Víctor Israel

Víctor Israel

Acting

June 13, 1929 — September 19, 2009
Barcelona, Spain
152 movies

Biography

Víctor Israel, born Josep Maria Soler Vilanova, was a Spanish film actor. He appeared in more than 200 feature films, shorts and tv-productions from 1961 to 2008. He made frequent appearances in rugged action films, excessive horror movies and gritty Italian spaghetti Westerns. Seldom did he have more than a few lines of dialogue and often he appeared in uncredited roles. Remembered as a veteran character actor.

🎬 Víctor Israel's Filmography

152 movies sorted by popularity

Clara es el precio
4.8

In a city on Spain’s Costa Brava, Clara Valverde, a young beautiful woman, lives with her husband Juan. Juan is an architect and has planned a daring urbanistic project. In reality, the project is not viable. Clara, to keep her marriage and finances a float, works as a porno actress in an underground film industry. In spite of her job and her marriage, Clara is still a virgin. Her marriage has never been consummated because her husband is impotent for which she blames herself. In her work she does not allow to be penetrated. One day she goes to a reunion with Kellerman, an American millionaire who seems to be interested into put into fruition Juan’s project. However soon Clara learns that what he really wants is to blackmail her. The owner of the house, Jorge, finds out Claras’s real occupation and if she does not have sex to the American would tell everything to her husband.

Clara es el precio

1975
What Am I Doing in the Middle of the Revolution?
5.5

In the beginning of the 20th. century Italian actor Guido Guidi, more enthusiastic than talented, and his ensemble tour Texas. The mysterious and obviously rich Peppino Garibaldi gives them an offer, they can’t deny: For a large amount of dough they should play “Richard III.” in the Mexican town Vera Cruz. But Peppino is not really interested in cultural affairs: He supports “La Revolución” and “General” Carasco, who utilizes the feastful premiere of “Richard III.” to raid Vera Cruz for Comandante Zapata. But shortly after the Mexican Army shows up with some canons in tow to sort things out. Guidi and Padre Albino, Italian like him, succeed to flee and save Carasco accidentially from the firing squad. Whereas the latter coninues his revolutionary fight, Guidi and Albino start an odyssey through the struggling Mexico, which lets them fall one time in the hands of Carasco the other time in those of Herrera or even in the clutches of “hand-taking” bandidos.

What Am I Doing in the Middle of the Revolution?

1972
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