Mustafa Çavuş

Dog days of summer in a Kurdish city in Turkey, two unruly bright twins from a poor neighborhood are distracted by their daily routine and school duties, having an only goal in life: to dive into a proper swimming pool, one in particular, in the luxury site on their way to school. Between them and their dream, a boundary wall and behind it the stubborn and irreproachable watchmen who​‘​s​ everyday their laughing stock. They will start their little own class warfare.

The story follows a tragic sequence of events that begins when Yusuf, a successful lawyer, loses his infant child due to a mistake. In the aftermath, Yusuf experiences an internal collapse, burdened by profound remorse and guilt, while his wife, Ayşe, falls into a deep depression—pushing their marriage to the brink of a major crisis. The film explores the weight of conscience by drawing a metaphorical parallel between the tragic fate of the deceased infant and a "dead bee," which serves as a symbol for lost innocence and inner suffering. Centered on themes of tragedy, loss, and guilt, the narrative unfolds as a journey of internal transformation; the characters must confront their own inner worlds, seek to forgive one another, and attempt to rebuild their lives in the wake of their pain, ultimately searching for the possibility of absolution.