Cinzia Monreale

New Yorker Liza Merril inherits an old hotel in Louisiana and invests her savings to reopen the place, unaware that the hotel houses the body of a dead painter murdered decades earlier, and that the location is about to become a gateway to Hell.

In the future, two television networks compete for ratings by producing violent game shows. One network produces a modern day version of the Roman gladiators, only on motorcycles instead of chariots, and uses convicted murderers as the participants, The network decides it needs a champion for this sport, so they frame a constant winner from another game for murder, and place him on the show.

A young policewoman slowly goes insane while tracking down an elusive serial rapist/killer through Italy when she herself becomes a victim of the brutal man's obsession.

Two women—Diana, a flamboyant and ruthless thief, and Evie, a seemingly innocent young woman with a troubled past—become embroiled in a series of horrific murders on the island of Malta.

A disturbed young embalmer digs the grave of his recently deceased girlfriend and brings her body to his family villa with help from his strange housekeeper. But his bouts of insanity are just beginning.

Inspector Rizzo and Marshal Caputo go to Egypt and look for Professor Cerullo, who is missing.

Kreola arrives in Santa Domingo to join her photographer husband Andy. Although Andy is initially jealous of Marco, who is in town looking for his missing girlfriend who did not return from Santa Domingo with her coworkers after a girls getaway. When Kreola and Andy site the missing girl Iris in the company of their gruff, dominating sea captain Leon, Andy suggests Kreola distract him so that Marco has a chance of getting Iris back. Kreola scoffs at this but eventually does fall under Leon's spell. Andy's writer friend Jo Ann blames the island atmosphere for the tendency for puritanical Westerners to reject their inhibitions. When Andy and Marco cannot free their women from Leon's influence, things get drastic.

In this stylish and offbeat black comedy, Benito ( Jerry Calà) keeps a diary of his sexual fantasies and cravings. As a result of his on-again, off-again relationship with the beautiful and insatiable Luigia (Sabrina Ferilli), his thoughts along these lines have grown increasingly bizarre. For his own part, he is driven to pick up and bed women at almost every opportunity. As the fantasies recorded in his diary consume more and more of his life, and grow darker and darker, his ordinary waking life becomes flatter and duller, until he disappears altogether.

In June 1983 the journalist and TV presenter Enzo Tortora was arrested on charges of drug trafficking and belonging to the Camorra.

Son of a poor Sicilian sharecropper committing suicide (he owed half a million lire to Baron Lamia), 35-year-old Carmelo Macaluso returns to the Sicilian town, after 15 years of hard work in Germany, with a Mercedes, 100 million in his briefcase and the ambitious plan to buy the respect of the villagers ...

A murdered couple return from the beyond to care for their two young children, as well as seek revenge against their killer, accept their children's step parents, and try to prevent their house from being sold.

Delves into the career of the notorious Italian filmmaker, Aristide Massaccesi aka Joe D'Amato, the infamous director behind the legendary Video Nasties Anthropophagus: The Beast and Absurd.

Young boy who sees his father gunned down kills the assassin. Years later, he has grown up to be a successful bounty hunter who is feared by many. And then one day he discovers secrets to his past...

This documentary examines the life and legacy of controversial Italian filmmaker Lucio Fulci through interviews with his colleagues, each of whom answers the question, "What is your fondest memory of Lucio Fulci?". The responses are as varied as the people who knew the late writer-director, providing a nuanced look at the man behind such gory grindhouse classics as City of the Living Dead and The House by the Cemetery.

The story of the hijacking of the Italian luxury liner Achille Lauro by four Palestinians.

Ten classmates have disappeared on the evening of 3rd March 2011. The boys were in the family home of one of them, Fabio, for a party. But the next morning, none of them was still there. Gone, vanished into thin air. A few months later their parents receive an anonymous DVD, which contains the shooting of what happened the night of the party. They are not just shootings, but something similar to a real movie about that night. Edited, set to music, post-produced. But who shot that video? And why? The truth seems not to be hidden in the content of that video only.

The spirit of a murdered girl returns with a message. Now a stranded woman must team up with the staff of a local station to solve the mystery of her death.

A young man captures the fancy of an inventor's daughter when he passes through a basement door into another dimension.

