cedergren bring the past to life in this breathtaking experiment. With equal parts humour and pain, the film shows that it's never too late to try to understand your family.

Detective Katrine Ries Jensen and legal psychiatrist Thomas Schaeffer form a special unit at the Copenhagen Police investigating serial killings. A case from Schaeffer’s past crops up. As a young psychologist, he held back from sending a patient, who was manically drawing the details of a traffic accident, to a secure hospital. Now these bloody scenes resurface, enacted as real killings.

As children, Nick and his little brother take care of their baby brother while their mother drinks herself senseless. But the baby dies, and both brothers blame themselves. Many years later, Nick is out of prison after serving time for an assault. He drinks, lives in a shelter and tries to help an old friend. When their mother dies, Nick meets his brother at the funeral. The brother, who remains nameless, is a single father to a young boy, but also supports a drug habit that is spiraling out of control. When an opportunity presents itself, he becomes a drug dealer to secure his son's future. Eventually, the two brothers meet again.

A young man spurs romance and helps his friend and himself go through the struggles of their ordinary life in Denmark.

A young couple and their daughter move into a rambling old house. Soon, an increasingly alarming string of events and supernatural disturbances connects the house, and them, with a series of unsolved murders committed three years earlier. They are the only living witnesses, but for how long?

Talented 16-year-old Ruben gets the chance to have what most teenagers want - fame and success. But what are the costs?

Two bumbling scrap metal thieves - father and son - steal the wrong painting during a museum heist. The painting turns out to be the only original Rembrandt painting in Denmark, and all hell breaks loose. What do you do when you've got Interpol, the Danish police and the entire Danish underworld on your heels? And who was this Rembrandt guy anyway?

Tony has recently been released from a sentence for violent behaviour. He promises to improve his ways and is finally granted a few hours alone with his two children. They celebrate the reunion by going to the movies to see a new film by the famous, critically acclaimed Danish director Claus Volter. But the film is not the masterpiece it is said to be on the poster; the children are crying and Tony cannot get the money back he spent on tickets and candy. Tony does not give up; he seeks out Claus Volter in order to get an explanation and a refund. It is however easier said than done to get money out of a world-renowned filmmaker.

A schoolboy uses his cellphone camera to shoot intimate interviews with people working at a New York fashion house and secretly posts them on the internet. Result: a bitterly funny expose of an industry in crisis, during a week in which an accident on the runway becomes a murder investigation, and denial leads to devastation.

The lives of five unrelated people — a husband, a doctor, a wife, a student, and a young daughter — are turned upside-down with irreversible consequences.

On Simon's 29th birthday his father Mogens, who has not been part of his and his older brother Jens' lives for many years, suddenly turns up - declaring that he wants to give him a sports car. Mogens is mentally ill and has been in and out of hospital for years, and as he becomes more and more agitated and violent, Jens has to take him back to the hospital. However Mogens manages to talk Jens into helping him find the car. For one day and one night the two of them drive around Copenhagen looking for the car, and the trip becomes a moving odyssey where father and son will finally get to know one another.

Based on the journal of Knud Rasmussen's "Great Sled Journey" of 1922 across arctic Canada. The film is shot from the perspective of the Inuit, showing their traditional beliefs and lifestyle. It tells the story of the last great Inuit shaman and his beautiful and headstrong daughter; the shaman must decide whether to accept the Christian religion that is converting the Inuit across Greenland.

Fuglene Over Sundet is the gripping tale of the Danish Jews' escape to Sweden in October 1943.

Filmmaker Johannes and his wife, schoolteacher Signe, experience the biggest sorrow and misfortune one can ever imagine. Nevertheless, in all the hopelessness they must try to reach for mutual and mature love in order to continue life after death.

A man carries his dead wife to the trunk of a car in front of their 4-year-old daughter. All together they drive to a lake far into the forest, where the father plans to dump the body and end the lives of himself and his daughter. However, everything is not what it seems...

Siblings Valdemar and Sille meetings scientist Benedict and his time machine. With one begins an exciting but perilous journey back into the history of Denmark. Benedict is in fact not an ordinary man. The Vikings threw sorceress Volva its spell on Benedict and made him immortal. When he can not travel back in time and do away with Volva, he needs Valdemar and Sille help.

The waitresses at a Copenhagen bar find themselves listening to and advising various clients who wander in to unburden their current problems. The Blue Monk is so named because its jukebox constantly plays music by jazz musician Thelonius Monk. ...The Blue Monk

Faro is about a man who flees into the forest with his daughter to escape a prison sentence.

A young woman's body is found by chance, seconds before she disappears forever in the flames of the incinerator. It seems that Thomas and Katrine are facing the investigation of the perfect murder.

A young boy, Bjørn, discovers on his 17th birthday that his problems with the girls might not be self-inflicted.

When the skeletons of four young women found buried in a forest north of Copenhagen pulled the ambitious and headstrong Deputy Superintendent Katrine Ries Jensen (Laura Bach) with the intellectual and humanly hostile legal psychiatrist Thomas Schaeffer (Jakob Cedergren) into a dangerous quest in the history of Denmark first serial killer. An offender who kills out of a pattern that is not readily explainable. Katrine and Thomas proves to be a strong, but mismatched couple whose approach and methods often differ from the conventional police investigation. Their search brings them close to the offender. So close to Katrine with his emotional and vengeful behavior unknowingly expose themselves to the offender and hence qualifies as the perfect next victim. For both Thomas and Katherine challenge will be to see the person behind the monster. For only when they understand the fantasies and traumas that operates the perpetrator, they are able to confront.

​​Looking for a perfect family, a serial killer plays a deadly game in which he tightens up the rules of the game and starts to kill as ​​someone refuses to play his game. ​​

A 17 year old inmate raped and killed in one of Denmark 's prisons . For Katrine being the case a strong meeting with a past she 'd rather forget , and she goes to attack the system that made the attack possible . When another prisoner killed in the same way , it becomes clear that a serial killer is loose behind bars. The case attracted great attention in the press , and the police receive massive criticism that such a thing at all can happen in a Danish prison . Have criminals less entitled to protection than others? Katrine and Thomas are working under intense pressure to narrow down the culprits in an environment marked by hatred, violence and revenge. An environment that penetrates under the skin of them both, and provokes sides they would rather not acknowledge .

What looks like a reckoning in the Eastern Eeropean drug world, according to Thomas, is in reality something completely different.

Actor Nicolas Bro reigns supreme in the role of Nicolas Bro – a man intent on making a film about himself. After his director friend Christoffer Boe lends him a camera, his selfmonitoring is so hair-raisingly private that it becomes impossible to separate fact from fiction.