Maria Urban

A Communist officer falls hard for a married woman trying to escape from Hungary.

A murder case is drawing more attention to the family history of historian Adelgunde. In cooperation with a young Russian girl, who knows surprisingly much about her father, Adelgunde finds out about strictly guarded family secrets.

Agnes, the proud managing director of a renowned Viennese jewelery business, has been happily married to the jeweler Leo Wieland for 17 years. He designs for her the exclusive collections and proves her despite the obvious age difference - Leo is a lot younger than his wife - every day his great love. But everything changes when Agnes receives a devastating diagnosis from her doctor: lung cancer. By chance, the couple will one day get to know little Max and his attractive mother Vera. In the terminally ill Agnes matures a plan: Vera would be a perfect partner for Leo.

After suffering a severe head injury on the job, criminal investigator Tommy Wehrschitz is being suspended – for his own good. In order to deal with the changes in his life he decides to go to southern Burgenland, to sell property he inherited from his estranged father. Barely arrived, Tommy is invited to see the circus, which is currently in the village, but the colorful spectacle is cut short when a flying knife misses its target and kills an audience member instead.

For months, the corrupt Viennese policeman Albert Schuh unsuccessfully investigates the murder case of his former friend and colleague. Then he gets a young, overambitious partner. The German colleague Thorsten Richter is a set of correctness and ambition, and thus the exact opposite of the Viennese, the "benefits" from the criminal scene is quite open. Since the two can not stand, the dispute does not stay out. The Austrian stops the German an unnecessary undercover job on an erotic chat line and determined alone on.

The catastrophe is perfect: Gustav Klimt's world-famous "kiss" was stolen from the museum. What is a problem for some is a salvation for others. For the impoverished Count Leopold, the loss of the picture is an advantage, because now he can earn the sum insured for the family-owned work of art. For the fashion designer Isabella, theft is definitely a problem too much. Not only is her father Albert, who was supposed to guard the picture on the night of the crime, now with a heart attack in the hospital, he admits to her that the stolen Klimt made a self-made ...