Acting
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During second world war,Philippe PĂ©tain gets absolute powers.The war ends with the arrival of allied forces by Petainism has not been put on trial.
Julien works in an office and lives with his invalid mother and his girlfriend in a pre-war Paris apartment. He feels like the two women take advantage of him and at night, he dreams of sex and violence. Meanwhile, a murderer is loose in Paris, killing women. One day in the metro, Julien believes he sees a murder victim from his dreams; the enigmatic beauty leads him into an old shopping arcade peopled by strange figures, where he meets prostitute Bichette. The independent, confident young woman starts an affair with the clerk. But then Julien witnesses a real murder in the glass-roofed arcade…
March/April 1917. The first world war is already a couple year to pace. A sealed train with Russian emigrants keeps on driving from ZĂĽrich Germany and Sweden to Sint-Petersburg. The outlaws stand under the guidance of Vladimir J. Lenin. Two senior officers support the revolutionary bomb "to ensure that everything runs smoothly. Yet there are some unpleasant clashes between Socialists and enthusiastic workers who are worried about the war. During train travel there comes an end to Lenin's affair with the gracious Inessa, and his wife Nadja is prepared take back him. The triumphant entrance in St. Petersburg will exceed all expectations....
The film presents the political events surrounding the Anschluss in March of 1938 through the lives of Carola Hell, a popular young actress at the prestigious Theater in der Josefstadt, and Martin Hofmann, the Jewish journalist she plans to marry. When we encounter the couple in the lovely springtime weather their future is full of promise. They are determined to stay clear of politics. Yet in the climate of the time, nobody of her prominence or his religion can remain apolitical. Although Martin's journalist friend, Drechsler, calls to inform them that the Nazis plan to take over Austria soon, they concentrate on their work and their private happiness and dismiss the warnings.
A tragic spin on the futility of revolution, in cinema and elsewhere.
A film biography of Jarosław Dąbrowski, a Russian officer, Polish independence activist, and communist.
A radical film that is at once a scathing questioning of cinema, a fierce attack against ideological sclerosis, an obvious model of total science fiction.
A cinematographic poem in the form of variations around the theme of Robinson, a utopian fable freely inspired by Daniel Defoe's novel, which speaks above all of solitude: the immense weakness of today's man in the face of loneliness is no longer that of the hero of the eighteenth century.
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