Patricia Garwood

An Englishman thinks automatically in terms of class. It's an occupational hazard. He can no more control it than lick his own tongue.

When a well-loved headmaster decides to retire, his scheming pupils have other ideas. The cunning boys unleash a campaign of practical jokes, armed with gin, itching power, and bombs!

Ben Packman leaves an old people's home to return to the Welsh mountains.

'It's a city of glass. There are trees and flowers from all over the world. And marble. Acres of it. And in a field, there are cows as still as statues'. Maria is taken to a new foster home in a magical city where she becomes Sunshine, finds a statue that talks to her and meets a Boy. She lives happily in a world of fantasy and imagination until one day ...

Stoker Charlie (the diminutive Drake) helps 150 Wrens under Superintendent Maxine Audley, who've hijacked a frigate, HMS 'Huntress', to prove they're the equal of their male counterparts.

Taking its title from Harold Macmillan's widely-reported Cape Town speech about the process of decolonisation in Africa, The Wind of Change showed the other side of the coin: the impact of colonial immigration at 'home'. The film deals with the 'colour problem' within the context of Teddy boy violence.

A farm in the Cotswolds is a far cry from the bagel-strewn Stepney of Natalie's childhood. It smells of manure, the cows frighten her and her neighbours find her rather ' foreign'. A visit from the ladies of her old Jewish girls' club is not going to help matters.

"These Indian films. They're done to a formula - songs, dance, routines and a lot of sentimental heavy breathing." When her 17-year-old son Roy falls in love with a Muslim girl, and a Bangladeshi butcher seeks help from her husband Raji, Leela realises that the tears and romance of Indian cinema are closer to her own life than she has ever imagined.