Settar Tanrıöğen

Mahir, a musician renowned with his proud personality, has been having a secret romantic relationship with her daughter’s friend Duru. Duru’s father Ali is a traditional, family-oriented man. Mahir and Duru drift apart in their fear while Ali is just about to learn of their secret relationship.

Umay is a young woman of Turkish descent, fighting for an independent and self-determined life in Germany against the resistance of her family. Her struggle initiates a dynamic, which results in a life-threatening situation.

Yucel performs an admirer of a veteran stage singer. Back in his puppy hood, he used to go to her stage concerts when she was popular. On a lonely day at his sea front restaurant, he sees her for the first time since times immemorial. Carried away by her beauty, he pursues her closely for a couple months gathering her information.

The film tells the story of a group of bandits captured in the Cudi Mountains 35 years ago. All of them have died, either from illness or vendettas; only Baran (Şener Şen) survives. After serving his 35-year sentence, Baran is released from Viranşehir Prison and learns that his birthplace is now submerged under the waters of a dam. Ceren Ana (Zübeyde Erden) tells him about the past. Baran is imprisoned because of the betrayal of his old friend Berfo (Kamran Usluer). Berfo stole the bandits gold, bought his childhood love Keje (Sermin Hürmeriç) from her father, and fled to Istanbul. While Baran is searching for Keje, he encounters a young man named Cumali (Uğur Yücel). These two men find solace in each other to avoid being swept away by the storms of the big city. And in this world where violence, betrayal, passion, boundless love and hatred intertwine, they try to survive.

An unexpected reunion between a traveling musician and his son opens old wounds as the two set out on a long journey to a troubadour festival.

Several directors from countries of the region were invited to create stories taking place in and around the beautiful city of Istanbul, in the vein of “Paris, je t’aime” and “New York, I love you”. They come together to remind viewers that Istanbul’s history does not belong only to the people of Turkey.

Two soldiers return home from their military service in southeastern Turkey with disabilities.

Sevda Erses is a singer who has devoted herself to Turkish classical music and strives to be principled in her work. She is careful not to go beyond professional relationships with her boss and listeners, which is why her career has stagnated. As part of her Anatolian tour with a company, Erses also gives concerts in a small town. The singer not only receives great interest from the local people but also unintentionally captivates the town's leader. However, her heart belongs to an engineer she met in the same town.

The commissioner tells the teacher, who had been imprisoned for the past 6 months for no appa­rent reason, that they will allow him to meet with his wife even though conjugal visits are prohibited. The skeptical teacher continually asks why they would allow this.

Bekir loves Uğur, who loves Zagor, who is about to get out of jail. An already tense love triangle is thrown into turmoil on a hot summer night, when Zagor kills someone, and Uğur disappears.

The story of a young girl who is separated from his shadow puppetry performer father during the ethnic conflict between Cypriot Greeks and Cypriot Turks in 1963.

A matriarch and her grandson forge a special bond during family picnics every two months, until her health causes a conflict among the relatives.

Humble and introvert Muharrem lives in a solitary and meager existence of a prayer and sexual abstinence adhering strictly to the most severe Islamic doctrines.His extraordinary devotion attracts the attention of the leader of a rich and powerful Istanbul religious group and he offers him an administrative post as a rent collector for their numerous properties. Muharrem's new job throws him into the modern outside world he has successfully avoided for so long. He soon witnesses conflict attitude toward alcohol consumption and goodwill.He notices that he himself has become proud, domineering and even dishonest.To make matters worse, Muharrem's inner peace is unnerved by the tormenting image of seductive woman who tempts him in his dreams,both night and day.With the balance of his devotion now upset,his fear of God begins to eat away at his senses.

Necati is a 33 year old man who's passionate for cinema. He has lost his mother just after he was born and his father is an odd fisherman nicknamed "Newton". Necati's biggest dream is to complete his film "Gravity Zero" which he endeavors to shoot by using a home camera and show it to an audience on a cinema screen. The film he presented as "an experimental picture that will rock Europe" runs on no script nor does it incorporate any professional actors. Unexpected circumstances come to life when Necati is on the verge of realizing his dream will leave him alone in the midst of a Mafia pay-off and give birth to results that will affect the lives of the people around him.

No description available.

Story of a man who is suffering because of a crime and trying to escape of his suffering.

