Stepan Vasyutinskiy

The film is based on I. Nechui-Levystkyi’s work The Bargewoman. From dawn till dusk from early childhood, Vasylyna has been working on Pan Jastrzebski’s fields. The young nobleman likes the beautiful girl, and she starts working in his home as a maid. Vasylyna’s happiness does not last long: the man marries a girl of his social class. Vasylyna’s fiancé Vasyl, who feels insulted because of her unfaithfulness, instigates guys to cut off the braid of the landlord’s mistress. Vasylyna runs away from the village and hides from people. Soon, she gives birth to a child who dies shortly. Female workers from a factory find barely alive Vasylyna and help her become a weaver. Vasylyna starts a new life.

The clockmaker practices what is known as \"parental rights\" – he mercilessly beats his son Boris for every misdemeanor. The boy grows up intimidated, angry, trusting no one, and befriending no one. One day, while the students at the polytechnic school where Boris studies are busy with a physical education class, he deliberately destroys a model that the students have worked so hard to build. The teacher prevents a cruel punishment of the culprit. The school community takes on the responsibility of re-educating Boris. Considered lost.

To justify the fantastic adventures of the blacksmith Vakula, the authors of the film “simplify” Gogol’s plot: Vakula, having drunk too much at Patsiuk’s place, falls asleep. And he sees this dream where the devil takes him to the palace of Catherine II in Saint-Petersburg; and there Vakula takes off the little shoes of the Russian empress to give them to his fiancée Oksana. And, really, drunk Vakula takes off the shoes while sleeping… but from Patsiuk. Later, when Vakula unwraps the package with the “royal slippers” in front of Oksana, he finds only Patsiuk’s dirty shoes there.

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This revolutionary epic likens the push for industrialization of Soviet Ukraine with the battle for Perekop during the Civil War. A missing plow blade is presented as a symbol of the country's backward peasant economy that needs to be transformed in the course of the industrial construction. In an onslaught of rapidly changing images, Ukrainian village with its peasants suspicious of everything new, dramatically collides with the frenzy of working factories, plants, and mines.

In the first years of NEP, one of the committees Relief for Starving evacuates an orphan girl Mariika from a starving village into a city. Mariika runs away on the way over.

The year 1929. A “shock worker” from a tractor plant visits a film studio premises and is furious to see fake stage designs for a kitsch production about a Soviet life. He refuses to help the crew with his tractor, but is happy to ask one of the cameramen to go with him to visit an actual Soviet village. There they witness the birth of the kolkhoz and the dekulakization of wealthy villagers. Then they are transported to the future, to the year 1932, when the first five-year plan is done and the commune-sovkhoz is established. Movies can move faster than time, but the pace of change in Soviet society is even faster than that.