Évelyne Bouix

Salomé Lerner just finished writing an autobiography. She goes to a TV show called "Apostrophes", hosted by French TV showman Bernard Pivot. Pivot then imagines a film that could be created from her gripping story. A film entirely made of music because after seeing the young pianist Erik Berchot, Salomé believes seeing her long lost brother, who was a musician as well. A brother she had lost along with her parents in 1943. However, the Lerners did in fact escape the gestapo and might have based themselves in Paris...

A respected German doctor, head surgeon of a hospital, sees his career jeopardized when a childhood love reappears.

The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.

Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big-time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

"René la Canne" was the second collaboration between Francis Girod and Ennio Morricone, coming after "Le Trio Infernal" (1974) and before "La Banquière" (1980). His film is an adaptation of a story by Roger Borniche about the gangster René Girier and relates the fantastic adventures of a flamboyant mobster (René/Gérard Depardieu) and a maverick police inspector (Fernand la Sournoise/Michel Piccoli), through the 1940s.

The plot is about a trial against three men who tried to earn loads of money by illegal methods to get to Canada and about the lawyers and the judge who get on with the trial and who are being unfaithful to their couples.

The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview.

A fight happens during a a big party organized by a couple for their housewarming

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Klaus Kinski plays the role of a drifter on a motorcycle who happens to be passing through town immediately after a young school girl has been run over and killed by an unknown person on a motorcycle. The parents of the girl conspire to get rid of Kinski with the help of some of the locals including the town bully who recently had a run-in with Kinski in a pub over a woman. Kinski's only ally is the woman whose honor he tried to defend. Trapped in the town due to sabotage on his bike and a number of other incidents, Kinski soon realizes he is in real trouble.

Three friends navigate the ups and downs of love, relationships, and adulthood, each facing their own romantic challenges. One struggles with commitment, another finds himself caught in a web of misunderstandings, and the third embarks on a series of flirtations that lead to comedic complications. As their lives intersect, their friendships are tested through humorous and often absurd situations. Through a mix of heartwarming and chaotic moments, they each attempt to find happiness while dealing with the unpredictability of love and life.

This tragic musical drama chronicles the star-crossed love between beloved French singer Edith Piaf and World Middleweight boxing champion Marcel Cerdan who died in a plane crash. The tumultuous affair is paralleled by the love affair of a French POW and his young pen pal who get engaged after writing to each other for four years and having never met. Their romances are framed by the sad, torchy songs of Piaf.

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A couple who appears to have the perfect relationship finds their future in jeopardy following a scorching night of lust and debauchery in this erotic drama adapted from the controversial novel by French author Colette.

Beaumarchais the Scoundrel is a biopic film based on the life of the French playwright, financier and spy Pierre Beaumarchais depicting his activities during the American War of Independence and his authorship of the Figaro trilogy of plays.

Outvoted by his board of directors and hounded by the press, the Parisian CEO of a large company finds refuge for the weekend in a country inn run by his ex-wife.

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The miseries of alcoholism, both for the alcoholic and anyone close to him, are the focus of this routine story about Mathilde, a devoted wife, and her husband Pierre, who is addicted to the bottle. The opening scene is at a New Year's party where Pierre disappears, and Mathilde starts remembering their life together in flashbacks that tell the whole story. Mathilde is ever-suffering, and Pierre is on the whole revolting, so why she hung in there for so long is hopefully made clear in these flashbacks.

Un conservateur terrorisé par les plantes vertes, une mère plastifiée pour être exposée, un ballet de Saintes Vierges, des gardiens épuisés par Rodin, un ministre perdu dans une exposition de sexes, une voiture disparue au parking Rembrandt, des provinciaux amoureux des Impressionnistes, touristes galopins galopant d'une salle à l'autre, passager clandestin dans l'art premier, Picasso, Gauguin, Warhol, ils sont tous là dans ce petit monde qui ressemble au grand, dans ce musée pas si imaginaire que ça, valsant la comédie humaine jusqu'au burlesque.

Rien ne va plus is a series of comedy sketches of disparate quality, on the social, cultural, and political foibles that make the French, French. Various settings and character types are given a once-over, including pseudo-intellectuals, punk bikers, right-wingers, and patrons of a low-end cafe.

Marc is in love with Lucien, who's in love with Suzanne, who's in love with someone else.

Perdican, his studies completed, returns to his family castle at the same time as Camille, returning from the convent where she was raised. The two young people are promised to each other, but the young girl appears distant. Out of spite, Perdican courts Rosette, a peasant girl, Camille's foster sister who, for her part, announces her plan to take the veil. Perdican announces his marriage to Rosette. On the eve of the wedding, Camille and Perdican finally confess their love to each other. But Rosette, who heard everything, commits suicide, which separates the two lovers forever.

Back in Brittany, Captain Morgane Ledantec is confronted with the discovery of human bones after the fall of a sacred oak during a storm. The victim was a follower of druidism which Morgane was introduced to as a teenager by her godmother.

Paris during the 1920s. Ever since her parents' separation, ten-year-old Maisie has been travelling to and fro between her father Beale Farange and her mother Ida. She spends half a year with each one alternately. But neither parent can provide Maisie with the warmth and affection she so desperately needs.

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This film follows father Ahmed and son Tarik Karaga during WWII and the Siege of Sarajevo.

A philosophizing uninvited hitchhiker terrorizes a writer, who's selling dictionaries while he's struggling with writer's block.

Captain Jérémy Laubier investigates a young surfer's murder in La Torche, Breton, discovering a course on Ys myth. Professor Morgane Le Dantec identifies the victim's sister.

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France, 1940. German troops have just invaded the country, but in the rural idyll of the family chateau inhabited by 20-year-old Mellie with her impoverished aristocrat father Alexandre and adolescent cousin Robinson, the war still seems far away, apart from the fact that Mellie's rich and unpopular fiancé André has been drafted into the army. For Robinson and his friends the same age, including the temperamental Bertrand, the war is merely a game they play in the remoteness of the blue island in the lake.

Pierre Bazeille, a writer seeking a quiet place to work, sublets Félice's home, artist / sculptor in the Lot. While he is manic, meticulous and discreet, she is messy, cyclothymic and unpredictable. Living together will not go peacefully.

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The teacher Odile Langlois starts her new job in the elementary school of a small French town. She is elegant and mysterious - but most of all, she is very friendly to her new students, whose confidence she gains so quickly. On the contrary, however, Odile's unconventional, alternative way of teaching does not appeal to some colleagues and parents who do everything to get rid of the young teacher ...

This fast-paced mystery is in part based on a novel by Yves Ellena and is at least equally based on the 1943 classic Le Corbeau, which in 1951 was produced in English by Otto Preminger as The Thirteenth Letter. In this movie, someone is using a pirate radio broadcast to dish the dirt on the lives of the elite of a small French town.