Fernando Colomo

War correspondent David Jiménez becomes editor of El Mundo newspaper and discovers hidden deals with elites while pushing digital changes. His fight for editorial independence leads to his removal after a year.

Madrid, 1965. When The Beatles arrive in the city, Diana goes to great lengths to meet them.

A medieval alchemist (Klaus Kinski), knight (Harvey Keitel) and priest (Fernando Rey) mistake a flying-saucer alien for a dragon.

The 70th anniversary of the “Fotogramas” magazine comes in the shape of a sentimental voyage through the history of Spanish cinema thanks to a mosaic of voices represented by people who make films, those who write them and those who consume them. The documentary pays tribute to the readers of “Fotogramas” helped by the leading figures of Spanish cinema, who will read to the camera the most representative letters received at its offices in the history of the magazine.

Pablo hates everything. When Lucia comes into his life, he thinks she's the woman he dreams of, and sees the solution to all his problems. But Lucia, who is rather manipulating, is just what will make Pablo explode. Nobody believes in the ideal couple, not even Pablo's friends, who live all in couples, and all with problems: Between Ariel and Lola there is a professional rivalty they don't know how to cope with; Claudio lives on Natalia, and none of them feels good about it; what's wrong with Alejandro and Beatriz is just the big age difference between them two. Nobody is happy with his partenaire, but everyone will let it be, maybe for conformism, maybe for fear, maybe for lazyness, or maybe because Everything is false.

When Ana married Felix, the leader of a rock band and son of a travel agent, she thought her life would be plenty of excitement and travels. Now, in her forties, she leads a monotonous life with her husband and her daughter, giving cooking lessons and taking French courses. But one day she receives an invitation to give a cooking course in Paris.

In Spain, on May 11, 1896, at the Price circus, the first moving images ever shown in the country are projected. From that event, the Spanish actor Antonio Resines intends to compile a series of anecdotes to shape the amazing history of Spanish cinema, holding several conversations with prominent figures of the Spanish film industry.

Sofia introduces her three adult daughters to her new lover who is their age and happens to be a woman. The women, in particular Elvira find it extremely difficult to accept their mothers sudden apparent sexual reversal. The news pushes the neurotic Elvira to the point of nervous breakdown. Sol, the youngest daughter, writes a lude rock song about it and performs in front of them at a concert. The daughters plot together on how to get their mothers new girlfriend, a native Czech, and brilliant pianist, out of her life. Their plot goes terribly wrong and turns the film from a light-hearted comedy, into mildly amusing drama.

A cleaner woman with vocational street dancer tries to recover her long-stranded son that she gave for adoption, a former CEO who lost everything, including his memories.

Luci, Graci and Mar­, three sisters that make a comedy trio, go to the wedding of their father with a woman who is 45 years younger than him. During the feast Luci's husband dies in an accident. Despite the tragedy, the trio have to fulfill their commitment acting during August in Benidorm. The widow discovers thanks to a notebook that her husband cheated on her, so she decides to flirt with everyone.

This adaptation of Goethe's The Sorrows of Young Werther offers a chilly and remote view of love and its passions. The setting is changed to Spain, and Werther (Eusebio Poncela) has taken a job tutoring the son of an estranged husband and wife. The boy's mother is a surgeon and therefore a rather uncommon woman for her society. She and Werther gradually become romantically involved, and his feelings for her begin to run much deeper than is apparent on the surface.

Paco and Regina are going to get married, but they don't know that this will unleash a fight between their mothers to see who decides every detail of the wedding. Carmen, Paco's mother, is an expert in sentimental blackmail to get what she wants. While Catalina, Regina's mother, is an expert in using her contacts to pressure and extort people until her slightest whim is fulfilled. Their struggle unleashes a battle of epic proportions, where nothing will be left standing.

