Fanny Cottençon

Fanny Cottençon

Acting

May 11, 1957
Port Gentil, Gabon
67 movies

Biography

No biography available.

🎬 Fanny Cottençon's Filmography

67 movies sorted by popularity

Bright Days Ahead
6.0

Bright days ahead? Caroline has retired, at last. A new life lies before her: time to take care of her children, her husband, and, most of all, herself. However, she soon comes to realize that this new freedom is synonymous with boredom and idleness. Especially when she receives a membership to her neighborhood’s senior club as a birthday present… Reluctant at first, she nevertheless decides to take the plunge. Oddly enough, she meets great people there, starting with the young computer science teacher, who is far from insensitive to her charms. Caroline gradually takes control of her life again and lives a second youth: taking a new lover, living new experiences, breaking the rules, not doing what’s expected of her… Who said that retirement was the beginning of the end and not a new beginning?

Bright Days Ahead

2013
Door on the Left as You Leave the Elevator
6.2

Yan is a successful artist. One day he is waiting for his date Florence to turn up at his apartment. As the doorbell rings, he finds another young woman in underwear on his doorstep: his neighbor Eva! She tells him she locked herself out of her apartment and insists that he helps her. Whilst Yan is trying to enter Eva's apartment via their adjoining balcony, his phone rings. It is Florence, and she is not impressed when a female voice answers the phone. At this point, Eva's rabidly jealous boyfriend Boris returns home. Seeing Yan in his apartment, he deduces that Eva has been having an affair behind his back. Florence then turns up and Yan tries in vain to explain the situation. By chance, Florence's husband suddenly puts in an appearance. After that, it all starts to get a bit complicated.

Door on the Left as You Leave the Elevator

1988
La Folle Journée ou Le Mariage de Figaro
7.5

The Marriage of Figaro, an adaptation of Beaumarchais' play, depicts a veritable social and romantic battle on the day of Figaro and Susanna's wedding, as Count Almaviva attempts to seduce the young woman despite her impending marriage. Throughout this eventful day, servants and masters clash in a game of intrigue, disguises, letters, and misunderstandings, each trying to thwart the other's plans. Figaro, cunning and determined, refuses to be humiliated, while Susanna and the Countess join forces to foil the Count's intentions. Around them gravitate Cherubino, Basilio, Bartolo, Antonio, and Marcellina, who further complicate the plot by adding jealousies, misunderstandings, and unexpected twists. Little by little, the Count's manipulations are exposed, and the women play a decisive role in the denouement.

La Folle Journée ou Le Mariage de Figaro

1989
Pourvu qu'il soit heureux

Everything was fine in Camille’s life until his parents accidentally discovered his homosexuality. How will Claudine and Maxime react? Turnarounds, an inimitable sense of dialogue make this comedy the feeling of back to school. How easy it is to be tolerant when you are not involved yourself! Because when Claudine and Maxime, an open-minded couple, who even demonstrated for marriage for all, come across, by leafing through a celebrity newspaper, on a photo of their son in the company of a man, the sky plummets them. the head. Claudine, more benevolent, tries to reason with her husband, but he finds it difficult to digest the news. Each in turn, the mother and father will question themselves, question themselves, and try to face this revelation, which cannot alter the love they have for their child.

Pourvu qu'il soit heureux

2019
Monsieur de Pourceaugnac
8.0

Mixing real locations with a Louis XIV stage setting, director Michel Mitrani interprets the story first told in Moliere's play of the same name, written for the stage. A slightly supercilious country gentleman, Monsieur de Pourceaugnac (Michel Galabru) has arrived in Paris to marry Julie (Fanny Cottencon) the woman promised him, but he does not know that Julie is in love with a handsome young man and has no interest in marrying the grand Monsieur, at all. She and her lover ask the cunningly clever Sbrigani (Roger Coggio) for help, and he concocts a wild array of characters with claims on the easily gulled Pourceaugnac's attention, including arrogant doctors and women with supposed liens on his matrimonial intentions -- actually no more valid than the ostensible creditors out to collect imaginary debts from the unwary gentlemen. The dialogue and situations are as funny as when Moliere first wrote them, but Mitrani's version may be a bit long and slow for some tastes.

Monsieur de Pourceaugnac

1985
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