Ángela Molina

Ángela Molina

Acting

October 5, 1955
Madrid, Madrid, Spain
139 movies

Biography

Ángela Molina (born 5 October 1955) is a Spanish actress, and a daughter of Antonio Molina, Spanish singer and actor.

🎬 Ángela Molina's Filmography

139 movies sorted by popularity

Nero
6.0

As a young boy, future emperor Nero witnesses the mad Emperor Caligula kill his father and exile his mother. While in exile in the pontine islands, Agrippina, his mother, sees a vision telling her that her son can become emperor, but she will have to die first. She accepts the proposal. Back in Rome, Nero, now being raised by emperor Claudius after Caligula's death, Agrippina returns. She poisons Claudius' food and Nero becomes emperor. At first, Nero cuts taxes and introduces successful programs and invades Brittania. Soon he meets a beautiful slave named Claudia Acte, and marries her, throwing off his engagement with Claudius' daughter, Claudia Octavia, telling her she can marry someone she will be happy with. Heartbroken, she arrives at an island and kills herself. Nero enjoys being married to Claudia Acte, but soon he gradually goes mad with power and sets fire to Rome.

Nero

2004
Cosmos
8.7

In a forgotten village of the Yucatán, Lena, a 68-year-old widow, crosses paths with Leon, a 62-year-old Mayan guardian of nature’s secrets and spirits. Lena finds an unexpected companion in Leon. Despite their differences and seemingly opposite worlds, a deep connection forms between them—one that will bind them until death. In his new film, Germinal Roaux, one of the most unique voices of contemporary European cinema, delivers a philosophical story about aging and the decay of the body. Above all, it’s about solidarity and the small gestures of love that give meaning—and dignity—to our existence. True to the aesthetic codes established in his previous works, Roaux’s film, shot in black and white and unfolding with a ritualistic rhythm that mirrors the slow passage of time at the twilight of life, speaks poetically and with genuine emotion about the most essential bond that connects us: love.

Cosmos

2026
260 days
7.3

The carefree and somewhat idyllic life of a ten year old boy named Marijan is violently interrupted when war ravages his small town of Dalj and his families closest friends and neighbors turn on them purely because they are Croatian. Marijan is forced to witness and experience things an adult would have an incredibly difficult time dealing with. He is nevertheless faced with the inexplicably horrid events war brings out in people. The story centers on a present day Marijan- now the very successful owner of a wood manufacturing business. On one random day a man walks into his store and all of the memories he wishes he could long forget come flooding back, forcing him to relive them. Despite his immense hardships, Marijan lives on in forgiveness, always seeking the positives that lay in the future rather than rehashing and remaining in the past.

260 days

2025
El río de oro
4.4

During a long summer, the tranquility of a couple and their three children resting in a country house is altered with the arrival of the children's uncle, a character who exerts a curious influence on the boys and a morbid and strange attraction the wife. Twelve years after 'Los viajes escolares' (1973), his first commercial feature film, the Madrid director Jaime Chávarri returns to the same estate in the province of Segovia to shoot a new family story, about his own plot and script. Like its predecessor, 'The Golden River' contains a strong autobiographical charge and is full of personal resonances. But this new history of family ties is narrated from a perspective in which adultery manifests itself openly. Endowed with a slow narrative rhythm, the film presents an international cast headed by Ángela Molina, Bruno Ganz, Francesca Annis and Stefan Gubser. The film also has the presence of a very young Juan Diego Botto, in one of his first appearances on the big screen.

El río de oro

1986
Don Chisciotte

Wounded at the Battle of Lepanto and recoverying in a Messina hospital, Miguel de Cervantes experiences a vision amidst fever and hallucinations. From the flames of burning books, Don Alonso Quijano is born—a man driven mad by tales of chivalry who transforms into the knight-errant Don Quixote. Accompanied by the simple Sancho Panza, lured by the promise of an island to rule, Quixote embarks on a quest where inns become castles and windmills turn into giants. Despite the cruel mockery of bored nobles and a series of crushing defeats, his madness reveals a disarming purity: he fights solely for justice and freedom, even as the world laughs. Betrayed and humiliated, he is eventually brought home in a cage, unable to survive without his ideals. As he dies, the scene shifts back to the Sicilian night: from the pain of war, Cervantes has forged a masterpiece—the stubborn dream of a more liberated humanity.

Don Chisciotte

2026
Sagitario
4.0

A woman finds herself going from having no man in her life to having more suitors than she can handle in this offbeat romantic drama. Rosa is an artist in her early forties who is recently divorced and looking for a new relationship. Unfortunately, few immediate prospects are on the horizon, and Rosa spends much of her free time commiserating with her close friend Jaime, a gay actor her own age. After consulting Andronica, a fortune teller, Rosa is told that relationships with three different men are on the horizon for her, and soon she finds herself falling for Gustavo, an architect from Argentina. While in Spain, Gustavo is staying at a hotel run by Greta, who is the unwitting center of a web of romantic entanglements; her daughter, is involved with Juan, a delivery boy for a pizza parlor who also has his eye on Rosa, while Greta's ex-husband (Bob Wilson) is also hoping to win Rosa's heart, in his case through poetry.

Sagitario

2001
Krapatchouk
8.0

Two young men have left their obscure Balkan country to earn some money as "guest workers" in western Europe. On their way back home, they attempt to change trains in Paris but encounter surprising difficulties from the ticket authorities there. It seems that political changes have rendered their homeland nonexistent, and their passports are no good. Before long, they are stranded in Paris without passports, without a country, and soon even their luggage is stolen. Their fumbling efforts to straighten out the mess result in the French press getting into the act, labeling them as Russian spies. The Parisian expatriate community takes them into its bosom, and romance blooms between one of the lads and a Spanish hatmaker, before they finally achieve a (highly improbable) solution for their difficulties.

Krapatchouk

1993
Ángela Molina | MovieMind AI