Celal, lives an unhappy family life with his wife Sevilay and his child in a small town. Celal and his brother Cemal, running an electrician shop which doesn't go well. They are in debt. The only fun they have is going to the night clubs in Samsun. Celal's love for Sibel Ceylan who works in the night club, will cause him trouble. Celal's wife, Sevilay, saves her money, sent by her father who lives in Germany. She is unaware of the fact that Celal knows her secret.

Former sailor Fikret is having trouble settling into his new life in Istanbul and has begun to make use of the local church's facilities. When priest Artin goes on a trip to Vatican, Fikret starts selling off the church's cellar of expensive wines and stays in the priest's room at night. Fikret spends most of his remaining time gambling on horse races and lecturing Asim, a naïve young boy working at the car wash located next door to the church who perceives him as a surrogate as a father figure. Fikret and Asim learn of a rich widowed businesswoman, Deniz, who thinks that her sister, Selen, has had a spell put upon her and is prepared to pay anything to have it lifted. Fikret decides to go to Deniz's house disguised as a priest but gets more than he bargained for.

Musa Rami, who has become a legend with his struggle against the mafia, is a police officer at homicide division. One day prior to celebrating his 63rd birthday, with a surprise party arranged by his family, he finds out that he has cancer and two months left before his death. In these two months, will he be able to fight against the mafia that has intensified its threats against his family and simultaneously reveal his deep love to Funda, who is a university student 40 years younger than him?

A middle class young man rebels against his father’s brutish authority and seeks a rough romance with a woman of ethnic minority. Yuce’s moral tale draws from the example of today’s Turkish youth and the timeless shadow of fathers over sons.

Hulya is a young Turkish woman torn between two cultures. Forced to live with her uncle in Turkey, she leaves this house: she wants to return to Germany where she lived with her father and went to school, not so long ago.

Elena, who lost her husband to cancer after the Chernobyl disaster, one of the greatest catastrophes in recent history, finds a solution in coming to Turkey for treatment when she learns that her son is also suffering from the same disease. While Elena is undergoing treatment in Trabzon, she meets Şenol, a footballer who dreams of playing for Trabzonspor. Şenol falls in love with her at first sight without a second thought... On the other hand, Trabzonspor, which was heading for the championship in the 1995-1996 football league, loses the championship in the final match, and the world of their cheerleader Ahmet collapses... On the other hand, there is Kazım Koyuncu, who has won the hearts of millions with his voice and personality. As a victim of Chernobyl who lost his life to cancer, Koyuncu is like the voice of the local people...

Forty-year-old Günel, whose only passion in life is to photograph inanimate objects, meets an energetic and sympathetic Şefik during the free Cyprus holiday that she won in the company lottery. The holiday, which starts with a beer in a luxury villa, by the pool, becomes unpleasant when Günel breaks his leg. Her only solace is meeting Nazli, who has the same name as her neighbor in Istanbul and is a nurse just like her. Watching Şefik in the neighboring villa out of distress, Günel witnesses an unexpected… murder? He can't be sure because of the hot weather and the drugs he takes.

One night, a law student wakes up from his sleep on a bus ride and strikes up a conversation with the bus driver.

A man lives alone in Istanbul. He makes a living doing odd jobs for several people, but dreams of being a singer.

A middle-aged man, Ekrem, is forced to take care of his mother, Nergis, who suffers from Alzheimer's disease. He has set aside all his dreams and ambitions in life to look after his mother who can't even remember his name. Penniless and stuck in an old flat, it's like they've been living the same day over and over. Until Ekrem's patience is put to test...

Ozan and Caner, searching for a place to call home, finally find the perfect house after a long and arduous search. The house they find at an extraordinary price turns out to be truly extraordinary, and amusing events follow them everywhere. Unfortunately, the deceased owner of the old mansion they rented is stuck in limbo, and only Caner and Ozan can see him. Helping this old soul cross over peacefully is now the task of these two young men. The mission they embark on to find peace in the house drags them into a series of events that are as comical as they are emotional.

Ferhan Şensoy says the following about The Threepenny Opera: "When updating Brecht's (The Threepenny Opera) 67 years later, I sometimes approach John Gay's "The Beggar's Opera." For example, in the original work performed 267 years ago, Mack the Knife was a folk hero, while in Brecht's version, he is an ordinary thief. Our own Mahmut is a Kemalist gangster. But we don't stray too far from Brecht; in our play, too, the wrong characters say the right things. And yet The Threepenny Opera is not an opera. It is not a Brecht 'work.' It is an epic farce as close to Brecht's Kel Hasan Efendi as it is to his own work."