Germaine Sablon

The joys and miseries of the inhabitants of a building in a Parisian district.

A man is engaged to be married.But after getting a phone call from a wronged woman who wants revenge on her husband, he lands up consoling her in bed, and then consoling the mistress of the husband as well.

A modest soap factory employee has two passions: sport and his boss's daughter.

A young man who loves his wife wants rid of his troublesome mistress. He dresses up as a wealthy Brazilian and seduces her in a jiffy. He hopes to reach a settlement, that she must sign. In this settlement she will promise to break with her lover. He can then show that he is a faithful husband.

A rich Brazilian, Mendoza, visited Paris in 1900 and was romantically involved with the star of Offenbach's 'La vie parisienne' which was playing at the time. Thirty five years later, he returns with his son and granddaughter, who is engaged to a young Frenchman. But Mendoza's puritanical son forbids the marriage. Mendoza and the actress's friends conspire to change his mind and convert him to 'Parisian life.'

In her small village in Vendée, Ludvine, an orphan, is in love with Jean-Pierre, but he is jealously guarded by her woman employer. On the day of the "Fair of Women", a traditional event where young men can choose the girl they fancy, Jean-Pierre picks out Ludvine.

A washerwoman works so long for the same bosses that she gets to like their young son very much. One day she is unjustly accused of robbery, and dismissed. She suffers in her loneliness, until the day she hears that the boy is terminally ill, and there's no medical hope for him. She comes back and sits by him, praying to Saint Thérèse de Lisieux - and the miracle happens.

Claire and Jean are lovers, but Claire's father opposes this union, because Jean is the son of a woman he once knew. Jean becomes a great singer, but doesn't forget Claire.

A French-language Free French propaganda short made in wartime London: Germaine Sablon performs three resistance songs—most notably the first filmed performance of “Le Chant des Partisans” (music: Anna Marly; lyrics: Joseph Kessel & Maurice Druon)—for morale and circulation among Free French forces; Cavalcanti’s film was shown to troops in Britain and Canada and conceived for clandestine delivery to partisans.

In 1842, during the conquest of Algeria Sidonie Panache disguised as a Soave runs away with her lover who is doing his military service there.