When Andres and his partner are hired to recover some valuables from an airplane that went down in the Bermuda Triangle, they face not only human treachery but also the mysterious powers of an underwater civilization.

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Noblewoman Livia and her friend Marquis Cecco Ottobuoni take revenge against politician Fabrizio Siniscalchi, Livia's lover who dumped her for political reasons, by setting him up with a young prostitute Anna to cause a scandal.

Davide Camporesi is the owner of the "Tornerai" pension in Cesenatico which he manages together with his wife Elvira and daughter Carletta, and which mainly welcomes German tourists. One day, during a trip to the countryside to buy wine, Davide meets Vindice Forattini, a former partisan comrade whom he had not seen for 30 years and who now sells agricultural feed together with his attractive daughter Cesarina. During the meeting, Davide is deeply impressed by Cesarina, and invites her to stay at the family pension. But things soon get out of hand to Davide, who finds himself romantically involved.

The story is set in an indefinite time. In a dungeon, five people fight for their survival: three women, Blonde, Black and Red; a theologian and a young doctor. Out of this hiding place reigns the APOCALISSE. Evil was generated by a zero patient and a group of ex-soldiers, called "Exterminators", crucifies any person you meet to find the origin of the evil. Are the five really safe in this place or is there something they don't know?

The annual film festival in Venice is, of course, an ideal place to make a film (how come no-one has thought of it before). Everything is there in Pupi Avati's Festival: the famous hotels Des Bain and Excelsior on the Lido, the shimmering sandy beach which captivated Visconti. The film was made last spring and exploits the presence of passing film stars such as Jack Nicholson. We see the hysterical press conferences, where journalists and experts ask intelligent questions-without listening to the answers.

Antonio Lombardi, a seventy-year-old pensioner and former seafarer, lives with his son, Luca, and his family, sharing a room with his nephew. After a morning spent at the post office to collect his pension, the old man returns home loaded with sweets and cigarettes which he has to hide to avoid being scolded by his parents. The son and daughter-in-law, without noticing him, discuss how his presence is a nuisance in the small apartment.

When a woman is beaten into a coma and saved from being raped by her handyman (Donald O'Brien), the local security force does a cover-up to save the town's reputation and frames the saviour. After he hangs himself, the woman's strange comatose psi-powers revive him from the dead to exact revenge.

The Champions League Final, on 31st May 2001, in Rome. A football match unites men that have nothing in common with each other. The stadium becomes a modern Greek theatre, where five dramas touch one another, only to fade away in a few minutes. The main characters are, Simone, Alice, Gabriele, Pietro and Achille, all different types of people, of different ages, all looking for a place to find some peace and quiet, a taste of happiness and love, as well as someone to trust in. At the last stage people laugh, but there is always a bitter note to their laughter. And their laughter is louder and more satisfying the greater their adversity. Indeed, in the end, there is always a reason to go on, a final stage from which to rise.

In the 1950s, a big stir was made by a book (and its corresponding movie) called The Ugly American. Its subject was the grievous damage done to local cultures by well-meaning but essentially clueless (and frequently arrogant) representatives of the U.S. Since then, the phenomenon of cultural damage cause by arrogant tourists and visitors has been demonstrated to be something everyone is capable of. In this thoughtful, comic drama, the subject is Italians overseas. In this film, Malindi Kenya is the playground of rich Italians.

A woman alone in a loft with frescoes of the '600 passes in less than two days a series of contradictory moods. Her only companions, underlining her status of exasperated solitude, are a video projector and an imaginary cat. Soon the protagonist is pushed outwards the loft, and in a chance meeting comes face to face with death.

Actress Cinzea Monreale guides viewers through her cult roles - most noticeably as the mysterious blind girl Emily in Lucio Fulci's classic haunted house film The Beyond (1981).

Sara, a quite librarian reluctant to enter into an affair following one that went wrong, and Bruno, a seemingly cynical guy looking for a one-night stand, become attracted to each other.

It is the story of the meeting of two men, presumed childhood friends, of which one remembers every detail, with nostalgia and perhaps resentment, while the other pretends to remember only because he is distressed by a tax assessment and his friend is a tax official. Metaphor of two opposite ways of looking at one's roots, which one cannot free oneself from without risking losing one's identity.