Haruo Tanaka

Haruo Tanaka

Acting

March 25, 1912 — March 21, 1992
Kyoto, Japan
232 movies

Biography

Haruo Tanaka ( March 25 , 1912 – February 21, 1992 ) was a Japanese film actor noted for his supporting roles in a career that spanned seven decades. After the war, he appeared in films for Toho and Shintoho , but gradually he began to demonstrate his unique personality and became active as a character actor, appearing in works by many of the great directors who have shaped the history of Japanese cinema, including Akira Kurosawa , Yasujiro Ozu , Kenji Mizoguchi , and Shiro Toyoda. He died of l...

🎬 Haruo Tanaka's Filmography

232 movies sorted by popularity

Restoration Fire
7.0

Megastar Kataoka Chiezo is Vice-commander Hijikata Toshizo of the Shinsengumi in this realistic tale of Japan’s inner battles that led to the downfall of the Tokugawa shogunate. Excellent performances and extremely good swordplay highlight this glimpse into the heart and soul of Japanese history. Although known as “Razor Blade” Hijikata, the vice-commander is a man of deep conviction with a little-known sense of humanity. Starting after the famed Ikedaya Incident, in which they saved Kyoto from Choshu’s plot to burn the city to ashes, they work hard to change the public’s view of them as merciless killers to their true mission of protecting the shogun. This is an extraordinary tale of blood and guts! From the pen of award winning author Shotaro Ikenami (Bandit Vs. Samurai, Hunter in the Dark, Misumi's The Last Samurai)

Restoration Fire

1961
Rogue
7.0

Coal miner Isamu Oba is forced to quit his village and leave his mother and siblings behind. Mining buddy Ichiro accompanies him to Tokyo, and the pair enjoy several "fish-out-of-water" sequences before finding employment at a boxing gym with trainer Sawada and his spunky sister Tomoko. The boys also find part time night jobs as roving minstrels in the club district courtesy of benevolent gang boss Asakawa. Of course, they run afoul of boss Karasawa's cruel gang. Karasawa also has it in for Asakawa, and this indirectly throws a spanner into the works as far as Isamu's burgeoning success as a kickboxer. When Asakawa's HQ is burned to the ground by Karasawa's men, Asakawa tries to kill Karasawa - which, of course, leads to his own gruesome death. Isamu goes on the rampage with his sword, wiping out Karasawa and men.

Rogue

1968
Gambler Tales of Hasshu: A Man's Pledge
7.0

This is one of the many films based on the legend of Chuji Kunisada, a wandering gambler and a defender of the weak in the Edo period. In other words, he was the Japanese Robin Hood. In this film Kunisada (Chiezo Kataoka) arrives to a small town terrorized by an evil gang. He insists that he is not Kunisada, as the word is Kunisada has been executed, but of course the audience know better. Sonny Chiba plays an unusual supporting role as a helpless young man unable to defend himself from the gangsters. He does, however, get to play taiko drums and dance with Junko Fuji (who makes her film debut here). Chiba's father, an old judge who helps Kunisada, is played by Takashi Shimura. The film hardly anything exceptional, but it's a pretty decent jidai geki / yakuza drama.

Gambler Tales of Hasshu: A Man's Pledge

1963
The Killing Game

A middle-aged office worker, Masao Okada (Eiji Okada), discovers that his worsening illness is terminal cancer. Shaken and resigned, he meets a mysterious man, Suzuki (Haruo Tanaka), who knows every detail of his life. Also a dying patient, Suzuki proposes a “game”: two men with little time left will live in suspense, wondering when and how the other might kill, using paranoia as a way to escape the greater fear of death. Directed by Yasuharu Hasebe and based on a story by Kyotaro Nishimura, this short TV film from "Horror Theater Unbalance" blends psychological dread with social reflection. Alongside Okada’s fragile romance with nurse Akiko (Masumi Harukawa), the story introduces a nihilistic subplot where a reckless young couple (Renji Ishibashi among them) engage in a fatal dare that ends in self-destruction — echoing the era’s sense of emptiness and contrasting Okada’s struggle to find meaning in the face of death.

The Killing Game

1973
Haruo Tanaka | MovieMind AI