Leonard Cohen

Leonard Cohen

Sound

September 21, 1934 — November 7, 2016
Montreal, Quebec, Canada
40 movies

Biography

Leonard Norman Cohen, CC GOQ (September 21, 1934 – November 7, 2016) was a Canadian singer, songwriter, poet, novelist, and painter. His work mostly explored religion, politics, isolation, sexuality, and personal relationships.[2] Cohen was inducted into both the Canadian Music Hall of Fame and the Canadian Songwriters Hall of Fame as well as the Rock and Roll Hall of Fame. He was a Companion of the Order of Canada, the nation's highest civilian honor. In 2011, Cohen received one of the Prince o...

🎬 Leonard Cohen's Filmography

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Creative Person: Leonard Cohen

Canadian poet Leonard Cohen, who now resides on the island of Hydra in Greece, is shown in his native city of Montreal. The program explores Cohen's childhood and his subsequent development as one of Canada's leading new writers. The film takes viewers to the house Cohen was brought up in as well as to the places of Montreal he enjoys frequenting—his favorite bistro, a three dollar-a-day hotel, the public park, the exclusive section called Westmount, and a Greek grocery store. Cohen himself is shown at a recording session, at public readings of his poetry, displaying home movies of his childhood, and commenting on university life. He also reflects on his visit to Cuba, his girlfriend in Greece, his obsession with danger and his friends and their personalities.

Creative Person: Leonard Cohen

1967
Palace of Pleasure
7.0

John Hofsess’s The Palace of Pleasure emerged from the psychedelic haze of 1960s postmodern art. It was a blistering work that combined arresting abstract imagery with the wounded expressions of a young couple, edited into a collage of mass culture imagery and album and book jackets, all of it framed as a therapeutic treatment. Addressed to a generation coming up in an era of protest and social change, where many found themselves increasingly burdened with hopelessness, paranoia, and neurosis, The Palace of Pleasure was offered as a cleansing ritual, a post-Freudian expelling of dammed-up energies that anticipated The Primal Scream. In this video, Stephen Broomer discusses Hofsess’s therapeutic ambitions, how the film was composed of Hofsess’s earlier films, and the sensual spell of the work, the way in which it commands us to enter into a universal fellowship of touch that circulates, from us to us, through us, to strain the boundaries between the self and the other.

Palace of Pleasure

1967
Leonard Cohen | MovieMind AI