Şafak Şengül

In her mid-thirties, Maya lives in a Munich shared apartment with the spirited Sema — an optician and influencer — and tries to live in the moment, as carefree as possible. However, she is eventually confronted by her mother’s hoarding problem — a situation her father is unfortunately no help with. Her balancing act between jobs as a mobile nail technician and a freelance theater makeup artist begins to falter. To top it all off, she falls for the flamboyant star of the current theater production: Philip, a charming but somewhat flighty dancer. Fortunately, Maya is surrounded by a group of clever, humorous women from diverse backgrounds who support her with wit and wisdom — for only by looking back can one find the tailwind needed to take flight.

Nico, a filmmaker, returns to her hometown to lead a storytelling workshop with her childhood friend Lori, a schoolteacher there. Lori’s pupils are asked to imagine their future selves. The children’s thoughts prompt Nico and Lori to reexamine their own decisions in life — as well as their friendship.

Desperate to help her son, Rabiye Kurnaz, a housewife and loving mother from Bremen, goes to the police, notifies authorities and almost despairs at their impotence and in the end, against all the odds, something truly remarkable happens.

In order to avoid being “canceled”, an association called “House of Womxn” must immediately change the panel that will be participating in an international women’s conference in order to satisfy a diversity checklist. As a result, the very diverse panelists clash in the empty clubhouse, revealing some painful differences at first, but then some affirming commonalities as well.

In order to finally get that long-awaited promotion, Heinz Hellmich, an old white man, has to show his "wokest" side at work. When he invites his superiors to a private dinner at his home, his family's politically correct façade quickly begins to crumble and the evening takes a hair-raising turn.

When Lukas confides in his sister Mara that he’s in therapy due to paedophile tendencies, the pair are resolute in their intention not to let it affect their strong relationship. Nevertheless, Mara is torn as to how close she can let him be to her two children. She starts to shadow him, all the way to the changing rooms of her son’s football team. Can Lukas really continue working as their trainer, even if he “only” feels attracted to young girls? Lukas feels unjustly treated by Mara. Then, when one of the boys brings his sister along to a training session, the situation threatens to escalate.

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