Lucia Bosè

Lucia Bosè

Acting

January 28, 1931 — March 23, 2020
Milan, Italy
58 movies

Biography

She was born in Milan, Italy, the daughter of Francesca Bosè and Domenico Borloni. After a number of years working in a bakery, in 1947 she won the second edition of the Miss Italia beauty contest. Later, she acted in Dino Risi's short The Five Days of Milan. Then, in 1950, she made her big screen debut in Giuseppe De Santis' “Non c'è pace tra gli ulivi” (No Peace Under the Olive Tree). Her career flourished until 1955, when she fell in love with Spanish bullfighter Luis Miguel Dominguín, and ga...

🎬 Lucia Bosè's Filmography

58 movies sorted by popularity

Daniel Schmid: Le Chat Qui Pense
5.8

When director Daniel Schmid grew up, his parents ran a hotel in the Alps, and this singular setting was to influence his film. Rather by coincidence, he came to Berlin in the early 1960s and became part of the new German wave. Schmid worked with, among others, Wenders and Fassbinder, for example, as an actor in Wender’s The American Friend. He met Ingrid Caven, who was to play a diva in several of his films. This is a documentation of a part of modern European film history and a good analysis of artistry and how it corresponds to the individual behind the camera. A wealth of archival footage brings us close to many directors and actors in Schmid’s circle. If you’ve never seen a Daniel Schmid film, you are sure to want to after watching this portrait of his life.

Daniel Schmid: Le Chat Qui Pense

2010
Love and Other Solitudes
6.7

María belongs to the upper bourgeoisie and has always had everything in life, even a brilliant, educated husband; in short, an intellectual to presume. Alejandro, on the other hand, has been going up day by day, he has grown up with his work, believing in himself -he is an economist- he has fought with all his strength to achieve a higher social level and he has succeeded. He is a professor in the University, executive of a great company, owner, in short, of a beautiful villa in the outskirts. But he is, nevertheless, in the critical age, in the age of taking stock of his past, of justifying himself. And the truth is that, despite his material triumph, he is not happy, there is no reason to be in his participation in society, he is not satisfied with anything. It is, in a word, a step away from his inner failure. In this situation he discovers, in turn, that María accuses him of having dedicated more time to succeed than to love her.

Love and Other Solitudes

1969
Lucia Bosè | MovieMind AI