Summer in Menorca. The young Olivia has lost all understanding for the world. She just ended an affair in order to begin a real relationship, but no sooner had it started than this also ends. She is comforted and receives prosaic advice from her sculptor mother Nuria. When pensioned advertisement filmmaker Fernando moves into their guesthouse, a fresh wind blows over the island. While Olivia sees him as a father figure, Fernando tries to seduce Nuria. ISLA BONITA is a charming, wonderfully cheerful comedy full of misunderstandings – and a bijou homage to the idyllic holiday island of Menorca. Director and main actor Fernando Colomo delights us with this semi-autobiographic fiction film.

Three divorced men who share a flat live together without trouble until they hire a cleaning lady.

An ageing artist in the twilight of his career, Fermín's hand has started to shake. On the brink of financial ruin, he will have to move into the studio he shares with his friend Javier de Juan in an old garage, to which his son Pablo, also a painter, arrives on his return from a long trip to India, intending to stay with him. Their widely differing approaches to art and life will soon spark arguments between the two. Pepa, Pablo's mother and Fermín's ex, makes a suggestion: that they enter a competition to create their own version of El Bosco's The Garden of Earthly Delights, which could solve their financial problems.

Ana's husband is the perfect wealthy middle-class man. Koro's husband is a cook with no more ambitions. One day, Ana meets Koro in a night club and she proposes Ana to seduce each others husbands. The following morning Ana thinks this was a joke, but things are not always what it seems.

She appeared when Spain was waking up from a long post-war period and crying with melodramas starring children, a child prodigy unlike any other; a girl who, in time, would become a symbol of freedom and a total artist. Actress, singer, friend, lover. This is the story of Ana Belén.

Gloria is a porn artist that performs live-sex. When his mate gets sick he brings her a young substitute, Manu. The boy works surprisingly well and then Gloria decides to go into business with him. Things get complicated when Gloria discovers that Manu is in trouble because of his gambling debts.

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A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.

When introverted Max meets with his childhood friend Leo and discovers he's now Anita, a fun, sexy girl, Max discovers he's fighting against his emotions by realizing he feels for her more than he'd like to admit.

The personal and professional story, told in first person, of Spanish actress Carmen Maura, director Pedro Almodóvar's first muse and a brilliant artist in her own right.

Marga, a widow trapped in monotony, is surprised when her granddaughter sets her up on a date through an app, pretending to be her. Despite her initial resistance, Marga meets Agapito, a talkative man who loves salsa, but the night does not go as she expected, since at a certain age relationships have their own rhythm.

Satur and Tina are married, and Berta enters their life as a ‘unicorn.’ In the end, however, Satur is pushed out and Tina and Berta have an affair. Manu is a loser who tries to embark on a relationship with Amanda, who at the same time is involved with Alex, Claudia and Marta and Esteban, with whom they are all co-raising two children. Everyone seem to be living many different lives but all of them will have a lot to learn from each other.

Reflections on Spanish cinema, based on seventy interviews with prominent filmmakers, analyzing their work and addressing their views on various general topics such as the industry and the evolution of Spanish cinema, as well as current issues such as the arrival of digital platforms.

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A group of friends finds a dilapidated place and decide to repair it, paint it and live in it in communal plan. The problem is the bank, owner of the premises, does not want them occupied so they threaten to call the police to evict them.

The early days of the future genius of Spanish cinema Luis García Berlanga, from his birth in Valencia in 1921 to his departure to Madrid in 1947 to become a filmmaker.

Honorio Sigüenza is a man in his forties who has always lived under the yoke of his possessive mother. When his mother dies, he undergoes a radical transformation that will lead him to live numerous love affairs in the face of the disapproval of his cousin Veni, who wanted to marry him.

Since he began to work, Domingo lives against the trend: he sleeps during the day, care for her younger sister in the afternoon and at night vacuums in a department store.

Hortensia is a mature officer of the INEM office. She has been abandoned by her husband so she doesn't believe in love anymore. One day Eduardo Fernandez goes to the employment office because after overcoming a deep depression, he has decided that his life has to get better.

A group of enthusiastic teenagers embark on a journey to find love in Madrid's hottest discotheques but find themselves tangled in a web of sex, drugs and crime.