Achim Strietzel

After a chance encounter with a wanted man, a woman is harassed by the police and press until she takes violent action.

Bruno Stiegler, a boxing promoter with a disreputable past, returns from America to Berlin to make some big things again with his friends. Fatally, he is always preceded by some gentlemen from better circles who are developing amazing criminal activity in their old days. They are led by Oberlandesgerichtsrat a. D. Herbert Zänker, whom it still hisses, that he could bring in his term Bruno never behind bars.

A woman is kidnapped and her identity is stolen by criminals attempting to collect her inheritance.

A wealthy middle-aged man tries to seduce younger women at an oceanfront resort.

The time from 1895 to 1945, the Berlin of Zille and Otto Reutter, Claire Waldoff, the imperial parades and marches under the Brandenburg Gate; the two world wars, the lavish premieres in the Apollo Theatre and small, intimate rounds in the country.

In this hilarious opera parody, Loriot delivers a comedic take on the pretentiousness of the operatic world. The plot revolves around a fictional opera production that spirals into absurdity as egos clash, misunderstandings abound, and everything goes hilariously wrong. Through a series of farcical and exaggerated situations, Loriot brilliantly mocks the pomp and circumstance of opera while showcasing his signature dry humor and love for absurdity. Noch 'ne Oper is a sharp and witty satire of high culture’s often ridiculous nature.

Driving instructor Carola "Charley" can no longer stand the constant advances of her pupils and quits her job without further ado. To gain some distance, she takes the opportunity to look after her friend Lilo's dog, the two parrots and her apartment while Lilo is on vacation. But even here she has to fend off unloved admirers, as Lilo earns her living as a playgirl. However, "Charley" has received a good tip from her friend: As soon as a man becomes too pushy, janitor Pinkus pretends to be "Captain Tressblekken" on cue and quickly chases the visitors away. But when the real Uncle Tressblekken turns up at "Charley's" house, chaos can no longer be averted...

Pepe Notnagel (who inexplicably had his name changed from the first movie's Nietnagel) and his classmates scheme to get around doing any actual school work by cheating or sending their teachers to the sanatorium. A Swiss documentary film maker disguises himself as his brother in law, who got a position as an exchange teacher, to aid his project of making a movie about the current youth.

In his film attempt, Berlin cabaret artist Wolfgang Neuss strings together various sketches to create a story that deals with the division of Germany based on motifs from the Münchhausen legend. A farmer from the western occupation zone crashes as a reconnaissance pilot over the Soviet Union. He returns to the West via the island of Sylt by miraculous means and finally on the back of a rocket. But he finds his future farmland in the East, on the other side of the fence.

The famous singer Roberto Ricci wants to save himself from his overly intrusive female fans with a fake marriage. Mr. Praxl from the marriage institute Eros finds him his own granddaughter Gertie, who works as a waitress and wants to finance her own singing and dancing career with the fee for the role of his wife. To comply with Mr. Ricci's wishes, the attractive Gertie disguises herself as a wallflower with her hair pinned up and high-necked dresses. The act has the desired effect on Roberto's female followers. Over time, however, Gertie and Roberto actually fall in love with each other, which sparks the jealousy of Roberto's stage partner Loretta. With the help of Füllkrug, she tries to thwart the budding romance.

Axel and Gaby are looking for a priest who stole an erotic magazine from them, which happened to contain an envelope with a lot of money.

During the Third Reich, Macke played the drums for the Hitler Youth, but also had a "dangerous" penchant for jazz. After the war, he came under ideological fire in the Soviet zone. Finally in West Germany, he ends up in an institution.

Travelling salesman Gregor Samsa wakes to find that he's been transformed into a giant insect. This particular Franz Kafka adaptation is seen from Gregor's point of view, continuing to explore themes of alienation, family duty, and the absurdity of modern life as the Samsa clan cope with how to go on with the situation at hand.

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